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Author: Elaine Cheasley Paterson
Publisher: Bloomsbury Publishing
ISBN: 1472533070
Category : Design
Languages : en
Pages : 356
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Book Description
Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' – craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices including painting, weaving, sewing and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st century emphasis on inter- and postdisciplinarity, as well as for activist, performance, queer and Aboriginal practices. In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.
Author: Elaine Cheasley Paterson
Publisher: Bloomsbury Publishing
ISBN: 1472533070
Category : Design
Languages : en
Pages : 356
Get Book Here
Book Description
Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' – craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices including painting, weaving, sewing and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st century emphasis on inter- and postdisciplinarity, as well as for activist, performance, queer and Aboriginal practices. In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.
Author: John Potvin
Publisher: Bloomsbury Publishing
ISBN: 1350063800
Category : Design
Languages : en
Pages : 337
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Book Description
Design and Agency brings together leading international design scholars and practitioners to address the concept of agency in relation to objects, organisations and people. The authors set out to expand the scope of design history and practice, avoiding the heroic narratives of a typical modernist approach. They consider both how the agents of design construct and express their identities and subjectivities through practice, while also investigating the distinctive contribution of design in the construction of individual identity and subjectivity. Individual chapters explore notions of agency in a range of design disciplines and historical periods, including the agency of women in effecting changes to the design of offices and working practices; the role of Jeffrey Lindsay and Buckminster Fuller in developing the design of a geodesic dome; Le Corbusier's 'Casa Curutchet'; a re-consideration of the gendered historiography of the 'Jugendstil' movement, and Bruce Mau's design exhibitions. Taken together, the essays in Design and Agency provide a much-needed response to the traditional texts which dominate design history. With a broad chronological span from 1900 to the present, and an equally broad understanding of the term 'design', it expands how we view the discipline, and shows how design itself can be an agent for social, cultural and economic change.
Author: Angelika Strohmayer
Publisher: Springer Nature
ISBN: 981336002X
Category : Social Science
Languages : en
Pages : 147
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Book Description
This book weaves together disparate worlds of crafting, social justice, and digital technologies around The Partnership Quilt. It crafts a manifesto for meaningful action and design processes in charitable organizations through participatory sewing and its digital augmentation. The book charts a history of how sewing has been used to voice concerns of oppression, and how digital technologies can be embedded into textiles to tell stories more powerfully. It explores the relationship between quilting and research, looking beyond the seams of The Partnership Quilt to shed light on the importance of invisible work behind such participatory, justice-oriented design projects. It concludes with a discussion of the impacts and potential future avenues for research on digitally quilting social justice. “This book is an excellent offering that highlights ways in which visual approaches to research and community work can serve as a canvas for the outpouring of oppression, anger, hope, resilience and reimagining of a socially just future. It is a great gift and valuable resource for academics, activists and students interested in social justice, participatory action research, and digital technologies.” —Puleng Segalo, Professor, University of South Africa, SA “This expansive undertaking exhibits Strohmayer’s force as a thinker, author, and partner in design. From the soldering of electrodes through the review on craft-based activism, Strohmayer generously takes us through a design process from start to finish to examines the relationships that shift along the way. She shows us how worlds of textiles partake in the making of collective futures—nurturing forms of connection as a means of creative expression, self-determination, and remembrance.” —Daniela Rosner, Associate Professor, Human Centered Design & Engineering, University of Washington, USA “This book is a highlight for the courageous minds to break the circle and re-think artistic practices as a more justice-oriented, connected and collaborative mechanisms for our futures. You will have a journey to face who and what forms of designs were privileged or silenced in the global history of quilting. You will be inspired and provoked by the making of the Partnership Quilt. The quilt piece is the materialized example that embodies the many ways of touchy-feely conversations and the possibilities to weave, stitch -or this time to quilt new worlds together. This book is about the making of artistic hope. It is about what is possible, once we see the beauty of equity instead of privileges in design.” —Özge Subaşı, Futurewell, Assistant Professor, Department of Media and Visual Arts, Koç University, Turkey "The Partnership Quilt is a powerful example of the transformative power of craftivism. In this book Dr Angelika Strohmayer pragmatically illustrates how carefully considered participatory craft based projects empower those involved, value-add to the important work being done by NGO’s and provide researchers with a methodology that supports and promotes social justice outcomes." —Dr Tal Fitzpatrick, Artist, Craftivist and Disability Support Worker, Naarm (Melbourne), Australia ‘’The Partnership Quilt, as a model of participatory textile making, draws together relational expertise from the distinct worlds of communication technologies, crafting and ecologies of care. With a focus on collaboration, Strohmayer experiments with the quilt as a metaphor for a layered, interdisciplinary research process as well as a material expression of carefully crafted relationships between makers, researchers, charitable organisations and a marginalised group of sex workers. This richly detailed and insightful book is a timely addition to a growing literature around participatory textile making advocating for interdisciplinary practices that address the care and maintenance of people’s lived experiences.’’ —Dr Emma Shercliff, Arts University Bournemouth, UK
Author: Dave Keane
Publisher: Harper Collins
ISBN: 0062065610
Category : Juvenile Fiction
Languages : en
Pages : 38
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Book Description
Meet Sloppy Joe When it comes to being messy, Sloppy Joe is a pro! He slurps, spills, slouches, talks with his mouth full, and never, ever tucks in his shirt. But being messy has its challenges. So Sloppy Joe sets out to become Neat Joe, only to learn that being messy is a part of who he is—and his family loves him for it!
