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Author: Paul Signac
Publisher: Metropolitan Museum of Art
ISBN: 0870999982
Category : Neo-impressionism (Art)
Languages : en
Pages : 354
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Book Description
This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
Author: Paul Signac
Publisher: Metropolitan Museum of Art
ISBN: 0870999982
Category : Neo-impressionism (Art)
Languages : en
Pages : 354
Get Book Here
Book Description
This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
Author: George Szabo
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 56
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Book Description
Paul Signac and Georges Sureat were the founders and the chief proponents of the Neo-Impressionist group of artists, the most prominent force in French art from 1886 until 1891. This exhibition represents the complete holdings of Paul Signac's work in the Metropolitan Museum of Art, the majority of which are in the Robert Lehman Collection. Parallel to this show, drawings and oil sketches of Seurat from New York collections are exhibited in the galleries of the Department of Drawings. Robert Lehman was very fond of Signac's art. He appreciated the dignified serenity and exact organization of the compositions, and he admired the free-flowing arabesques of line and the brilliance of the colors. Mr. Lehman acquired several oils and dozens of watercolors by Signac during the long years of his collecting. Many of these were given to museums and friends, but a considerable group of the artist's works remained in the collection at the time it entered the Metropolitan Museum. Therefore, it seemed natural that as part of our program of making available to the public larger segments of the Robert Lehman Collection, an exhibition of Paul Signac's works should be organized. Furthermore, for the first time, we have included in this exhibition the Signac holdings of other departments of the Museum. The drawings and oils sketches of Georges Seurat from the Robert Lehman Collection are naturally all included in the Seurat exhibition.
Author: Paul Signac
Publisher: Parkstone International
ISBN: 1783101733
Category : Art
Languages : en
Pages : 164
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Book Description
Inspired by Monet’s work at a young age, Paul Signac (1863-1935) was a friend and disciple of Georges Seurat who combined the scientific precision of pointillism with the vivid colors and emotional expressivity of Impressionism. A close personal friend of Vincent van Gogh, who was a great admirer of his techniques, Signac traveled the world in search of inspiration for his monumental canvases. This book examines the intricacies of Signac’s celebrated technique, as well as showcasing the details of some of his most celebrated works.
Author: Jessica Findley
Publisher: Osmora Incorporated
ISBN: 2765906343
Category : Art
Languages : en
Pages : 116
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Book Description
Paul Signac was a neo-impressionist painter who, working with Georges Seurat, helped develop the pointillist style. Under Monet's influence Signac abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He loved to paint the water and experimented with various media. As well as oil paintings and watercolors he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and André Derain in particular, thus playing a decisive role in the evolution of Fauvism.
Author: Marina Bocquillon-Ferretti
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Katalog wystawy w Arkansas Arts Center, Litle Rock, 19 luty - 9 kwiecień 2000.
Author: Vojtech Jirat-Wasiuty?ski
Publisher: University of Toronto Press
ISBN: 0802091709
Category : Social Science
Languages : en
Pages : 337
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Book Description
The Mediterranean is an invented cultural space, on the frontier between North and South, West and East. Modern Art and the Idea of the Mediterranean examines the representation of this region in the visual arts since the late eighteenth century, placing the 'idea of the Mediterranean' - a cultural construct rather than a physical reality - at the centre of our understanding of modern visual culture. This collection of essays features an international group of scholars who examine competing visions of the Mediterranean in terms of modernity and cultural identity, questioning and illuminating both European and non-European representations. An introductory essay frames the analysis in terms of a new spatial paradigm of the Mediterranean as a geographic, historical, and cultural region that emerged in the late eighteenth century, as France and Britain colonized the surrounding territories. Essays are grouped around three vital themes: visualization of the space of the new Mediterranean; varied uses of the classical paradigm; and issues of identity and resistance in an age of modernity and colonialism. Drawing on recent geographical, historical, cultural and anthropological studies, contributors address the visual representation of identity in both the European and the 'Oriental, ' the colonial and post-colonial Mediterranean.
Author: Paul Signac
Publisher:
ISBN:
Category : Neo-impressionism (Art)
Languages : en
Pages : 64
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Book Description
Author: Marina Bocquillon-Ferretti
Publisher: Vilo Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 152
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Book Description
Famous worldwide for his pointillist paintings, Paul Signac (1848-1935) is less well known for his watercolors; it's in 1892, when resting in the small Mediterranean village of Saint Tropez, that the artist discovered the immense possibilities of this specific technique which was to become his favorite means of expression.
Author: ?stein Sj?ad
Publisher: Routledge
ISBN: 135157793X
Category : Art
Languages : en
Pages : 190
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Book Description
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
Author: Los Angeles County Museum
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 28
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Book Description
