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Author: Cara Harker
Publisher: Routledge
ISBN: 1000567745
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Foundations for Performance Training: Skills for the Actor-Dancer explores the physical, emotional, theoretical, and practical components of performance training in order to equip readers with the tools needed to successfully advance in their development as artists and entertainers. Each chapter provides a fresh perspective on subjects that students of acting and dance courses encounter throughout their training as performing artists. Topics include: Equity, diversity, and inclusion in performance Mind/body conditioning for training, rehearsal, and performance Developing stage presence and spatial awareness Cultivating motivation and intention in performance Expanding repertoire and broadening skillset for performance Auditioning for film and stage Developing theatrical productions This book also offers experiential exercises, journal writing prompts, and assignments to engage readers, enrich their learning experience, and deepen their exploration of the material described in each chapter. Readers will grow as performing artists as they analyze the principles of both acting and dance and discover how deeply the two art forms are intertwined. An excellent resource for students of acting, musical theatre, and dance courses, Foundations for Performance Training encourages a strong foundation in creative analysis, technique, artistic expression, and self-care to cultivate excellence in performance.
Author: Cara Harker
Publisher: Routledge
ISBN: 1000567745
Category : Performing Arts
Languages : en
Pages : 236
Get Book Here
Book Description
Foundations for Performance Training: Skills for the Actor-Dancer explores the physical, emotional, theoretical, and practical components of performance training in order to equip readers with the tools needed to successfully advance in their development as artists and entertainers. Each chapter provides a fresh perspective on subjects that students of acting and dance courses encounter throughout their training as performing artists. Topics include: Equity, diversity, and inclusion in performance Mind/body conditioning for training, rehearsal, and performance Developing stage presence and spatial awareness Cultivating motivation and intention in performance Expanding repertoire and broadening skillset for performance Auditioning for film and stage Developing theatrical productions This book also offers experiential exercises, journal writing prompts, and assignments to engage readers, enrich their learning experience, and deepen their exploration of the material described in each chapter. Readers will grow as performing artists as they analyze the principles of both acting and dance and discover how deeply the two art forms are intertwined. An excellent resource for students of acting, musical theatre, and dance courses, Foundations for Performance Training encourages a strong foundation in creative analysis, technique, artistic expression, and self-care to cultivate excellence in performance.
Author: Michael Syrotinski
Publisher: University of Virginia Press
ISBN: 9780813921457
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Francophone African writing is often concerned with questions of subjectivity and narrative agency, and it is this focus Michael Syrotinski takes as his point of departure in Singular Performances. Using the work of V. Y. Mudimbe as a major theoretical reference, Syrotinski sets up a number of original dialogues between francophone African literature, African philosophy, literary theory, postcolonial studies, cinema, cultural studies, and history to arrive at the notion of a "performative reinscription of subjectivity." Singular Performances covers a wide range of francophone African writers, each of whom is read within a broader theoretical context related to African subjectivity: Mudimbe and the philosophical subject, Aoua Kéita and autobiography, Bernard Dadié and ethnographic irony, Ousmane Sembene and Tierno Monénembo and the cinematic imagination, Véronique Tadjo and Werewere Liking and the female writing subject, and Sony Labou Tansi and the "spectral" subject. In this skillful interdisciplinary weaving together of contemporary theory and literature, the focus on the francophone African subject allows for a richer appreciation of the texture and rhetoric of the language of the texts themselves. What emerges from this study is the subject understood not as a single homogenized entity but as a plural celebration of singular francophone African subjectivities.
Author: Pierre-Philippe Fraiture
Publisher: Oxford University Press
ISBN: 1846318947
Category : History
Languages : en
Pages : 273
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Book Description
V. Y. Mudimbe: Undisciplined Africanism is the first English-language monograph dedicated to the work of Valentin Yves Mudimbe. Pierre-Philippe Fraiture charts the intellectual history of the Congolese thinker, epistemologist, and philologist from the late 1960s to the present day, exploring his major essays and novels. He highlights Mudimbe's trajectory through major debates on African nationalism, Pan-Africansim, neo-colonialism, negritude, pedagogy, anthropology, postcolonial studies, and a variety of other subjects, using these as contexts for close readings of many of Mudimbe's texts, both influential and lesser-known. A cutting-edge, interdisciplinary book, V. Y. Mudimbe elucidates the complex work of one of the most significant African thinkers working today.
