Author: Christopher F. Black
Publisher: Cambridge University Press
ISBN: 9780521531139
Category : History
Languages : en
Pages : 340
Book Description
Confraternities were - and are - religious brotherhoods for lay people to promote their religious life in common. Though designed to prepare for the afterlife, they were fully involved in the social, political and cultural life of the community and could affect all men and women, as members or as the recipients of charity. Confraternities organised a great range of devotional, cultural and indeed artistic activities in addition to other functions such as the provision of dowries and the escort of condemned men to the scaffold. Other works have studied the local activities of specific confraternities, but this is the first to attempt a broad survey of such organisations across the breadth of early modern Italy. Christopher Black demonstrates clearly the extent, diversity and influence of confraternal behaviour, and shows how such brotherhoods adapted to the religious and social crises of the sixteenth century - thus illuminating current debates about Catholic Reform, the Counter-Reformation, poverty, philanthropy and social control.
Italian Confraternities in the Sixteenth Century
Author: Christopher F. Black
Publisher: Cambridge University Press
ISBN: 9780521531139
Category : History
Languages : en
Pages : 340
Book Description
Confraternities were - and are - religious brotherhoods for lay people to promote their religious life in common. Though designed to prepare for the afterlife, they were fully involved in the social, political and cultural life of the community and could affect all men and women, as members or as the recipients of charity. Confraternities organised a great range of devotional, cultural and indeed artistic activities in addition to other functions such as the provision of dowries and the escort of condemned men to the scaffold. Other works have studied the local activities of specific confraternities, but this is the first to attempt a broad survey of such organisations across the breadth of early modern Italy. Christopher Black demonstrates clearly the extent, diversity and influence of confraternal behaviour, and shows how such brotherhoods adapted to the religious and social crises of the sixteenth century - thus illuminating current debates about Catholic Reform, the Counter-Reformation, poverty, philanthropy and social control.
Publisher: Cambridge University Press
ISBN: 9780521531139
Category : History
Languages : en
Pages : 340
Book Description
Confraternities were - and are - religious brotherhoods for lay people to promote their religious life in common. Though designed to prepare for the afterlife, they were fully involved in the social, political and cultural life of the community and could affect all men and women, as members or as the recipients of charity. Confraternities organised a great range of devotional, cultural and indeed artistic activities in addition to other functions such as the provision of dowries and the escort of condemned men to the scaffold. Other works have studied the local activities of specific confraternities, but this is the first to attempt a broad survey of such organisations across the breadth of early modern Italy. Christopher Black demonstrates clearly the extent, diversity and influence of confraternal behaviour, and shows how such brotherhoods adapted to the religious and social crises of the sixteenth century - thus illuminating current debates about Catholic Reform, the Counter-Reformation, poverty, philanthropy and social control.
The Sixteenth Century Italian Paintings: Venice 1540-1600
Author: National Gallery (Great Britain)
Publisher: National Gallery Publications Limited
ISBN: 9781857099133
Category : Art
Languages : en
Pages : 518
Book Description
This volume catalogues paintings from Venice made between 1540 and 1600, and includes some of the greatest pictures in the National Gallery, London.
Publisher: National Gallery Publications Limited
ISBN: 9781857099133
Category : Art
Languages : en
Pages : 518
Book Description
This volume catalogues paintings from Venice made between 1540 and 1600, and includes some of the greatest pictures in the National Gallery, London.
The Mathematics of the Ideal Villa and Other Essays
Author: Colin Rowe
Publisher: MIT Press
ISBN: 9780262680370
Category : Architecture
Languages : en
Pages : 244
Book Description
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
Publisher: MIT Press
ISBN: 9780262680370
Category : Architecture
Languages : en
Pages : 244
Book Description
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
The Universities of the Italian Renaissance
Author: Paul F. Grendler
Publisher: Johns Hopkins University Press+ORM
ISBN: 1421404230
Category : Education
Languages : en
Pages : 1050
Book Description
A “magisterial [and] elegantly written” study of Renaissance Italy’s remarkable accomplishments in higher education and academic research (Choice). Winner of the Howard R. Marraro Prize for Italian History from the American Historical Association Selected by Choice Magazine as an Outstanding Academic Title of the Year Italian Renaissance universities were Europe's intellectual leaders in humanistic studies, law, medicine, philosophy, and science. Employing some of the foremost scholars of the time—including Pietro Pomponazzi, Andreas Vesalius, and Galileo Galilei—the Italian Renaissance university was the prototype of today's research university. This is the first book in any language to offer a comprehensive study of this most influential institution. Noted scholar Paul F. Grendler offers a detailed and authoritative account of the universities of Renaissance Italy. Beginning with brief narratives of the origins and development of each university, Grendler explores such topics as the number of professors and their distribution by discipline; student enrollment (some estimates are the first attempted); famous faculty members; budgets and salaries; and relations with civil authority. He discusses the timetable of lectures, student living, foreign students, the road to the doctorate, and the impact of the Counter Reformation. He shows in detail how humanism changed research and teaching, producing the medical Renaissance of anatomy and medical botany, new approaches to Aristotle, and mathematical innovation. Universities responded by creating new professorships and suppressing older ones. The book concludes with the decline of Italian universities, as internal abuses and external threats—including increased student violence and competition from religious schools—ended Italy’s educational leadership in the seventeenth century.