Author: Glenn Adamson
Publisher: University of Arkansas Press
ISBN: 1682261522
Category : Art
Languages : en
Pages : 209
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Book Description
"A companion to the exhibition Crafting America curated at Crystal Bridges Museum of American Art, this publication explores the interdisciplinary contexts of the assembled works, featuring contributions from scholars with expertise in art history, American studies, folklore, and museum studies. Essay topics include the significance of craft within Native American histories and explorations of craft's relationship to ritual and memory, personal independence, and abstraction"--
Author: Susan Surette
Publisher: Bloomsbury Publishing
ISBN: 1350067598
Category : Design
Languages : en
Pages : 321
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Book Description
This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations. Examples range from an Irish village at the 1893 Chicago World's Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices.
Author: Amy E. Elkins
Publisher: Oxford University Press
ISBN: 0192857835
Category :
Languages : en
Pages : 289
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Book Description
Crafting Feminism develops a dynamic study of craft and art-making in modern and contemporary feminist writing. In evocative readings of literary works from Virginia Woolf to Zadie Smith, this book expands our sense of transartistic modernist scholarship to encompass process-oriented and medium-specific analyses of textile arts, digital design, collage, photography, painting, and sculpture in literary culture. By integrating these craft practices into the book's enlightening archive, Elkins's theoretical argument extends a reading of craft metaphors into the material present. Crafting Feminism demonstrates how writers have engaged with handiwork across generations and have undertaken the crafting of a new modernity, one that is queer and feminist-threaded, messy, shattered, cut-up, pasted together, preserved, repaired, reflected, and spun out. An avant-garde work of scholarship, this book interweaves queer research methods and interdisciplinary rigor with a series of surprising archival discoveries. Making visible the collaborative, creative features of craft, Elkins captivates readers with generous illustrations and a series of "Techne" interchapters-interludes between longer chapters, which powerfully convey the symbiosis between feminist theory and method, and detail the network of archival influences that underpin this volume's hybrid approach. Foregrounding the work of decentering patriarchal and Eurocentric legacies of artistic authority, Elkins champions the diverse, intergenerational history of craft as a way to reposition intersectional makers at the heart of literary culture. An original and compelling study, Crafting Feminism breaks new ground in modernist and visual studies, digital humanities, and feminist, queer, and critical race theory.
Author: Salomé Aguilera Skvirsky
Publisher: Duke University Press
ISBN: 1478007079
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
From IKEA assembly guides and “hands and pans” cooking videos on social media to Mister Rogers's classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre—a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society's level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory.
Author: Rebecca M. Brown
Publisher: University of Washington Press
ISBN: 0295999950
Category : History
Languages : en
Pages : 247
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Book Description
From the fluttering fabric of a tent, to the blurred motion of the potter’s wheel, to the rhythm of a horse puppet’s wooden hooves—these scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when America’s image of India was as a place of desperate poverty and spectacular fantasy. Displaying Time unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now.
Author: Jo Dahn
Publisher: Bloomsbury Publishing
ISBN: 1474264689
Category : Antiques & Collectibles
Languages : en
Pages : 161
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Book Description
New Directions in Ceramics explores and responds to contemporary ceramists' use of innovative modes of practice, investigating how change is happening and interpreting key works. Jo Dahn provides an overview of the current ceramics landscape, identifying influential exhibitions, events and publications, to convey a flavour of debates at a time when much about the character of ceramics is in a state of flux. What non-traditional activities does the term 'ceramics' now encompass? How have these practices developed and how have they been accommodated by institutions in Britain and internationally? Work by a wide range of ceramists, including Edmund de Waal, Nina Hole, Clare Twomey, Keith Harrison, Alexandra Engelfriet, Linda Sormin, Walter McConnell and Phoebe Cummings is considered. Following an extended introduction on ceramics in critical discourse, chapters on performance, installation, raw clay and figuration each provide an introductory overview to the area under discussion, with a closer examination of work by key ceramists, and illustrations of relevant examples. The interplay of actions and ideas is a central concern: critical and cultural contexts are woven into the account throughout, and dialogues with practitioners provide a privileged insight into thought processes as well as studio activities.
