Author: Bernard Shaw
Publisher: W W Norton & Company Incorporated
ISBN: 9780393977530
Category : Drama
Languages : en
Pages : 545
Book Description
Presents four plays by George Bernard Shaw, incuding "Mrs. Warren's Profession," "Pygmalion," "Man and Superman," and "Major Barbara," each with an explanatory annotation, and includes information on the author and his work, a chronology, and a selected bibliography.
George Bernard Shaw's Plays
Author: Bernard Shaw
Publisher: W W Norton & Company Incorporated
ISBN: 9780393977530
Category : Drama
Languages : en
Pages : 545
Book Description
Presents four plays by George Bernard Shaw, incuding "Mrs. Warren's Profession," "Pygmalion," "Man and Superman," and "Major Barbara," each with an explanatory annotation, and includes information on the author and his work, a chronology, and a selected bibliography.
Publisher: W W Norton & Company Incorporated
ISBN: 9780393977530
Category : Drama
Languages : en
Pages : 545
Book Description
Presents four plays by George Bernard Shaw, incuding "Mrs. Warren's Profession," "Pygmalion," "Man and Superman," and "Major Barbara," each with an explanatory annotation, and includes information on the author and his work, a chronology, and a selected bibliography.
Shaw on Shakespeare
Author: Bernard Shaw
Publisher: Hal Leonard Corporation
ISBN: 9781557835611
Category : Performing Arts
Languages : en
Pages : 308
Book Description
(Applause Books). "With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his." - From SHAW ON SHAKESPEARE Celebrated playwright, critic and essayist George Bernard Shaw was more like the Elizabethan master that he would ever admit. Both men were intristic dramatists who shared a rich and abiding respect for the stage. Shakespeare was the produce of a tempestuous and enlightening era under the reign of his patron, Queen Elizabeth I; while G.B.S. reflected the racy and risque spirt of the late 19th century as the champion of modern drama by playwrights like Ibsen, and, later, himself. Culled from Shaw's reviews, prefaces, letters to actors and critics, and other writings, SHAW ON SHAKESPEARE offers a fascinating and unforgettable portrait of the 16th century playwright by his most outspoken critic. This is a witty and provocative classic that combines Shaw's prodigious critical acumen with a superlative prose style second to none (except, perhaps, Shakespeare!).
Publisher: Hal Leonard Corporation
ISBN: 9781557835611
Category : Performing Arts
Languages : en
Pages : 308
Book Description
(Applause Books). "With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his." - From SHAW ON SHAKESPEARE Celebrated playwright, critic and essayist George Bernard Shaw was more like the Elizabethan master that he would ever admit. Both men were intristic dramatists who shared a rich and abiding respect for the stage. Shakespeare was the produce of a tempestuous and enlightening era under the reign of his patron, Queen Elizabeth I; while G.B.S. reflected the racy and risque spirt of the late 19th century as the champion of modern drama by playwrights like Ibsen, and, later, himself. Culled from Shaw's reviews, prefaces, letters to actors and critics, and other writings, SHAW ON SHAKESPEARE offers a fascinating and unforgettable portrait of the 16th century playwright by his most outspoken critic. This is a witty and provocative classic that combines Shaw's prodigious critical acumen with a superlative prose style second to none (except, perhaps, Shakespeare!).
Shaw's Plays in Performance
Author: Daniel James Leary
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Shaw's plays are nothing but talk. That complaint has echoed down the years, even receiving wry support from Shaw himself. Though critics has sometimes suggested that Shaw's "Theatre of Ideas" was thought-provoking but dramatically weak, the production record stands in refutation of this claim, for audiences throughout this century have responded to Shaw the Playwright by attending performances of his plays in numbers unrivaled by any of his contemporaries. A variety of perspectives demonstrate Shaw's performance qualities. Production records are used by two of the authors to demonstrate Shaw's remarkable ability to fill theaters, one providing a Shavian history of the Malvern Festival (where even his "talky" late plays were shown to be stageworthy), and the other detailing the phenomenal stage history of Man and Superman. Other authors focus on the visual and auditory aspects of the plays, examining how sets and props and onstage movement underscore and extend what is being said, and how meanings are conveyed not just by Shaw's words, but by the way an actor says those words--the emphases, the silences, and the interplay of words and sound effects. Two little-known pieces by Shaw included in this volume reveal his concern, as both playwright and director, with the effective utilization of staging elements. this theme is continued in essays examining his direction of The Devil's Disciple and Pygmalion.