Publisher: Johns Hopkins University Press+ORM
ISBN: 1421404230
Category : Education
Languages : en
Pages : 1050
Book Description
A “magisterial [and] elegantly written” study of Renaissance Italy’s remarkable accomplishments in higher education and academic research (Choice). Winner of the Howard R. Marraro Prize for Italian History from the American Historical Association Selected by Choice Magazine as an Outstanding Academic Title of the Year Italian Renaissance universities were Europe's intellectual leaders in humanistic studies, law, medicine, philosophy, and science. Employing some of the foremost scholars of the time—including Pietro Pomponazzi, Andreas Vesalius, and Galileo Galilei—the Italian Renaissance university was the prototype of today's research university. This is the first book in any language to offer a comprehensive study of this most influential institution. Noted scholar Paul F. Grendler offers a detailed and authoritative account of the universities of Renaissance Italy. Beginning with brief narratives of the origins and development of each university, Grendler explores such topics as the number of professors and their distribution by discipline; student enrollment (some estimates are the first attempted); famous faculty members; budgets and salaries; and relations with civil authority. He discusses the timetable of lectures, student living, foreign students, the road to the doctorate, and the impact of the Counter Reformation. He shows in detail how humanism changed research and teaching, producing the medical Renaissance of anatomy and medical botany, new approaches to Aristotle, and mathematical innovation. Universities responded by creating new professorships and suppressing older ones. The book concludes with the decline of Italian universities, as internal abuses and external threats—including increased student violence and competition from religious schools—ended Italy’s educational leadership in the seventeenth century.
The Italian Renaissance Garden
Author: Claudia Lazzaro
Publisher:
ISBN: 9780608078311
Category :
Languages : en
Pages : 354
Book Description
Publisher:
ISBN: 9780608078311
Category :
Languages : en
Pages : 354
Book Description
The Sixteenth-century Italian Schools
Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 204
Book Description
Plucky Philomene turns the tables on a nasty witch by befriending her pet monster.
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 204
Book Description
Plucky Philomene turns the tables on a nasty witch by befriending her pet monster.
The Sixteenth-century Italian Schools
Author: National Gallery (Great Britain)
Publisher: National Gallery Publications Limited
ISBN: 9780300061413
Category : Art
Languages : en
Pages : 356
Book Description
The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This volume describes Italian schools from the 16th century.
Publisher: National Gallery Publications Limited
ISBN: 9780300061413
Category : Art
Languages : en
Pages : 356
Book Description
The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This volume describes Italian schools from the 16th century.
The Italian Tradition of Equestrian Art
Author: Giovanni Battista Tomassini
Publisher: Xenophon Press LLC
ISBN: 9780933316386
Category : Horsemanship
Languages : en
Pages : 290
Book Description
This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.
Publisher: Xenophon Press LLC
ISBN: 9780933316386
Category : Horsemanship
Languages : en
Pages : 290
Book Description
This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.
Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy
Author: Yael Manes
Publisher: Routledge
ISBN: 1317094034
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
Exploring individual and collective formation of gender identities, this book contributes to current scholarly discourses by examining plays in the genre of 'erudite comedy' (commedia erudita), which was extremely popular among sixteenth-century Italians from the elite classes. Author Yael Manes investigates five erudite comedies-Ludovico Ariosto's I suppositi (1509), Niccolò Machiavelli's La Mandragola (1518) and Clizia (1525), Antonio Landi's Il commodo (1539), and Giovan Maria Cecchi's La stiava (1546)-to consider how erudite comedies functioned as ideological battlefields where the gender system of patriarchy was examined, negotiated, and critiqued. These plays reflect the patriarchal order of their elite social milieu, but they also offer a unique critical vantage point on the paradoxical formation of patriarchal masculinity. On the one hand, patriarchal ideology rejects the mother and forbids her as an object of desire; on the other hand, patriarchal male identity revolves around representations of motherhood. Ultimately, the comedies reflect the desire of the Italian Renaissance male elite for women who will provide children to their husbands but not actively assume the role of a mother. In sum, Manes reveals a wide cultural understanding that motherhood-as an activity that women undertake, not simply a relational position they occupy-challenges patriarchy because it bestows women with agency, power, and authority. Manes here recovers the complexity of Renaissance Italian discourse on gender and identity formation by approaching erudite comedies not only as mirrors of their audiences but also as vehicles for contemporary audiences' ideological, psychological, and emotional expressions.
Publisher: Routledge
ISBN: 1317094034
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
Exploring individual and collective formation of gender identities, this book contributes to current scholarly discourses by examining plays in the genre of 'erudite comedy' (commedia erudita), which was extremely popular among sixteenth-century Italians from the elite classes. Author Yael Manes investigates five erudite comedies-Ludovico Ariosto's I suppositi (1509), Niccolò Machiavelli's La Mandragola (1518) and Clizia (1525), Antonio Landi's Il commodo (1539), and Giovan Maria Cecchi's La stiava (1546)-to consider how erudite comedies functioned as ideological battlefields where the gender system of patriarchy was examined, negotiated, and critiqued. These plays reflect the patriarchal order of their elite social milieu, but they also offer a unique critical vantage point on the paradoxical formation of patriarchal masculinity. On the one hand, patriarchal ideology rejects the mother and forbids her as an object of desire; on the other hand, patriarchal male identity revolves around representations of motherhood. Ultimately, the comedies reflect the desire of the Italian Renaissance male elite for women who will provide children to their husbands but not actively assume the role of a mother. In sum, Manes reveals a wide cultural understanding that motherhood-as an activity that women undertake, not simply a relational position they occupy-challenges patriarchy because it bestows women with agency, power, and authority. Manes here recovers the complexity of Renaissance Italian discourse on gender and identity formation by approaching erudite comedies not only as mirrors of their audiences but also as vehicles for contemporary audiences' ideological, psychological, and emotional expressions.
Sixteenth-century Italian Drawings in New York Collections
Author: William Griswold
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284
Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284
Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR