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Author: John Christopher Pepusch
Publisher:
ISBN:
Category : Cantatas, Secular
Languages : en
Pages : 34
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Book Description
Author: John Christopher Pepusch
Publisher:
ISBN:
Category : Cantatas, Secular
Languages : en
Pages : 34
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Book Description
Author: John Christopher Pepusch
Publisher:
ISBN:
Category : Solo cantatas, Secular
Languages : en
Pages : 50
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Book Description
![Six English Cantatas, etc. [Score.] PDF](https://books.google.com/books/content/images/frontcover/JE2xsRfP6B4C?fife=w80-h100)
Author: John Christopher Pepusch
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
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Book Description
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1527545059
Category : Music
Languages : en
Pages : 259
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Book Description
This study examines Thomas Arne’s solo cantatas and Italian odes from musical, literary and social perspectives. Arne composed these works between 1740 and 1774. As such, they provide a means of evaluating the evolving aspects of his musical style throughout his compositional career. The Italian odes have been little-studied, but provide an important gloss on Charles Burney’s comments on Arne’s inability to set the Italian language. Study of the cantata texts that Arne set reveals that they are often pastiches which make use of the words of William Congreve, Alexander Pope, Christopher Smart and others. The resulting process of adaptation and recombination re-contextualizes the borrowed material, resulting in differing emphases and changed meanings. Arne was restricted in his career opportunities because of his Catholic faith. The cantata genre provided Arne with an important creative outlet in the hedonistic atmosphere of the concerts of London’s pleasure gardens.
Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
![Six Cantatas, for a Voice, and Instruments. [Score.] PDF](https://books.google.com/books/content/images/frontcover/r57NrIBtfZ8C?fife=w80-h100)
Author: Thomas Augustine Arne
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Author: Maggs Bros
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 662
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Author: Maggs Bros
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
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Author: Maggs Bros
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 536
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Book Description
Author: Maggs Bros
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 932
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