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Author: Carolyn F. Strauss
Publisher:
ISBN: 9789492095978
Category :
Languages : en
Pages : 352
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Book Description
Slow Spatial Research: Chronicles of Radical Affection' is a collection of essays about ?Slow? approaches to spatial practice and pedagogy from around the world. The book?s contributors are from twenty-two countries on five continents. Each one brings distinct philosophical and disciplinary approaches?from ?spatial? fields like architecture, sculpture, and installation, but also performative, somatic and/or dramaturgical practices?, exploring how we think about and engage with space at a range of scales, tempos, and durations. The essays chronicle projects and processes that amplify tangible and intangible qualities of spatial experience: reaching into the cracks of the body, probing the fuzzy borders of atmospheres, and extending out across both geographical and epistemological coordinates. The term ?radical affection? in the book?s title was coined to unite those diverse approaches in a call for tender acts of individual and collective imagination through which new forms of caring, connection, and resilience might emerge. Like its predecessor, Slow Reader (Valiz 2016), this new publication is intended to spur meaningful dialogue between disciplines and cultures, inspiring not only a different velocity of engaging the world but also critical shifts in consciousness that only Slow thinking and practice can provoke.
Author: Carolyn F. Strauss
Publisher:
ISBN: 9789492095978
Category :
Languages : en
Pages : 352
Get Book Here
Book Description
Slow Spatial Research: Chronicles of Radical Affection' is a collection of essays about ?Slow? approaches to spatial practice and pedagogy from around the world. The book?s contributors are from twenty-two countries on five continents. Each one brings distinct philosophical and disciplinary approaches?from ?spatial? fields like architecture, sculpture, and installation, but also performative, somatic and/or dramaturgical practices?, exploring how we think about and engage with space at a range of scales, tempos, and durations. The essays chronicle projects and processes that amplify tangible and intangible qualities of spatial experience: reaching into the cracks of the body, probing the fuzzy borders of atmospheres, and extending out across both geographical and epistemological coordinates. The term ?radical affection? in the book?s title was coined to unite those diverse approaches in a call for tender acts of individual and collective imagination through which new forms of caring, connection, and resilience might emerge. Like its predecessor, Slow Reader (Valiz 2016), this new publication is intended to spur meaningful dialogue between disciplines and cultures, inspiring not only a different velocity of engaging the world but also critical shifts in consciousness that only Slow thinking and practice can provoke.
Author: Ana Paula Pais
Publisher:
ISBN: 9789492095015
Category : Design
Languages : en
Pages : 255
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Book Description
Providing meaningful theoretical and practical substance to open up the importance of Slow knowledge to the contemporary design discourse; design as in thinking out new systems in diverse contexts and communities.
Author: Lutz Koepnick
Publisher: Columbia University Press
ISBN: 0231538251
Category : Philosophy
Languages : en
Pages : 332
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Book Description
Speed is an obvious facet of contemporary society, whereas slowness has often been dismissed as conservative and antimodern. Challenging a long tradition of thought, Lutz Koepnick instead proposes we understand slowness as a strategy of the contemporary—a decidedly modern practice that gazes firmly at and into the present's velocity. As he engages with late twentieth- and early twenty-first-century art, photography, video, film, and literature, Koepnick explores slowness as a critical medium to intensify our temporal and spatial experiences. Slowness helps us register the multiple layers of time, history, and motion that constitute our present. It offers a timely (and untimely) mode of aesthetic perception and representation that emphasizes the openness of the future and undermines any conception of the present as a mere replay of the past. Discussing the photography and art of Janet Cardiff, Olafur Eliasson, Hiroshi Sugimoto, and Michael Wesely; the films of Peter Weir and Tom Tykwer; the video installations of Douglas Gordon, Willie Doherty, and Bill Viola; and the fiction of Don DeLillo, Koepnick shows how slowness can carve out spaces within processes of acceleration that allow us to reflect on alternate temporalities and durations.
Author: Payal Arora
Publisher: Routledge
ISBN: 1317678923
Category : Social Science
Languages : en
Pages : 210
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Book Description
There is much excitement about Web 2.0 as an unprecedented, novel, community-building space for experiencing, producing, and consuming leisure, particularly through social network sites. What is needed is a perspective that is invested in neither a utopian or dystopian posture but sees historical continuity to this cyberleisure geography. This book investigates the digital public sphere by drawing parallels to another leisure space that shares its rhetoric of being open, democratic, and free for all: the urban park. It makes the case that the history and politics of public parks as an urban commons provides fresh insight into contemporary debates on corporatization, democratization and privatization of the digital commons. This book takes the reader on a metaphorical journey through multiple forms of public parks such as Protest Parks, Walled Gardens, Corporate Parks, Fantasy Parks, and Global Parks, addressing issues such as virtual activism, online privacy/surveillance, digital labor, branding, and globalization of digital networks. Ranging from the 19th century British factory garden to Tokyo Disneyland, this book offers numerous spatial metaphors to bring to life aspects of new media spaces. Readers looking for an interdisciplinary, historical and spatial approach to staid Web 2.0 discourses will undoubtedly benefit from this text.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Rob Kitchin
Publisher: Policy Press
ISBN: 152921128X
Category : Computers
Languages : en
Pages : 220
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Book Description
Digital technologies should be making life easier. And to a large degree they are, transforming everyday tasks of work, consumption, communication, travel and play. But they are also accelerating and fragmenting our lives affecting our well-being and exposing us to extensive data extraction and profiling that helps determine our life chances. Initially, the COVID-19 pandemic lockdown seemed to create new opportunities for people to practice ‘slow computing’, but it quickly became clear that it was as difficult, if not more so, than during normal times. Is it then possible to experience the joy and benefits of computing, but to do so in a way that asserts individual and collective autonomy over our time and data? Drawing on the ideas of the ‘slow movement’, Slow Computing sets out numerous practical and political means to take back control and counter the more pernicious effects of living digital lives.
