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Author: Garth Clark
Publisher:
ISBN: 9780300169973
Category : Art pottery
Languages : en
Pages : 0
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Book Description
"Published to coincide with the exhibition held at the the Museum of Fine Arts, Houston, Mar. 4-June 17, 2012"--Colophon.
Author: Garth Clark
Publisher:
ISBN: 9780300169973
Category : Art pottery
Languages : en
Pages : 0
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Book Description
"Published to coincide with the exhibition held at the the Museum of Fine Arts, Houston, Mar. 4-June 17, 2012"--Colophon.
Author: Christine Nofchissey McHorse
Publisher: SF Design, LLC / Frescobooks
ISBN: 9781934491386
Category : Art pottery, American
Languages : en
Pages : 0
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Book Description
Dark Light is the first book on the ceramics of the great Navajo ceramist Christine Nofchissey McHorse and features her award-winning sculptural black series begun in 1998. Authors Clark and Del Vecchio, the two foremost experts on international contemporary ceramics, give respect to the artist's Native roots while also exploring her art in a mainstream context, a breakthrough in evaluating Indian pottery today. Dark Light refers to the mica-rich clay McHorse uses in her vessels. When fired, the mica glows and shimmers against the black of the reduction-fired surfaces, advancing and receding, giving McHorse's elegant, matt-black biomorphic shapes a retinal vibrance and a sensual life.
Author: Jenni Sorkin
Publisher: University of Chicago Press
ISBN: 022630325X
Category : Art
Languages : en
Pages : 311
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Book Description
Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
Author: Laura Breen
Publisher: Bloomsbury Publishing
ISBN: 1350047856
Category : Design
Languages : en
Pages : 257
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Book Description
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
Author: Henry Glassie
Publisher: Indiana University Press
ISBN: 0253048907
Category : Art
Languages : en
Pages : 271
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Book Description
DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.
Author: Christie Brown
Publisher: Routledge
ISBN: 1317160878
Category : Language Arts & Disciplines
Languages : en
Pages : 247
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Book Description
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 514
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Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Author: Lloyd Cotsen
Publisher: Art Media Resources
ISBN: 9781878529596
Category :
Languages : en
Pages : 391
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Book Description
Japanese Bamboo Baskets: Masterworks of Form and Texture surveys nineteenth- and twentieth-century baskets of Japan, their place in history, and the elevation of bamboo craft work to an art form. It features more than 250 illustrations of selections from the largest known collection of Japanese flower baskets. This is the first book in English to examine bamboo baskets as modern sculptural masterpieces as well as chronicle the development of Japanese flower-arranging baskets from utilitarian containers through their subsequent transformation into art. At the heart of this volume are dramatic portraits of works in the Cotsen Collection. Full-page and double-page illustrations abound. Large-scale details and second views evoke the forms, textures and three-dimensionality Of the baskets, revealing their monumentality and the architecture of their construction. The baskets illustrated were selected primarily for their visual qualities, and are organized by region. They rage from 1890s examples by the first basket maker who signed his work to 1990s creations by leading bamboo crafts artists. Pieces by all those who have been made Living National Treasures are included. This book is filled with new information and superlative works of art. It will be treasured by anyone who has known the joy of holding a rough-woven basket or admired the delicate tracery of bamboo strips in a contemporary work of bamboo art.
Author: Theo van Doesburg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Author: Glenn Adamson
Publisher: University of Arkansas Press
ISBN: 1682261522
Category : Art
Languages : en
Pages : 209
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Book Description
"A companion to the exhibition Crafting America curated at Crystal Bridges Museum of American Art, this publication explores the interdisciplinary contexts of the assembled works, featuring contributions from scholars with expertise in art history, American studies, folklore, and museum studies. Essay topics include the significance of craft within Native American histories and explorations of craft's relationship to ritual and memory, personal independence, and abstraction"--
