Slapstick and Comic Performance

Slapstick and Comic Performance PDF Author: L. Peacock
Publisher: Springer
ISBN: 1137438975
Category : Performing Arts
Languages : en
Pages : 189

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Book Description
Slapstick comedy has a long and lively history from Greek Theatre to the present day. This book explores the ways in which comic pain and comic violence are performed within slapstick to make the audience laugh. It draws examples from theatre, television and film on both sides of the Atlantic.

Slapstick and Comic Performance

Slapstick and Comic Performance PDF Author: L. Peacock
Publisher: Springer
ISBN: 1137438975
Category : Performing Arts
Languages : en
Pages : 189

Get Book Here

Book Description
Slapstick comedy has a long and lively history from Greek Theatre to the present day. This book explores the ways in which comic pain and comic violence are performed within slapstick to make the audience laugh. It draws examples from theatre, television and film on both sides of the Atlantic.

Slapstick and Comic Performance

Slapstick and Comic Performance PDF Author: L. Peacock
Publisher: Springer
ISBN: 1137438975
Category : Performing Arts
Languages : en
Pages : 168

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Book Description
Slapstick comedy has a long and lively history from Greek Theatre to the present day. This book explores the ways in which comic pain and comic violence are performed within slapstick to make the audience laugh. It draws examples from theatre, television and film on both sides of the Atlantic.

Slapstick: An Interdisciplinary Companion

Slapstick: An Interdisciplinary Companion PDF Author: Ervin Malakaj
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110570971
Category : Performing Arts
Languages : en
Pages : 425

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Book Description
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US theater and cinema traditions. Nonetheless, as a form of physical humor slapstick has a long history across various areas of cultural production. This volume approaches slapstick both as a genre of situational physical comedy and as a mode of communicating an affective situation captured in various cultural products. Contributors to the volume examine cinematic, literary, dramatic, musical, and photographic texts and performances. From medieval chivalric romance and nineteenth-century theater to contemporary photography, the contributors study treatments of slapstick across media, periods and geographic locations. The aim of a study of such wide scope is to demonstrate how slapstick emerged from a variety of complex interactions among different traditions and by extension, to illustrate that slapstick can be highly productive for interdisciplinary research.

Slapstick Comedy

Slapstick Comedy PDF Author: Tom Paulus
Publisher: Routledge
ISBN: 1135966230
Category : History
Languages : en
Pages : 288

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Book Description
From Chaplin's tramp to the Bathing Beauties slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy's place in film history and American culture.

Slapstick Modernism

Slapstick Modernism PDF Author: William Solomon
Publisher: University of Illinois Press
ISBN: 0252098463
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
Slapstick comedy landed like a pie in the face of twentieth-century culture. Pratfalls percolated alongside literary modernism throughout the 1920s and 1930s before slapstick found explosive expression in postwar literature, experimental film, and popular music. William Solomon charts the origins and evolution of what he calls slapstick modernism--a merging of artistic experimentation with the socially disruptive lunacy made by the likes of Charlie Chaplin. Romping through texts, films, and theory, Solomon embarks on an intellectual odyssey from the high modernism of Dos Passos and Williams to the late modernism of the Beats and Burroughs before a head-on crash into the raw power of punk rock. Throughout, he shows the links between the experimental writers and silent screen performers of the early century, and explores the potent cultural undertaking that drew inspiration from anarchical comedy after World War II.

Slapstick Performance

Slapstick Performance PDF Author: Brad Downey
Publisher: Dokument Forlag
ISBN: 9789188369178
Category :
Languages : en
Pages : 432

