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Author: William A. Ulmer
Publisher: Princeton University Press
ISBN: 1400861381
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and narcissism. Ulmer takes the mutual desire of self and antitype as a paradigm for rhetorical and social relations throughout Shelley and, in a significant departure from critical consensus, argues that his poetics were predominantly idealist. Ulmer demonstrates how the idealism of Shelleyan eros centers on a symbiosis of contraries organized as a dialectical variation of metaphor. In so doing, he contends that this idealism is both a rhetorical construct and revolutionary agency, and traces the failure of Shelley's visionary humanism to the gradual emergence of contradictions latent in his idealism. What emerges are new readings of individual texts and a reconsideration of the poet's imaginative development. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: William A. Ulmer
Publisher: Princeton University Press
ISBN: 1400861381
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and narcissism. Ulmer takes the mutual desire of self and antitype as a paradigm for rhetorical and social relations throughout Shelley and, in a significant departure from critical consensus, argues that his poetics were predominantly idealist. Ulmer demonstrates how the idealism of Shelleyan eros centers on a symbiosis of contraries organized as a dialectical variation of metaphor. In so doing, he contends that this idealism is both a rhetorical construct and revolutionary agency, and traces the failure of Shelley's visionary humanism to the gradual emergence of contradictions latent in his idealism. What emerges are new readings of individual texts and a reconsideration of the poet's imaginative development. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Teddi Chichester Bonca
Publisher: SUNY Press
ISBN: 9780791439784
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
An analysis of Shelley's fiction, poetry, and letters covers the topics of narcissism, gender identity, and self-idolotry.
Author: Marilyn D. Button
Publisher: Bloomsbury Publishing USA
ISBN: 0313388725
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
While England has been strengthened by a proud isolationism, she has simultaneously been enriched by the economic, social, and political complexities that have emerged as people of different ethnic and cultural backgrounds have moved within her borders, or when her own citizens have emigrated among those foreigners to live or rule. This book explores the foreign element in English culture and the attempt by English writers from the early 19th to the mid 20th century to portray their complex and often ambiguous responses to that doubly foreign element among them: the foreign woman. While being foreign may begin with national or ethnic difference, the contributors to this book expand it to include other forms of alienation from a dominant culture, resulting from gender, race, class, ideology, or temperament. The many factors shaping English national identity—including British imperialism, immigration patterns, English family and social structures, and English common law—have been shaped by gender-related issues. Though not a prominent literary figure, the foreign woman in England has received increasingly critical attention in recent years as a psychological and sociological phenomenon. By beginning with Byron in the early 19th century and concluding with Lawrence Durrell in the 20th century, this study contributes to a more comprehensive vision of the foreign woman as she is portrayed by a number of British authors, including Shelley, Wordsworth, Charlotte Bronté, Elizabeth Barrett Browning, Wilkie Collins, George Eliot, Joseph Conrad, D. H. Lawrence, and Anita Brookner.
Author: Andrew Warren
Publisher: Cambridge University Press
ISBN: 1316123774
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practised by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally.
Author: Elizabeth Neiman
Publisher: University of Wales Press
ISBN: 1786833689
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This project has several distinctive features. The first is statistical analysis of publishing records for all British novels (Minerva and otherwise) published between 1780 and 1829 (data are compiled from James Raven’s and Peter Garside’s The English Novel, 1770-1829: a Bibliographical Survey of Prose Fiction Published in the British Isles). This analysis confirms that Minerva novelists are more prolific than most female novelists in the period. It is rarely noted that Minerva novelists also often publish on occasion with other presses, something to which the data calls attention. The book’s scope and content challenges an anachronism that still permeates studies of the Romantic era. Minerva’s Gothics restores a forgotten pathway between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet.
Author: Mark Sandy
Publisher: Routledge
ISBN: 1317061322
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
Author: Christopher Stokes
Publisher: Oxford University Press, USA
ISBN: 0198857802
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The first study to treat poetry of the Romantic period through the motif of prayer, it covers a range of canonical writers to illustrate how prayer is central to literature's engagement with a secular age.
Author: Omar F. Miranda
Publisher: Cambridge University Press
ISBN: 1009206524
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Two centuries after Percy Shelley's death, his writings still resonate with pressing societal issues. This collection explores Shelley's remarkable collaboration with audiences across spaces and times. This title is part of the Flip it Open programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Michael O'Neill
Publisher: Routledge
ISBN: 1317896351
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Attacked by T.S. Eliot and F.R. Leavis, Shelley's poetry has, over the last few decades, enjoyed a revival of critical interest. His radical politics and arrestingly original poetic strategies have been studied from a variety of perspectives - formalist, deconstructionist, new historicist, feminist and others. Of all the Romantics, Shelly has benefited most from the so-called 'theoretical revolution', as is borne out by the wide range of recent critical work represented in this volume. The 134 essays selected analyse many of Shelley's finest poems, including Alastor, Julian and Maddalo, Prometheus Unbound, Adonais and The Triumph of Life. Michael O'Neill's informed Introduction explores the contours of this debate. Detailed headnotes to the individual essays, explanations of difficult terms, and a further reading section provide invaluable guides to the reader. This collection illuminates the enduring and contemporary significance of the work of a major poet.
Author: Benjamin Colbert
Publisher: Routledge
ISBN: 1351900404
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of Post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. This book is informed by original research on a wide range of period travel writings, including Mary Shelley and Shelley's neglected collaboration, History of a Six Weeks' Tour (1817), in which 'Mont Blanc' first appeared. Fully responsive to the culture of travel, Shelley's travel prose and poetry form fascinating conversations with major Romantic travellers like Byron, Wollstonecraft, and Wordsworth, as well as lesser-known but widely read travel writers of the day, including Morris Birkbeck, Charlotte Eaton, and John Chetwode Eustace. In this provocative study, Benjamin Colbert demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. Shelley's travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer. Shelley's Eye offers a new perspective on Shelley's intellectual history. It is also a timely and important contribution to recent interdisciplinary scholarship that aims to re-evaluate Romantic idealism in the context of physical, experiential, or material cultural practices.
