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Author: Helen Phelan
Publisher: Oxford University Press
ISBN: 0190672242
Category : Religion
Languages : en
Pages : 337
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Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Author: Helen Phelan
Publisher: Oxford University Press
ISBN: 0190672242
Category : Religion
Languages : en
Pages : 337
Get Book Here
Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Author: Helen Phelan
Publisher:
ISBN: 9780190672263
Category : Music
Languages : en
Pages :
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Book Description
Author: Reverend Gerald Dennis Gill
Publisher: LiturgyTrainingPublications
ISBN: 1618330241
Category : Religion
Languages : en
Pages : 165
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Book Description
The approval and publication of the document Sing to the Lord: Music in Divine Worship, developed by the United States Bishops' Committee on Divine Worship, paves the way for further and more comprehensive application of the Church's norms and directives for the sung celebration of the Sacred Liturgy in our country. Music in Catholic Liturgy: A Pastoral and Theological Companion to Sing to the Lord is is an essential, practical, and theological resource for all involved in the preparation of the sung celebration of the Sacred Liturgy, especially parish priests and liturgical music ministers, with an easily accessible way to read, to more completely understand, and make excellent pastoral use of the direction now given to US parishes in Sing to the Lord: Music in Divine Worship.
Author: Marko Geslani
Publisher: Oxford University Press
ISBN: 0190862890
Category : Religion
Languages : en
Pages : 337
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Book Description
Scholars of Vedic religion have long recognized the centrality of ritual categories to Indian thought. There have been few successful attempts, however, to bring the same systematic rigor of Vedic Scholarship to bear on later "Hindu" ritual. Excavating the deep history of a prominent ritual category in "classical" Hindu texts, Geslani traces the emergence of a class of rituals known as santi, or appeasement. This ritual, intended to counteract ominous omens, developed from the intersection of the fourth Veda - the oft-neglected Atharvaveda - and the emergent tradition of astral science (Jyotisastra) sometime in the early first millennium, CE. Its development would come to have far-reaching consequences on the ideal ritual life of the king in early-medieval Brahmanical society. The mantric transformations involved in the history of santi led to the emergence of a politicized ritual culture that could encompass both traditional Vedic and newer Hindu performers and practices. From astrological appeasement to gift-giving, coronation, and image worship, Rites of the God-King chronicles the multiple lives and afterlives of a single ritual mode, unveiling the always-inventive work of the priesthood to imagine and enrich royal power. Along the way, Geslani reveals the surprising role of astrologers in Hindu history, elaborates conceptions of sin and misfortune, and forges new connections between medieval texts and modern practices. In a work that details ritual forms that were dispersed widely across Asia, he concludes with a reflection on the nature of orthopraxy, ritual change, and the problem of presence in the Hindu tradition.
Author: Gary McPherson
Publisher: Oxford University Press
ISBN: 019067444X
Category : Education
Languages : en
Pages : 353
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Book Description
Designed for music teachers, students and scholars of music education, as well as educational administrators and policy makers, this fourth book in the set focuses on issues and topics that help to broaden conceptions of music and musical involvement, while recognising that development occurs through many forms
Author: John B. Foley
Publisher: Liturgical Press
ISBN: 0814648517
Category : Music
Languages : en
Pages : 96
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Book Description
In The Heart of Our Music, master practitioners of the art of liturgical music come together to offer enriching insights, a stirring vision, and practical new ideas that will change the way you think about liturgy and liturgical ministry. These reflections are written with the needs of parish liturgists and liturgical musicians in mind. This volume includes reflections on the role of composition, the role of music, the kind of language we use, the missionary dimension of our texts and music, whether esthetic beauty is the only quality needed, and how we think about and name God in the songs we sing. Contributors and their articles include: "A Sacrifice of Praise: Musical Composition as Kenosis" by Alan J. Hommerding; "'The Word Is Near You, in Your Mouth and in Your Heart' Music as Servant of the Word" by Bob Hurd; "The Songs We Sing: The Two Languages of Worship" by Tony Barr; "Moving to Metamelos: A New Heart, a New Church, a New Song" by Rory Cooney; "Beauty and Suitability in Music in the Liturgy" by Paul Inwood; and "From 'God Beyond All Names' to 'O Agape' Images of God in Liturgical Music" by Jan Michael Joncas.
Author: David Lemley
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467461636
Category : Religion
Languages : en
Pages : 322
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Book Description
Contemporary worship music is ubiquitous in many Protestant Christian communities today. Rather than debating or decrying this post–worship-wars reality, David Lemley accepts it as a premise and examines what it means for us to be singing along with songs that aren’t so different from the pop genre. How do we cope with the consumerism embedded in the mentality that catchy is good? How do we stay committed to subverting cultural norms, as Christians are called to do, when our music is modeled after those cultural norms? How do we ensure that the way we participate in the liturgy of contemporary worship music rehearses a cruciform identity? Becoming What We Sing draws on cultural criticism, ethnomusicology, and liturgical and sacramental theology to process the deluge of the contemporary in today’s worship music. Lemley probes the thought of historical figures, such as Augustine, Hildegard of Bingen, Martin Luther, and the Wesleys, while also staying situated in the current moment by engaging with cultural philosophers such as James K. A. Smith and popular artists such as U2. The result is a thorough assessment of contemporary worship music’s cultural economy that will guide readers toward greater consciousness of who we are becoming as we sing “our way into selves, societies, and cosmic perspectives.”