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Book Description
Brad Downey is a Berlin-based, Kentucky-born artist who has made radical and inspiring artworks all across the globe. This book presents the first full assessment of his works: sculptures, architecture, performances, installations, films, drawings, collages and activism, all inspired by the objects and activities of daily life. With humor, sensitivity, and insight, Downey examines the fabric of our cities and our forgotten margins and disputed borders. In doing so, he weaves new narratives into their chaotic patterns and makes vague the divisions between art and the everyday. Through an abundance of texts, photos, film-stills, drawings, sketches, collages, portraits and self-portraits, Downey becomes comprehensible as both a conceptual and a performative artist who is not the least bit concerned about the distinction between high- and lowbrow culture. In addition, the wealth of collaborative productions that is shown in this book and that distinguishes and informs, Downey's own artistic practice opens up a view of the broad and international network in which the artist operates across the globe. The book was conceived in close collaboration with the artist, edited by Lukas Feireiss and contains texts by Jimmie Durham, Hrag Vartanian, Alain Bieber, Rafael Schacter, Matthew Murphy, Angelique Spaninks, Jennifer atcher, Marc Wellmann, and Ed Zipco.

The Languages of Humor

The Languages of Humor PDF Author: Arie Sover
Publisher: Bloomsbury Publishing
ISBN: 1350062316
Category : Language Arts & Disciplines
Languages : en
Pages : 337

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Book Description
Why are things funny? How has humor changed over the centuries? How can humor be a political force? Featuring expert authors from across the globe, The Languages of Humor discusses three main types of humour: verbal, visual, and physical. Despite the differences between them, all have a common purpose, showing us in different ways the reality that we live in, and how we can reflect on that reality. To this end, the book shows how humor has been used to address such topics as the Holocaust and the Soviet Union, and why it has been controversial in cases including Charlie Hebdo. The Languages of Humor explores a subject that is of interest in a wide range of intellectual disciplines including sociology, psychology, communication, philosophy, history, social sciences, linguistics, computer science, literature, theatre, education, and cultural studies. This volume features contributions from world-leading academics, some of who have professional backgrounds in this field. This unique research-led book, which includes over 20 illustrations, offers a top-down analysis of humor studies.

Slapstick: An Interdisciplinary Companion

Slapstick: An Interdisciplinary Companion PDF Author: Ervin Malakaj
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110571986
Category : Performing Arts
Languages : en
Pages : 423

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Book Description
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US theater and cinema traditions. Nonetheless, as a form of physical humor slapstick has a long history across various areas of cultural production. This volume approaches slapstick both as a genre of situational physical comedy and as a mode of communicating an affective situation captured in various cultural products. Contributors to the volume examine cinematic, literary, dramatic, musical, and photographic texts and performances. From medieval chivalric romance and nineteenth-century theater to contemporary photography, the contributors study treatments of slapstick across media, periods and geographic locations. The aim of a study of such wide scope is to demonstrate how slapstick emerged from a variety of complex interactions among different traditions and by extension, to illustrate that slapstick can be highly productive for interdisciplinary research.

The Routledge Comedy Studies Reader

The Routledge Comedy Studies Reader PDF Author: Ian Wilkie
Publisher: Routledge
ISBN: 0429614373
Category : Performing Arts
Languages : en
Pages : 451

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Book Description
The Routledge Comedy Studies Reader is a selection of the most outstanding critical analysis featured in the journal Comedy Studies in the decade since its inception in 2010. The Reader illustrates the multiple perspectives that are available when analysing comedy. Wilkie’s selections present an array of critical approaches from interdisciplinary scholars, all of whom evaluate comedy from different angles and adopt a range of writing styles to explore the phenomenon. Divided into eight unique parts, the Reader offers both breadth and depth with its wide range of interdisciplinary articles and international perspectives. Of interest to students, scholars, and lovers of comedy alike, The Routledge Comedy Studies Reader offers a contemporary sample of general analyses of comedy as a mode, form, and genre.

Performance Theatre and the Poetics of Failure

Performance Theatre and the Poetics of Failure PDF Author: Sara Jane Bailes
Publisher: Routledge
ISBN: 1136932437
Category : Performing Arts
Languages : en
Pages : 286

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Book Description
What does it mean to "fail" in performance? How might staging failure reveal theatre’s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally amateur challenge our perception of skill and virtuosity in such diverse modes of performance as slapstick and punk. Detailed rehearsal and performance analysis are used to engage theory and contextualise practice, extending the dialogue between theatre arts, live art and postmodern dance. The result is a critical account of performance theatre that offers essential reading for practitioners, scholars and students of Performance, Theatre and Dance Studies.