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Shaw's plays are nothing but talk. That complaint has echoed down the years, even receiving wry support from Shaw himself. Though critics has sometimes suggested that Shaw's "Theatre of Ideas" was thought-provoking but dramatically weak, the production record stands in refutation of this claim, for audiences throughout this century have responded to Shaw the Playwright by attending performances of his plays in numbers unrivaled by any of his contemporaries. A variety of perspectives demonstrate Shaw's performance qualities. Production records are used by two of the authors to demonstrate Shaw's remarkable ability to fill theaters, one providing a Shavian history of the Malvern Festival (where even his "talky" late plays were shown to be stageworthy), and the other detailing the phenomenal stage history of Man and Superman. Other authors focus on the visual and auditory aspects of the plays, examining how sets and props and onstage movement underscore and extend what is being said, and how meanings are conveyed not just by Shaw's words, but by the way an actor says those words--the emphases, the silences, and the interplay of words and sound effects. Two little-known pieces by Shaw included in this volume reveal his concern, as both playwright and director, with the effective utilization of staging elements. this theme is continued in essays examining his direction of The Devil's Disciple and Pygmalion.
Selected Short Plays
Author: George Bernard Shaw
Publisher: Penguin UK
ISBN: 0141963689
Category : Drama
Languages : en
Pages : 435
Book Description
This selection comprises: "THE ADMIRABLE BASHVILLE" "HOW HE LIED TO HER HUSBAND" "PASSION, POISON AND PETRIFACTION" "THE GLIMPSE OF REALITY" "THE DARK LADY OF THE SONNETS" "OVERRULED" "THE MUSIC-CURE" "GREAT CATHERINE" "THE INCA OF PERUSALEM" "O'FLAHERTY V.C." "AUGUSTUS DOES HIS BIT" "ANNAJANSKA, THE BOLSHEVIK EMPRESS" "VILLAGE WOOING" "THE SIX OF CALAIS" and "CYMBELINE REFINISHED".
Publisher: Penguin UK
ISBN: 0141963689
Category : Drama
Languages : en
Pages : 435
Book Description
This selection comprises: "THE ADMIRABLE BASHVILLE" "HOW HE LIED TO HER HUSBAND" "PASSION, POISON AND PETRIFACTION" "THE GLIMPSE OF REALITY" "THE DARK LADY OF THE SONNETS" "OVERRULED" "THE MUSIC-CURE" "GREAT CATHERINE" "THE INCA OF PERUSALEM" "O'FLAHERTY V.C." "AUGUSTUS DOES HIS BIT" "ANNAJANSKA, THE BOLSHEVIK EMPRESS" "VILLAGE WOOING" "THE SIX OF CALAIS" and "CYMBELINE REFINISHED".
Man and Superman
Author: Bernard Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
Book Description
Henry Irving's Waterloo
Author: W. D. King
Publisher: Univ of California Press
ISBN: 9780520080720
Category : Performing Arts
Languages : en
Pages : 330
Book Description
"This is an extraordinary, provocative, and informative book which covers a wide range of aspects of the theatre of the time and touches upon a large number of individual artists and personalities. The book locates a theatrical phenomenon in the larger culture, drawing upon documents around and beyond the theatre itself. It will shake up complacent scholars, generate a new methodological freedom, and open up a whole period to sophisticated and creative cultural analysis."--Cary M. Mazer, author of Shakespeare Refashioned "W. D. King has developed an original close-reading of a particular (and only apparently marginal) episode of theatrical history and has placed that episode within a network of crucial cultural issues and values. The book is original in methodology, elegant in its argument, and persuasive in its conclusions."--Joseph R. Roach, author of The Player's Passion
Publisher: Univ of California Press
ISBN: 9780520080720
Category : Performing Arts
Languages : en
Pages : 330
Book Description
"This is an extraordinary, provocative, and informative book which covers a wide range of aspects of the theatre of the time and touches upon a large number of individual artists and personalities. The book locates a theatrical phenomenon in the larger culture, drawing upon documents around and beyond the theatre itself. It will shake up complacent scholars, generate a new methodological freedom, and open up a whole period to sophisticated and creative cultural analysis."--Cary M. Mazer, author of Shakespeare Refashioned "W. D. King has developed an original close-reading of a particular (and only apparently marginal) episode of theatrical history and has placed that episode within a network of crucial cultural issues and values. The book is original in methodology, elegant in its argument, and persuasive in its conclusions."--Joseph R. Roach, author of The Player's Passion
George Bernard Shaw
Author: Christopher Wixson
Publisher: Oxford University Press
ISBN: 0192590359
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Publisher: Oxford University Press
ISBN: 0192590359
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
How He Lied to Her Husband
Author: Bernard Shaw
Publisher: BoD – Books on Demand
ISBN: 3368328689
Category : Fiction
Languages : en
Pages : 45
Book Description
Reproduction of the original.
Publisher: BoD – Books on Demand
ISBN: 3368328689
Category : Fiction
Languages : en
Pages : 45
Book Description
Reproduction of the original.