Author: John Foley
Publisher: Liturgical Press
ISBN: 0814648762
Category : Religion
Languages : en
Pages : 96
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Book Description
In The Heart of Our Music, master practitioners of the art of liturgical music come together to offer enriching insights, a stirring vision, and practical new ideas that will change the way you think about liturgy and liturgical ministry. These reflections are written with the needs of parish liturgists and liturgical musicians in mind. This volume includes reflections on the role of composition, the role of music, the kind of language we use, the missionary dimension of our texts and music, whether esthetic beauty is the only quality needed, and how we think about and name God in the songs we sing. Contributors and their articles include: “A Sacrifice of Praise: Musical Composition as Kenosis” by Alan J. Hommerding; “’The Word Is Near You, in Your Mouth and in Your Heart’: Music as Servant of the Word” by Bob Hurd; “The Songs We Sing: The Two Languages of Worship” by Tony Barr; “Moving to Metamelos: A New Heart, a New Church, a New Song” by Rory Cooney; “Beauty and Suitability in Music in the Liturgy” by Paul Inwood; and “From ‘God Beyond All Names’ to ‘O Agape’: Images of God in Liturgical Music” by Jan Michael Joncas.
Author: Alcuin Reid
Publisher: Bloomsbury Publishing
ISBN: 056766807X
Category : Religion
Languages : en
Pages : 401
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Book Description
'Because the Sacred Liturgy is truly the font from which all the Church's power flows...we must do everything we can to put the Sacred Liturgy back at the very heart of the relationship between God and man... I ask you to continue to work towards achieving the liturgical aims of the Second Vatican Council...and to work to continue the liturgical renewal promoted by Pope Benedict XVI, especially through the post-synodal apostolic exhortation Sacramentum Caritatis...and the motu proprio Summorum Pontificum... I ask you to be wise, like the householder...who knows when to bring out of his treasure things both new and old (see: Mtt 13:52), so that the Sacred Liturgy as it is celebrated and lived today may lose nothing of the estimable riches of the Church's liturgical tradition, whilst always being open to legitimate development.' These words of Robert Cardinal Sarah, Prefect of the Congregation for Divine Worship, underline the liturgy's fundamental role in every aspect of the life and mission of the Church. Liturgy in the Twenty-First Century makes available the different perspectives on this from leading figures such as Raymond Leo Cardinal Burke, Archbishop Salvatore Cordileone, Abbot Philip Anderson, Father Thomas Kocik, Dom Alcuin Reid, and Dr Lauren Pristas. Considering questions of liturgical catechetics, music, preaching, how young people relate to the liturgy, matters of formation and reform, etc., Liturgy in the Twenty-First Century is an essential resource for all clergy and religious and laity involved in liturgical ministry and formation. Bringing forth 'new treasures as well as old,' its contributors identify and address contemporary challenges and issues facing the task of realising the vision of Cardinal Sarah, Cardinal Ratzinger/Benedict XVI and the Second Vatican Council.
Author: Helen Phelan
Publisher: Routledge
ISBN: 0429783426
Category : Architecture
Languages : en
Pages : 287
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Book Description
The Artist and Academia explores the relationship between artistic and academic ways of knowing. Historically, these have often been presented as opposites; the former characterized as passionate and intuitive and the latter portrayed as systematic and rigorous. Recent scholarship presents a more complex picture. Artistic knowledge demands high levels of skill and rigor, while academic research requires creativity and innovative thinking. This edited collection brings together leading artists and scholars (as well as artist-scholars) to offer a variety of philosophical, educational, experiential, reflexive and imaginative perspectives on the artist and academia. The contributions include in-depth, scholarly discussions on the nature of knowledge and creativity, as well as personal artistic statements from musicians, dancers, actors and writers. Additionally, it explores both the mediational and subversive spaces created by the meeting of artistic and academic traditions. While the book addresses global themes by global writers, its core case study is an educational experiment called the Irish World Academy of Music and Dance at the University of Limerick in Ireland. Established in 1994, it set out to reconfigure the place of the artist in the context of contemporary higher education. The material is clustered into three parts. Part One and Part Two explore the artist as mediator, educator and subversive in academia. Grounded in close-to-practice research, Part Three concludes the volume with a set of case studies from the Irish World Academy. Artistic and academic knowledge come together in this unique set of pieces to explore the development of more inclusive and imaginative pedagogical values.
