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Author: Ottavio Cappellani
Publisher: Farrar, Straus and Giroux
ISBN: 1429996153
Category : Fiction
Languages : en
Pages : 351
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Book Description
Balding, forty-something Mister Alfio Turrisi, an up-and-coming mafioso in Catania, has the deep pockets that London's financial world loves. He, in turn, loves Betty, the spoiled young daughter of Turi Pirrotta, a rival Catanian mobster. Alfio and Betty would seem to be the Romeo and Juliet of this poison-pen valentine to Ottavio Cappellani's native Sicily. That is, until we meet another pair of star-crossed lovers: gay theater director Tino Cagnotto and his bored and sexy young amore, Bobo. Because the way Tino sees it, the real heat in Shakespeare's tragedy is between Romeo and Mercutio, not Romeo and Juliet . . . Set in a twenty-first-century Sicily rife with moody aristocrats, vain politicians, inept gangsters, shabby theater actors, and high-tech killers, Cappellani's hilarious second novel—part Tarantino-style operetta, part soap opera—is also a surprising tribute to the Bard.
Author: Ottavio Cappellani
Publisher: Farrar, Straus and Giroux
ISBN: 1429996153
Category : Fiction
Languages : en
Pages : 351
Get Book Here
Book Description
Balding, forty-something Mister Alfio Turrisi, an up-and-coming mafioso in Catania, has the deep pockets that London's financial world loves. He, in turn, loves Betty, the spoiled young daughter of Turi Pirrotta, a rival Catanian mobster. Alfio and Betty would seem to be the Romeo and Juliet of this poison-pen valentine to Ottavio Cappellani's native Sicily. That is, until we meet another pair of star-crossed lovers: gay theater director Tino Cagnotto and his bored and sexy young amore, Bobo. Because the way Tino sees it, the real heat in Shakespeare's tragedy is between Romeo and Mercutio, not Romeo and Juliet . . . Set in a twenty-first-century Sicily rife with moody aristocrats, vain politicians, inept gangsters, shabby theater actors, and high-tech killers, Cappellani's hilarious second novel—part Tarantino-style operetta, part soap opera—is also a surprising tribute to the Bard.
Author: Ugo Falcando
Publisher: Manchester University Press
ISBN: 9780719054358
Category : History
Languages : en
Pages : 308
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Book Description
This addition to the Manchester Medieval Sources Series provides a translation of, and the historical background to, the History of the Tyrants of Sicily by Hugo Falcandus. The text also offers a historiographical examination of the text.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
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Book Description
Author: Ottavio Cappellani
Publisher:
ISBN: 9782020966733
Category :
Languages : fr
Pages : 347
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Book Description
Quand l'adjoint à la Culture est assassiné dans l'amphithéâtre de San Giovanni La Punta pendant la première de Roméo et Juliette, la nouvelle enflamme immédiatement l'île. Mais lorsque son homologue trouve la mort un peu plus tard dans le théâtre grec de Palazzolo Acreide, certains esprits malins ouvrent les paris : cette sinistre fatalité se répétera-t-elle sur la scène baroque de Noto ?. L'affaire prend de telles proportions que le Daily Mirror titre même: " A Sicilian Tragedy". Pareille situation est loin d'amuser le metteur en scène d'avant-garde Tino Cagnotto. Par amour pour le jeune Bobo, il s'est tourné vers les textes classiques, proposant le chef-d'œuvre shakespearien à la sauce néoréaliste. La célébrité l'atteint de plein fouet et le jette en pâture à une foule d'individus plus ou moins bien intentionnés: comtesses et baronnes, acteurs dialectaux, politiciens ambitieux, charcutières et secrétaires amoureuses, enfin et surtout parrains locaux qui ont entrepris de régler leurs comptes en une vendetta catanaise étrangement semblable à celle de Vérone. Au rythme des vers du Barde anglais, c'est toute l'âme british de la Sicile qui explose dans une comédie noire, brillante et hilarante
Author: Italo Nicolai
Publisher:
ISBN: 9781413470987
Category :
Languages : en
Pages : 0
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Book Description
This novel is the story of the people of Sicily during the twentieth century. In particular, it follows the lives of the Agosto family as they struggle through a son
Author: Mary Robinson
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 102
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Book Description
Author: Kathryn G. Bosher
Publisher: Cambridge University Press
ISBN: 1108493874
Category : Art
Languages : en
Pages : 249
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Book Description
Explores the origins and development of ancient drama, especially comedy, on Sicily and its relationship to the political situation.
Author: Anna A. Lamari
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110561166
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
An inexplicably understudied field of classical scholarship, tragic reperformance, has been surveyed in its true dimension only in the very recent years. Building on the latest discussions on tragic restagings, this book provides a thorough survey of reperformance of Greek tragedy in the fifth and fourth centuries BC, also addressing its theatrical, political, and cultural context. In the fifth and fourth centuries, tragic restagings were strongly tied to cultural mobility and exchange. Poets, actors, texts, vases, and vase-painters were traveling, bridging the boundaries between mainland Greece and Magna Graecia, boosting the spread of theater, facilitating theatrical literacy, and setting a new theatrical status quo, according to which popular tragic plays were restaged, by mobile actors, in numerous dramatic festivals, in and out of Attica, with or without the supervision of their composers. This book offers a holistic examination of ancient reperformances of tragedy, enhancing our perception of them as a vital theatrical practice that played a major part in the development of the tragic genre in the fifth and fourth centuries BC.
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 542
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Book Description
Author: Verna A. Foster
Publisher: Routledge
ISBN: 1351885340
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic nor tragic). Foster posits that, in the sense of the dramaturgical and emotional fusion of tragic and comic elements to create a distinguishable new genre, tragicomedy has emerged only twice in the history of drama. She argues that tragicomedy first emerged and was controversial in the Renaissance; and that it has in modern times replaced tragedy itself as the most serious and moving of all dramatic genres. In the first section of the book, the author analyzes the name 'tragicomedy' and the genre's problems of identity; then goes on to explore early modern tragicomedies by Shakespeare, Beaumont and Fletcher, and Massinger. A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter. By exploring dramaturgical similarities between early modern and modern tragicomedies, Foster demonstrates the persistence of tragicomedy's generic markers and provides a more precise conceptual framework for the genre than has so far been available.