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Author: Doreen Helen Klassen
Publisher: Univ. of Manitoba Press
ISBN: 088755895X
Category : Mennonites
Languages : en
Pages : 330
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Book Description
In this pioneering book, Doreen Helen Klassen explores a collection of Mennonite Low German songs and rhymes.
Author: Doreen Helen Klassen
Publisher: Univ. of Manitoba Press
ISBN: 088755895X
Category : Mennonites
Languages : en
Pages : 330
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Book Description
In this pioneering book, Doreen Helen Klassen explores a collection of Mennonite Low German songs and rhymes.
Author: Marlene Kropf
Publisher: Herald Press (VA)
ISBN: 9780836191523
Category : Church music
Languages : en
Pages : 0
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Book Description
A collection of stories and reflections gathered from ordinary Mennonite worshipers throughout North America. The scores of people interviewed by Marlene Kropf and Kenneth Nafziger show again and again that singing is a Mennonite sacrament. A companion cassette or CD, Signing: Treasures from Mennonite Worship, is also available.
Author: Herald Press
Publisher: Faith & Life Resources
ISBN: 9780836180015
Category : Music
Languages : en
Pages : 0
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Book Description
Many new hymns as well as old favorites are included in this collection of 658 hymns. The hymns represent a variety of music styles that reflect the diversity of the Mennonite and Brethren denominations. An additional 202 worship resources offer responsive readings and prayers for many occasions. Round notes.
Author: D. Rose Elder
Publisher: JHU Press
ISBN: 1421414651
Category : History
Languages : en
Pages : 213
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Book Description
An intimate portrait of the diverse music-making at the center of Amish faith and life. Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and “single girl” sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use. This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will. By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.
Author: Jonathan Dueck
Publisher: Taylor & Francis
ISBN: 1134785984
Category : Music
Languages : en
Pages : 209
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Book Description
Congregational Music, Conflict and Community is the first study of the music of the contemporary 'worship wars' – conflicts over church music that continue to animate and divide Protestants today – to be based on long-term in-person observation and interviews. It tells the story of the musical lives of three Canadian Mennonite congregations, who sang together despite their musical differences at the height of these debates in the late 1990s and early 2000s. Mennonites are among the most music-centered Christian groups in North America, and each congregation felt deeply about the music they chose as their own. The congregations studied span the spectrum from traditional to blended to contemporary worship styles, and from evangelical to liberal Protestant theologies. At their core, the book argues, worship wars are not fought in order to please congregants' musical tastes nor to satisfy the theological principles held by a denomination. Instead, the relationships and meanings shaped through individuals’ experiences singing in the particular ways afforded by each style of worship are most profoundly at stake in the worship wars. As such, this book will be of keen interest to scholars working across the fields of religious studies and ethnomusicology.
Author: James Michael Floyd
Publisher: Routledge
ISBN: 1317270355
Category : Music
Languages : en
Pages : 354
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Book Description
This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
Author: Suzel Ana Reily
Publisher: Oxford University Press
ISBN: 019061417X
Category : Music
Languages : en
Pages : 745
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Book Description
The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.
Author: Brenda M. Romero
Publisher: Indiana University Press
ISBN: 0253064783
Category : Music
Languages : en
Pages : 323
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Book Description
Music is powerful and transformational, but can it spur actual social change? A strong collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world.
Author: Buller Rachel Epp
Publisher: Demeter Press
ISBN: 1927335868
Category : Social Science
Languages : en
Pages : 363
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Book Description
Mothering Mennonite marks the first scholarly attempt to incorporate religious groundings in interpretations of motherhood. The essays included here broaden our understanding of maternal identity as something not only constructed within the family and by society at large, but also influenced significantly by historical traditions and contemporary belief systems of religious communities. A multidisciplinary compilation of essays, this volume joins narrative and scholarly voices to address both the roles of mothering in Mennonite contexts and the ways in which Mennonite mothering intersects with and is shaped by the world at large. Contributors address cultural constructions of motherhood within ethnoreligious Mennonite communities, examining mother-daughter relationships and intergenerational influences, analyzing visual and literary representations of Mennonite mothers, challenging cultural constructions and expectations of motherhood, and tracing the effects of specific religious and cultural contexts on mothering in North and South America.’
Author: Leonard G. Friesen
Publisher: University of Toronto Press
ISBN: 148750568X
Category : History
Languages : en
Pages : 324
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Book Description
Mennonites in the Russian Empire and the Soviet Union is the first history of Mennonite life from its origins in the Dutch Reformation of the sixteenth century, through migration to Poland and Prussia, and on to more than two centuries of settlement in the Russian Empire and the Soviet Union. Leonard G. Friesen sheds light on religious, economic, social, and political changes within Mennonite communities as they confronted the many faces of modernity. He shows how the Mennonite minority remained engaged with the wider empire that surrounded them, and how they reconstructed and reconfigured their identity after the Bolsheviks seized power and formed a Soviet regime committed to atheism. Integrating Mennonite history into developments in the Russian Empire and the USSR, Friesen provides a history of an ethno-religious people that illuminates the larger canvas of Imperial Russian, Ukrainian, and Soviet history.
