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Author: Virginia Pérez-Ratton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
In 2004 and 2005 TEOR/tica developed a month-by-month conference program that included the participation of renowned historians, intellectuals, scholars, curators and art critics from all over Latin America and the Caribbean. The book is a compilation of 9 lectures given in 2004 on diverse aspects of visual art in Latin America.
Author: Virginia Pérez-Ratton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
In 2004 and 2005 TEOR/tica developed a month-by-month conference program that included the participation of renowned historians, intellectuals, scholars, curators and art critics from all over Latin America and the Caribbean. The book is a compilation of 9 lectures given in 2004 on diverse aspects of visual art in Latin America.
Author: Getty Foundation
Publisher:
ISBN: 9789968899291
Category : Art, Latin American
Languages : en
Pages : 152
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Book Description
Compilation of texts on art production in Latin America.
Author: Damián Bayón
Publisher: Siglo XXI
ISBN: 9789682302053
Category : Art, Latin America
Languages : es
Pages : 258
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Book Description
El arte latinoamericano en el mundo de hoy: Despertar de una conciencia artística (1920-1930). ¿Identidad y modernidad? Actitudes y reacciones. Las formas de la crítica y la respuesta del público. Los organismos difusores y la movilidad de los artistas. Mercado, gusto y producción artística. La crisis del arte en Latinoamérica y en el mundo / Raíces, asimilaciones y conflictos: Encuentro de culturas. pocas y estilos. Diversidad de actitudes. ¿Un arte mestizo? / Arte y sociedad: El arte de una sociedad en transformación. La utilización social del objeto de arte. El artista en la sociedad latinoamericana.
Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290
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Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Author: José Jiménez
Publisher: Museo Extremeano E Iberoamericano de Arte Contemporaaneo
ISBN: 9788475069630
Category : Art
Languages : es
Pages : 447
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Book Description
Reune textos de destacaddos artistas y teóricos de distintas naciones latinoamericanas, proporcionando elementos y materiales imprescindibles para comprender la situación del arte de nuestro tiempo. Partiendo de una consideración sobre el presente/futuro de América Latina, se abordan problemas como las relaciones entre culturas nativas y universalidad, las traducciones culturales, las categorías estéticas, la figura del artista, la obra de arte, la crítica, el curador, la exposición, el museo, los públicos y el mercado del arte, la formación de las megaciudades, la performance y otros, hasta llegar a los nuevos soportes electrónicos, las culturas digitales y el arte para la red. El carácter comprehensivo del planteamiento y la originalidad y profundidad teórica de los textos, todos ellos elaborados con una escritura directa y de fácil acceso, hacen de este libro una referencia fundamental para el conocimiento del arte. Una mirada que viene de América, con una proyección universal.
Author: Ivonne Pini
Publisher: Univ. Nacional de Colombia
ISBN: 9789586950503
Category : Art, Latin American
Languages : es
Pages : 166
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Book Description
Author: Geraldine P. Biller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
Author: Juan Acha
Publisher: Fondo de Cultura Economica USA
ISBN:
Category : Art and society
Languages : es
Pages : 346
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Book Description
De manera particular, el autor pone atencion en las multiples mediaciones que operan entre el arte y la base material de la sociedad, asi como en la relacion reciproca entre la obra artistica y su distribucion y consumo.
Author: Marta Traba
Publisher:
ISBN: 9789871220212
Category :
Languages : es
Pages : 246
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Book Description
Author: Fernando J. Rosenberg
Publisher: University of Pittsburgh Press
ISBN: 0822981432
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.
