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Author: John Richardson
Publisher: Wesleyan University Press
ISBN: 9780819563422
Category : Music
Languages : en
Pages : 320
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Book Description
Illuminates the aesthetics of a major American composer.
Author: John Richardson
Publisher: Wesleyan University Press
ISBN: 9780819563422
Category : Music
Languages : en
Pages : 320
Get Book Here
Book Description
Illuminates the aesthetics of a major American composer.
Author: John Richardson
Publisher: Wesleyan University Press
ISBN: 9780819563170
Category : Music
Languages : en
Pages : 294
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Book Description
Illuminates the aesthetics of a major American composer.
Author: International Study Group on Music Archaeology. Symposium
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 510
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Book Description
Author: Iain Morley
Publisher: OUP Oxford
ISBN: 019150209X
Category : Social Science
Languages : en
Pages : 464
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Book Description
Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon—not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.
Author: Carl Friedrich Keil
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 524
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Book Description
Author: ICTM Study Group on Music Archaeology. International Meeting
Publisher:
ISBN:
Category : Lur
Languages : en
Pages : 520
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Book Description
Author: Charles Wesley Bennett
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 618
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Book Description
Author: Geoffrey Richard Clark
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 236
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Book Description
Papers from the Fourth Lapita Conference held in Canberra. Lapita archaeology is of fundamental importance to understanding the Pacific since it unearths information about the first people to establish themselves beyond the Solomon Islands to as far east as Samoa around 3000 years ago.
Author: ICTM Study Group on Music Archaeology. International Meeting
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 264
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Book Description
Author: Regina M. Sweeney
Publisher: Wesleyan University Press
ISBN: 0819501387
Category : Music
Languages : en
Pages : 370
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Book Description
Winner of the International Book Award from International Association for the Study of Popular Music (2003) The practice of singing and songwriting in France during the Great War provides an intriguing tool for the exploration of the French cultural politics of the epoch. Responding to the dearth of cultural studies of the First World War, Regina Sweeney's unique cross-disciplinary study illuminates many of the hitherto unexplored corners of an era that many historians consider to exhibit a break with recognizable trends. In early twentieth century Europe, singing was considered a part of education integral to the formation of good citizens. Singing was especially important to the French, for whom it was historically associated with authenticity of feeling and purity of character, and thereby with the very roots of French democracy; it was particularly associated with the image of France as a victorious nation. But as Sweeney shows, different performances of the same patriotic song could carry vastly different meanings. By focusing on singing, Sweeney is able to provide a more nuanced reading of French Great War cultures than ever before, and to show that cultures previously held to be exclusive — those of the home front and the Western front, for example — existed in dialectical tension and were themselves far from homogenous.
