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Author: Edward John Trelawny
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 504
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Author: Edward John Trelawny
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 504
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Author: William Dean Brewer
Publisher:
ISBN: 9780813013008
Category : Literary Criticism
Languages : en
Pages : 189
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"All advanced students of English Romanticism would find this book of use. . . . From the first, Brewer recognizes that the conversation between Shelley and Byron is, in the deepest sense, stylistic rather than moralistic."--Stuart Curran, University of Pennsylvania "Lucid, direct, and refreshingly unpretentious in its intellectual approach."--Peter Graham, Virginia Polytechnic Institute While critics traditionally have seen Shelley and Byron as two irreconcilable opposites, separated by both temperament and philosophy, this study--informed by scholarship of the past eighteen years, since Charles Robinson's landmark study--explores their six-year relationship and argues that it was more collaborative than contentious. Shelley and Byron first met at Lake Geneva, Switzerland, in 1816, brought together by Claire Clairmont (Mary Shelley's stepsister and the Shelleys' traveling companion). The two poets soon discovered that they shared radical political sympathies and a determination to abandon moral platitudes and religious cant. From the beginning it appears that they inspired each other and those around them. After this encounter Byron began a new phase in his development, Shelley embarked on a major work, and Mary Shelley completed Frankenstein. In 1818, the men came together again in Venice for their most important interaction. In the period of intense creativity that followed, both wrote their masterworks: Shelley composed Julian and Maddalo (a poem inspired by their discussions) and began writing Prometheus Unbound and Byron completed the first canto of Don Juan and all of Mazeppa. By analyzing the echoes and allusions found in their writing, Brewer suggests that Shelley and Byron transformed each other's work. His discussion of Julian and Maddalo considers the conversational style each poet came to employ; his analysis of Cain shows how it reflects their mutual interest in Prometheanism and their fascination with the Devil; his examination of The Triumph of Life includes an appraisal of the influence of Goethe's Faust on both. In general, Brewer says, Shelley and Byron have not been given credit for their willingness to learn from each other. Their personal and literary dialogues ranged from discussions of their social-activist goals to their perceptions of the benighted and tragic state of humanity, shaping some of the most important achievements of the Romantic era. William D. Brewer is associate professor of English at Appalachian State University. He is the editor of New Essays on Lord Byron and the author of articles in Philological Quarterly, The Keats-Shelley Journal, and other publications.
Author: Daisy Hay
Publisher: A&C Black
ISBN: 0747586276
Category : History
Languages : en
Pages : 386
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A striking literary biography by a significant and talented young writer
Author: Howard Brenton
Publisher: Samuel French, Inc.
ISBN: 9780573690389
Category : Drama
Languages : en
Pages : 108
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Book Description
This fascinating drama, staged to acclaim in London and New York, has in its cast of characters Lord Byron, Percy Bysshe Shelley, Mary Shelley and Claire Goodwin. The play is about radicalism artistic, political and more. Taking place in Italy, it concerns the characters' various ideas about radical politics and free love. Along the way, a number of serious questions are raised, not the least of which is why fervent radicals seem so often to be done in by their reprehensible characters. At the end of the play Byron attends the cremation of Shelley on the beach at Viareggio and delivers a stunning ovation over the pyre: "Burn him. Burn us all. A great big bloody beautiful fire."
Author: John Lauritsen
Publisher:
ISBN: 9780943742304
Category :
Languages : en
Pages : 192
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Book Description
In 1822, two great poets ¿ Percy Bysshe Shelley and George Gordon, Lord Byron ¿ lived in Pisa, Italy, together with three friends. They met daily in Byron's palazzo for discussions, which sometimes lasted into the middle of the night. Although these men had wives and children, they were gay, for male love was an important part of their lives. They thought of themselves as ¿pariahs¿ in ¿exile¿, and for good reason. Men and boys in their home country, England, were being hanged for having sex with each other, whereas Italy had no such laws. All of them were ardent Hellenists, who knew well that male love had flourished in Ancient Greece ¿ the same male love that was persecuted in their own time. Despite the censorious efforts of friends and family, ample evidence survives that they loved other males. Homoeroticism in their works was usually coded for the ¿initiated¿, but was sometimes amazingly candid. After only half a year, the Shelley-Byron circle was blown apart by the untimely deaths of their leading members. John Lauritsen de-codes homoerotic references, reinterprets major works of English Romanticism, and places all in historical context. Love and sex between males is an ordinary, healthy part of the human sexual repertoire. For too long, biographers have falsified the love lives of the Shelley-Byron men. The time has come to bring them into the light of day.
Author: John Buxton
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages : 328
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Author: Paul Stock
Publisher:
ISBN: 9781349382316
Category : English literature
Languages : en
Pages : 264
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Book Description
This book investigates how Lord Byron, Percy Shelley, and their circle understood the idea of 'Europe.'.
Author: Madeleine Callaghan
Publisher: Anthem Press
ISBN: 1783088990
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
Byron’s and Shelley’s experimentation with the possibilities and pitfalls of poetic heroism unites their work. The Poet-Hero in the Work of Byron and Shelley traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet’s imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron’s and Shelley’s poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.
Author: P. Schock
Publisher: Springer
ISBN: 0230513301
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Criticism has largely emphasised the private meaning of 'Romantic Satanism', treating it as the celebration of subjectivity through allusions to Paradise Lost that voice Satan's solitary defiance. The first full-length treatment of its subject, Romantic Satanism explores this literary phenomenon as a socially produced myth exhibiting the response of writers to their milieu. Through contextualized readings of the major works of Blake, Shelley, and Byron, this book demonstrates that Satanism enabled Romantic writers to interpret their tempestuous age: it provided them a mythic medium for articulating the hopes and fears their age aroused, for prophesying and inducing change.
Author: Edward John Trelawny
Publisher:
ISBN:
Category : Greece
Languages : en
Pages : 332
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