Author: Malke Rosenfeld
Publisher: Heinemann Educational Books
ISBN: 9780325074702
Category : Education
Languages : en
Pages : 0
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Book Description
"Kids love to move. But how do we harness all that kinetic energy effectively for math learning? In Math on the Move, Malke Rosenfeld shows how pairing math concepts and whole body movement creates opportunities for students to make sense of math in entirely new ways. Malke shares her experience creating dynamic learning environments by: exploring the use of the body as a thinking tool, highlighting mathematical ideas that are usefully explored with a moving body, providing a range of entry points for learning to facilitate a moving math classroom. ..."--Publisher description.
Author: Joy Ladin
Publisher: Eoagh Books
ISBN: 9781792307225
Category :
Languages : en
Pages : 160
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Book Description
Poetry. Fiction. Jewish Studies. LGBTQIA Studies. Women's Studies. THE BOOK OF ANNA is written in the voice of Anna Asher, a fictional Czech-German Jew who spent her adolescence in a concentration camp and now lives in 1950s Prague answering phones for the secret police. This genre-defying book of prose diary entries and autobiographical poems offers intimate glimpses of Anna's present --her writing process, relationships with neighbors, obsessive sexual behavior, chain-smoking, and idiosyncratic exploration of Jewish tradition --while the poems recount her unsparing efforts to reckon with horror, survival, and their aftermath. Written in the midst of Joy Ladin's gender transition, this book asks provocative questions about the meaning of trauma, gender, suffering and empathy that speak to our current historical moment in haunting and indelible ways. This second edition of a classic text of trans literature features a new afterword by the author, "Anna and Me," reflecting on this book's pivotal importance for the development of the author's poetics and identity. "Part novel, part shattering lyric sequence, THE BOOK OF ANNA presents itself as the work of Anna Asher, a Holocaust survivor living in 1950s Prague who looks back on her pre-war love of a Heidegger-reading yeshiva bocher, on the women who saved her life in Barracks 10 (The Rebbetzin, The Physicist, The Whore), and on the Biblical 'song made of songs' where 'God is so utterly absent that the rabbis decided --what else could they do? --to see Him everywhere.' A stunning, sometimes shocking mix of Jewish learning and daring, THE BOOK OF ANNA was Ladin's breakthrough volume, and scarred, sardonic Anna is an unforgettable contribution to Jewish American poetry." --Eric Selinger "It's nearly impossible to capture the magnificence that is Joy Ladin's THE BOOK OF ANNA, what it begins and what it foretells. There is something deeply familiar in the text. I feel as if I am suddenly sitting on the yellow plastic-covered couch in my grandmother's living room, listening to the conversations while she and her friends play bridge or mahjong. The women speak Yiddish or Hungarian, and their talk is filled with cigarettes, gossip, and the kind of dry side-eyed humor that belies their own survival and the loss of parents, brothers, sisters, entire families, in the genocide that occurred not two decades before in the villages and towns of their birth. These were women trying to live. Through poems and accounts of a friendship with another survivor, Ladin follows Anna's efforts to find some sign that will allow her to go on living. 'And something shaped like a woman / As you are shaped like a man / Waiting in the middle of the Charles Bridge / For death or truth / To make her breathe again.' In the end, Ladin's Anna chooses to breathe, and we are grateful for her journey in all of its reckoning, and for this prescient and gorgeous book of becoming." --Samuel Ace
Author: Marian Macken
Publisher: Routledge
ISBN: 135126642X
Category : Architecture
Languages : en
Pages : 435
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Book Description
Books orient, intrigue, provoke and direct the reader while editing, interpreting, encapsulating, constructing and revealing architectural representation. Binding Space: The Book as Spatial Practice explores the role of the book form within the realm of architectural representation. It proposes the book itself as another three-dimensional, complementary architectural representation with a generational and propositional role within the design process. Artists’ books in particular – that is, a book made as an original work of art, with an artist, designer or architect as author – have certain qualities and characteristics, quite different from the conventional presentation and documentation of architecture. Paginal sequentiality, the structure and objecthood of the book, and the act of reading create possibilities for the book as a site for architectural imagining and discourse. In this way, the form of the book affects how the architectural work is conceived, constructed and read. In five main sections, Binding Space examines the relationships between the drawing, the building and the book. It proposes thinking through the book as a form of spatial practice, one in which the book is cast as object, outcome, process and tool. Through the book, we read spatial practice anew.
Author: Barbara Tversky
Publisher: Basic Books
ISBN: 0465093078
Category : Psychology
Languages : en
Pages : 389
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Book Description
An eminent psychologist offers a major new theory of human cognition: movement, not language, is the foundation of thought When we try to think about how we think, we can't help but think of words. Indeed, some have called language the stuff of thought. But pictures are remembered far better than words, and describing faces, scenes, and events defies words. Anytime you take a shortcut or play chess or basketball or rearrange your furniture in your mind, you've done something remarkable: abstract thinking without words. In Mind in Motion, psychologist Barbara Tversky shows that spatial cognition isn't just a peripheral aspect of thought, but its very foundation, enabling us to draw meaning from our bodies and their actions in the world. Our actions in real space get turned into mental actions on thought, often spouting spontaneously from our bodies as gestures. Spatial thinking underlies creating and using maps, assembling furniture, devising football strategies, designing airports, understanding the flow of people, traffic, water, and ideas. Spatial thinking even underlies the structure and meaning of language: why we say we push ideas forward or tear them apart, why we're feeling up or have grown far apart. Like Thinking, Fast and Slow before it, Mind in Motion gives us a new way to think about how--and where--thinking takes place.