Author: Benjamin Brinner
Publisher: University of Chicago Press
ISBN: 9780226075099
Category : Music
Languages : en
Pages : 410
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Book Description
Using illustrative examples from a variety of traditions, Benjamin Brinner first examines the elements and characteristics of musical competence, the different kinds of competence in a musical community, the development of multiple competences, and the acquisition and transformation of competence through time. He then shows how these factors come into play in musical interaction, establishing four intersecting theoretical perspectives based on ensemble roles, systems of communication, sound structures, and individual motivations. These perspectives are applied to the dynamics of gamelan performance to explain the social, musical, and contextual factors that affect the negotiation of consensus in musical interaction. The discussion ranges from sociocultural norms of interpersonal conduct to links between music, dance, theater, and ritual, and from issues of authority and deference to musicians' self-perceptions and mutual assessments.
Author: Andrew Williams
Publisher: Peter Lang
ISBN: 9780820481258
Category : Computers
Languages : en
Pages : 140
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Book Description
Using iPods or portable CD players, millions of people take their music with them every day to modify their daily experiences. Encased in headphones, they listen to music for entertainment, but also use it, among other things, as a buffer between themselves and the world outside, and to manage their moods. What is it about music that makes it useful in different ways to so many people? Have people always used music in these ways, or only since the technology of the Walkman and then the mp3 player made music portable? In this wide-ranging exploration of how and why we use portable music, Andrew Williams sheds new light on the role music plays in our everyday lives. Portable Music and Its Functions will be of use to students and scholars of sociology and cultural studies as well as of musicology.
Author: Alan Warde
Publisher: John Wiley & Sons
ISBN: 0745691749
Category : Social Science
Languages : en
Pages : 220
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Book Description
This book reconstructs and extends sociological approaches to the understanding of food consumption. It identifies new ways to approach the explanation of food choice and it develops new concepts which will help reshape and reorient common understandings. Leading sociologist of food, Alan Warde, deals both with abstract issues about theories of practice and substantive analyses of aspects of eating, demonstrating how theories of practice can be elaborated and systematically applied to the activity of eating. The book falls into two parts. The first part establishes a basis for a practice-theoretic account of eating. Warde reviews research on eating, introduces theories of practice and constructs eating as a scientific object. The second part develops key concepts for the analysis of eating as a practice, showing how concepts like habit, routine, embodiment, repetition and convention can be applied to explain how eating is organised and coordinated through the generation, reproduction and transformation of a multitude of individual performances. The Practice of Eating thus addresses both substantive problems concerning the explanation of food habits and currently controversial issues in social theory, illustrated by detailed empirical analysis of some aspects of contemporary culinary life. It will become required reading for students and scholars of food and consumption in a wide range of disciplines, from sociology, anthropology and cultural studies to food studies, culinary studies and nutrition science.
Author: Jim Tuedio
Publisher: McFarland
ISBN: 0786458283
Category : Music
Languages : en
Pages : 366
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Book Description
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
Author: Michael W. Berry
Publisher: Springer Science & Business Media
ISBN: 1447124367
Category : Computers
Languages : en
Pages : 351
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Book Description
This book presents the state of the art in parallel numerical algorithms, applications, architectures, and system software. The book examines various solutions for issues of concurrency, scale, energy efficiency, and programmability, which are discussed in the context of a diverse range of applications. Features: includes contributions from an international selection of world-class authorities; examines parallel algorithm-architecture interaction through issues of computational capacity-based codesign and automatic restructuring of programs using compilation techniques; reviews emerging applications of numerical methods in information retrieval and data mining; discusses the latest issues in dense and sparse matrix computations for modern high-performance systems, multicores, manycores and GPUs, and several perspectives on the Spike family of algorithms for solving linear systems; presents outstanding challenges and developing technologies, and puts these in their historical context.
Author: Julian M. Kunkel
Publisher: Springer
ISBN: 331958667X
Category : Computers
Languages : en
Pages : 442
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Book Description
This book constitutes the refereed proceedings of the 32nd International Conference, ISC High Performance 2017, held in Frankfurt, Germany, in June 2017. The 22 revised full papers presented in this book were carefully reviewed and selected from 66 submissions. The papers cover the following topics: applications and algorithms; proxy applications; architecture and system optimization; and energy-aware computing.
Author: Stefanie Kiwi Menrath
Publisher: transcript Verlag
ISBN: 3839442567
Category : Music
Languages : en
Pages : 233
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Book Description
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity? This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
