Author: Thomas Thompson
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Six Songs, with an Accompaniment for the Harp or Piano Forte, etc
Author: Thomas Thompson
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Six Songs with an Accompaniment for the Piano-Forte or Harp, etc
Author: Franz Kotzwara
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
Catalogue of music, instrumental and vocal, etc. (1852.).
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Catalogue of Printed Music in the Library of the Royal College of Music, London
Author: Royal College of Music (Great Britain)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Musical instruments
Author: R. Bruce Armstrong
Publisher: Рипол Классик
ISBN: 5883190197
Category : History
Languages : en
Pages : 235
Book Description
Publisher: Рипол Классик
ISBN: 5883190197
Category : History
Languages : en
Pages : 235
Book Description
Women Writing Music in Late Eighteenth-Century England
Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
The British Union-catalogue of Early Music Before the Year 1801
Author: Edith Betty Schnapper
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 626
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 626
Book Description
The Life and Poems of Anne Hunter
Author: Caroline Grigson
Publisher: Liverpool University Press
ISBN: 1846311918
Category : Music
Languages : en
Pages : 305
Book Description
Anne Home Hunter (1741–1821) was one of the most successful songwriters of the second half of the eighteenth century and most famously renowned as the poet who wrote the lyrics to many of Haydn’s songs. This volume contains over two hundred of Hunter’s poems, many unpublished in her lifetime and collected for the first time, extending and amplifying the previously definitive edition of her Poems that was published in 1802. Accompanied by a scholarly introduction and a long biographical essay, this expertly researched book sets Hunter’s oeuvre in the political, social, and cultural context of her time.
Publisher: Liverpool University Press
ISBN: 1846311918
Category : Music
Languages : en
Pages : 305
Book Description
Anne Home Hunter (1741–1821) was one of the most successful songwriters of the second half of the eighteenth century and most famously renowned as the poet who wrote the lyrics to many of Haydn’s songs. This volume contains over two hundred of Hunter’s poems, many unpublished in her lifetime and collected for the first time, extending and amplifying the previously definitive edition of her Poems that was published in 1802. Accompanied by a scholarly introduction and a long biographical essay, this expertly researched book sets Hunter’s oeuvre in the political, social, and cultural context of her time.