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Author: Nigel Phillips
Publisher: Cambridge University Press
ISBN: 9780521237376
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
Sijobang - the singing of a poetic narrative about the legendary hero Anggun Nan Tungga - is a form of popular entertainment in the area around Payakumbuh, in the highlands of West Sumatra. Although the story exists as a written text, it is best known locally as drama and sung narrative, and it is its character as an oral performance that forms the subject of this book. Nigel Phillips begins by setting sijobang in its cultural and literary context, and then goes on to describe the social background and training of the paid storytellers who perform the narrative. He presents a summary of the story, and discusses its transient, fragmentary and unstandardized form. Transcriptions and translations of two recorded performances follow, leading into a description of sijobang's main linguistic and literary features. Finally, Dr Phillips examines in some detail the extent to which performances vary from one occasion to another, and what connection this may have with the storyteller's degree of experience.
Author: Nigel Phillips
Publisher: Cambridge University Press
ISBN: 9780521237376
Category : Language Arts & Disciplines
Languages : en
Pages : 282
Get Book Here
Book Description
Sijobang - the singing of a poetic narrative about the legendary hero Anggun Nan Tungga - is a form of popular entertainment in the area around Payakumbuh, in the highlands of West Sumatra. Although the story exists as a written text, it is best known locally as drama and sung narrative, and it is its character as an oral performance that forms the subject of this book. Nigel Phillips begins by setting sijobang in its cultural and literary context, and then goes on to describe the social background and training of the paid storytellers who perform the narrative. He presents a summary of the story, and discusses its transient, fragmentary and unstandardized form. Transcriptions and translations of two recorded performances follow, leading into a description of sijobang's main linguistic and literary features. Finally, Dr Phillips examines in some detail the extent to which performances vary from one occasion to another, and what connection this may have with the storyteller's degree of experience.
Author: Margaret Read MacDonald
Publisher: Routledge
ISBN: 1135917213
Category : Literary Criticism
Languages : en
Pages : 1042
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Book Description
Traditional Storytelling Today explores the diversity of contemporary storytelling traditions and provides a forum for in-depth discussion of interesting facets of comtemporary storytelling. Never before has such a wealth of information about storytelling traditions been gathered together. Storytelling is alive and well throughout the world as the approximately 100 articles by more than 90 authors make clear. Most of the essays average 2,000 words and discuss a typical storytelling event, give a brief sample text, and provide theory from the folklorist. A comprehensive index is provided. Bibliographies afford the reader easy access to additional resources.
Author: J.J. Ras
Publisher: BRILL
ISBN: 9004454594
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
Author: Karl Reichl
Publisher: Walter de Gruyter
ISBN: 3110241129
Category : Literary Criticism
Languages : en
Pages : 768
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Book Description
Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.
Author: Sony Sukmawan
Publisher: European Alliance for Innovation
ISBN: 1631901885
Category : Education
Languages : en
Pages : 564
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Book Description
We are delighted to introduce the proceedings of the first edition of the 2019 International Conference on Advances in Education, Humanities, and Language (ICEL). The aim of ICEL (International Conference on Advances in Humanities, Education and Language) is to provide a platform for researchers, professionals, academicians as well as industrial professionals from all over the world to present their research results and development activities in Education, humanities, and Language. The theme of ICEL 2019 was “Mainstreaming the Influences on Higher Order of Thinking Skills in Humanities, Education, and Language in Industrial Revolution 4.0”. The technical program of ICEL 2019 consisted of 77 full papers, including invited papers in oral presentation sessions at the main conference tracks. Aside from the high quality technical paper presentations, the technical program also featured six keynote speeches, Hamamah, Ph.D (Univeritas Brawijaya, Indonesia), Prof. Dr. Nuraihan binti Mat Daud (UIIM, Malaysia), Dr. Edith Dunn (Conservator/Cultural Specialist, USA), Prof. Yoshihiko -Sugimura (university of Mizaki, Japan), Prof. Park Yoonho (Sunchon National University, Korea) and Prof. Su Keh Bow (Soochow University, Taiwan). We strongly believe that ICEL conference provides a good forum for all researchers, developers and practitioners to discuss various advances that are relevant to education, humanities, and language. We also expect that the future ICEL conference will be as successful and stimulating, as indicated by the contributions presented in this volume
Author: Andrew Dalby
Publisher: Columbia University Press
ISBN: 9780231115681
Category : Foreign Language Study
Languages : en
Pages : 1648
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Book Description
This guide to the languages of the world details more than 400 languages in a clear A-Z style.
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Category : Ethnology
Languages : en
Pages : 918
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Book Description
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Category : Asia
Languages : en
Pages : 488
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Book Description
Author: Karl Reichl
Publisher: Routledge
ISBN: 1000409201
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.
Author: Jennifer A. Fraser
Publisher: Ohio University Press
ISBN: 0896804909
Category : Music
Languages : en
Pages : 300
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Book Description
Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau. Grounded in rich ethnographic data and supplemented with online audiovisual materials, Gongs and Pop Songs is the first study to chronicle the history and variety of talempong styles. It reveals the continued vitality of older modes in rural communities in the twenty-first century, while tracing the emergence of newer ones with radically different aesthetic frames and values. Each talempong style discussed incorporates into its repertoire Minangkabau pop or indigenous songs, both of which have strong associations with the place and people. These contemporary developments in talempong have taken place against a shifting political, social, and economic backdrop: the institutionalization of indigenous arts, a failed regional rebellion, and the pressures of a free-market economy. Fraser adopts a cognitive approach to ethnicity, asking how people understand themselves as Minangkabau through talempong and how different styles of the genre help create and articulate ethnic sentiments—that is, how they help people sound Minangkabau.