Shaw
Author: MaryAnn Krajnik Crawford
Publisher: Penn State Press
ISBN: 0271027363
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in which his father, boxer Gene Tunney, fits the personal and professional shoes of Shaw's Cashel Byron, with life imitating art. In "Machiavelli, the Shark, and the Tinpot Tragedienne," Bernard F. Dukore delivers a rereading of Major Barbara that highlights characters and traits, revealing an ensnarling web of beliefs, values, actions, and consequences. Sidney P. Albert's essay explores connections between Major Barbara and Plato's Republic. Using a current theoretical lens, Vicki R. Kennell sees Pygmalion as a narrative literary bridge that predicates postmodern critiques. L.W. Conolly's research on Phillipa Summers reveals a model for Vivie Warren and provides insights into women's lives and education at the turn of the century. In "Who's Modern Now? Shaw, Joyce, and Ibsen's When We Dead Awaken," Kathleen Ochshorn looks at the interrelationships of the three dramatists. Miriam Chirico rewrites critical opinion of You Never Can Tell, arguing that the play is a serious social critique, particularly of marriage. Citing two well-documented instances of Shaw-bashing, John A. Bertolini explores Shaw's responses and reveals Shaw's fair-mindedness. Hannes Schweiger's detailed research substantiates Shaw's influential connection to Viennese culture and politics. Valerie Barnes Lipscomb analyzes Shaw's use of age differences to subvert romantic expectations, thereby drawing greater attention to serious sociocultural issues. Part II continues the legacy of Shaw scholarship with Charles A. Carpenter's must-read bibliographic piece, which reads like a mystery and gives a wealth of research information on Shaw. Focusing on the importance and difficulties of cycle plays, Julie Sparks looks at Man and Superman, Heartbreak House, Back to Methuselah, and current offerings such as Kushner's Angels in America. Kay Li, tracing the influence of Shaw on Chinese drama, argues that modern Chinese drama emerged from the failure of Mrs. Warren's Profession. Frank Duba's article analyzes the evolving role of the Preface in Shaw's works, focusing especially on Man and Superman. Coming full circle, the volume returns to Stanley Weintraub's presentation of Shaw and the fascinating story of Lady Colin Campbell--a story that asks us to consider what it means to be endowed with beauty, fame, and ambition, and what it means to finally lose them. Finally, Michael W. Pharand's addendum to SHAW 24 gives supplementary bibliography on Shavian matters related to love, sex, marriage, and women. SHAW 25 also includes reviews as well as John R. Pfieffer's "Continuing Checklist of Shaviana."
Publisher: Penn State Press
ISBN: 0271027363
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in which his father, boxer Gene Tunney, fits the personal and professional shoes of Shaw's Cashel Byron, with life imitating art. In "Machiavelli, the Shark, and the Tinpot Tragedienne," Bernard F. Dukore delivers a rereading of Major Barbara that highlights characters and traits, revealing an ensnarling web of beliefs, values, actions, and consequences. Sidney P. Albert's essay explores connections between Major Barbara and Plato's Republic. Using a current theoretical lens, Vicki R. Kennell sees Pygmalion as a narrative literary bridge that predicates postmodern critiques. L.W. Conolly's research on Phillipa Summers reveals a model for Vivie Warren and provides insights into women's lives and education at the turn of the century. In "Who's Modern Now? Shaw, Joyce, and Ibsen's When We Dead Awaken," Kathleen Ochshorn looks at the interrelationships of the three dramatists. Miriam Chirico rewrites critical opinion of You Never Can Tell, arguing that the play is a serious social critique, particularly of marriage. Citing two well-documented instances of Shaw-bashing, John A. Bertolini explores Shaw's responses and reveals Shaw's fair-mindedness. Hannes Schweiger's detailed research substantiates Shaw's influential connection to Viennese culture and politics. Valerie Barnes Lipscomb analyzes Shaw's use of age differences to subvert romantic expectations, thereby drawing greater attention to serious sociocultural issues. Part II continues the legacy of Shaw scholarship with Charles A. Carpenter's must-read bibliographic piece, which reads like a mystery and gives a wealth of research information on Shaw. Focusing on the importance and difficulties of cycle plays, Julie Sparks looks at Man and Superman, Heartbreak House, Back to Methuselah, and current offerings such as Kushner's Angels in America. Kay Li, tracing the influence of Shaw on Chinese drama, argues that modern Chinese drama emerged from the failure of Mrs. Warren's Profession. Frank Duba's article analyzes the evolving role of the Preface in Shaw's works, focusing especially on Man and Superman. Coming full circle, the volume returns to Stanley Weintraub's presentation of Shaw and the fascinating story of Lady Colin Campbell--a story that asks us to consider what it means to be endowed with beauty, fame, and ambition, and what it means to finally lose them. Finally, Michael W. Pharand's addendum to SHAW 24 gives supplementary bibliography on Shavian matters related to love, sex, marriage, and women. SHAW 25 also includes reviews as well as John R. Pfieffer's "Continuing Checklist of Shaviana."
The Cambridge Companion to George Bernard Shaw
Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 9780521566339
Category : Drama
Languages : en
Pages : 380
Book Description
This volume covers all aspects of Shaw's drama, focusing both on the political and theatrical context, while the illustrations showcase productions from the Shaw Festival in Canada.
Publisher: Cambridge University Press
ISBN: 9780521566339
Category : Drama
Languages : en
Pages : 380
Book Description
This volume covers all aspects of Shaw's drama, focusing both on the political and theatrical context, while the illustrations showcase productions from the Shaw Festival in Canada.