Author: Joan Templeton
Publisher: Springer
ISBN: 1137540443
Category : Performing Arts
Languages : en
Pages : 380
Get Book Here
Book Description
This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw’s famous but maligned The Quintessence of Ibsenism reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his early journalism to Our Theatres of the Nineties, both as a weapon against the inanities of the Victorian stage and as the standard bearer for modernism.
Author: Bernard Shaw
Publisher: Toronto: University of Toronto Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 290
Get Book Here
Book Description
Author: John Anthony Bertolini
Publisher: Penn State Press
ISBN: 9780271009087
Category : Literary Criticism
Languages : en
Pages : 248
Get Book Here
Book Description
The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors. The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obituary tribute to Barrie demonstrates Shaw's high regard for his contemporary and near neighbor. There are also essays on how Shaw came increasingly to resemble Strindberg as a dramatist, on the requirements of acting and directing Shaw alongside his contemporaries at the Shaw Festival at Niagara-on-the-Lake, and on Heartbreak House as a complex dialogue with Chekhov, Shakespeare, and Strindberg. John R. Pfeiffer has prepared a special bibliography of sources relating to Shaw and other playwrights in addition to the Continuing Checklist of Shaviana, and Dan H. Laurence has provided Shaw's pronunciation guide for the more troublesome names of his stage characters. There are also reviews of four recent additions to Shavian scholarship. Contributors include John A. Bertolini, Fred D. Crawford, R. F. Dietrich, T. F. Evans, A. M. Gibbs, Leon H. Hugo, Christopher Newton, Sally Peters, John R. Pfeiffer, Evert Sprinchorn, and Stanley Weintraub.
Author: Bernard Shaw
Publisher: Hal Leonard Corporation
ISBN: 9781557835611
Category : Performing Arts
Languages : en
Pages : 308
Get Book Here
Book Description
(Applause Books). "With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his." - From SHAW ON SHAKESPEARE Celebrated playwright, critic and essayist George Bernard Shaw was more like the Elizabethan master that he would ever admit. Both men were intristic dramatists who shared a rich and abiding respect for the stage. Shakespeare was the produce of a tempestuous and enlightening era under the reign of his patron, Queen Elizabeth I; while G.B.S. reflected the racy and risque spirt of the late 19th century as the champion of modern drama by playwrights like Ibsen, and, later, himself. Culled from Shaw's reviews, prefaces, letters to actors and critics, and other writings, SHAW ON SHAKESPEARE offers a fascinating and unforgettable portrait of the 16th century playwright by his most outspoken critic. This is a witty and provocative classic that combines Shaw's prodigious critical acumen with a superlative prose style second to none (except, perhaps, Shakespeare!).
Author: Kirsten E. Shepherd-Barr
Publisher: Columbia University Press
ISBN: 0231538928
Category : Performing Arts
Languages : en
Pages : 397
Get Book Here
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Author: MaryAnn Krajnik Crawford
Publisher: Penn State Press
ISBN: 0271027363
Category : Literary Criticism
Languages : en
Pages : 318
Get Book Here
Book Description
SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in which his father, boxer Gene Tunney, fits the personal and professional shoes of Shaw's Cashel Byron, with life imitating art. In "Machiavelli, the Shark, and the Tinpot Tragedienne," Bernard F. Dukore delivers a rereading of Major Barbara that highlights characters and traits, revealing an ensnarling web of beliefs, values, actions, and consequences. Sidney P. Albert's essay explores connections between Major Barbara and Plato's Republic. Using a current theoretical lens, Vicki R. Kennell sees Pygmalion as a narrative literary bridge that predicates postmodern critiques. L.W. Conolly's research on Phillipa Summers reveals a model for Vivie Warren and provides insights into women's lives and education at the turn of the century. In "Who's Modern Now? Shaw, Joyce, and Ibsen's When We Dead Awaken," Kathleen Ochshorn looks at the interrelationships of the three dramatists. Miriam Chirico rewrites critical opinion of You Never Can Tell, arguing that the play is a serious social critique, particularly of marriage. Citing two well-documented instances of Shaw-bashing, John A. Bertolini explores Shaw's responses and reveals Shaw's fair-mindedness. Hannes Schweiger's detailed research substantiates Shaw's influential connection to Viennese culture and politics. Valerie Barnes Lipscomb analyzes Shaw's use of age differences to subvert romantic expectations, thereby drawing greater attention to serious sociocultural issues. Part II continues the legacy of Shaw scholarship with Charles A. Carpenter's must-read bibliographic piece, which reads like a mystery and gives a wealth of research information on Shaw. Focusing on the importance and difficulties of cycle plays, Julie Sparks looks at Man and Superman, Heartbreak House, Back to Methuselah, and current offerings such as Kushner's Angels in America. Kay Li, tracing the influence of Shaw on Chinese drama, argues that modern Chinese drama emerged from the failure of Mrs. Warren's Profession. Frank Duba's article analyzes the evolving role of the Preface in Shaw's works, focusing especially on Man and Superman. Coming full circle, the volume returns to Stanley Weintraub's presentation of Shaw and the fascinating story of Lady Colin Campbell--a story that asks us to consider what it means to be endowed with beauty, fame, and ambition, and what it means to finally lose them. Finally, Michael W. Pharand's addendum to SHAW 24 gives supplementary bibliography on Shavian matters related to love, sex, marriage, and women. SHAW 25 also includes reviews as well as John R. Pfieffer's "Continuing Checklist of Shaviana."
Author: Bernard Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
Get Book Here
Book Description
Author: Joan Templeton
Publisher: Palgrave Macmillan
ISBN: 9781349713165
Category : Performing Arts
Languages : en
Pages : 359
Get Book Here
Book Description
This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw’s famous but maligned The Quintessence of Ibsenism reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his early journalism to Our Theatres of the Nineties, both as a weapon against the inanities of the Victorian stage and as the standard bearer for modernism.
Author: George Bernard Shaw
Publisher: DigiCat
ISBN:
Category : Literary Collections
Languages : en
Pages : 4462
Get Book Here
Book Description
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. George Bernard Shaw (1856-1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his own play) Content: Novels: Cashel Byron's Profession An Unsocial Socialist Love Among The Artists The Irrational Knot Plays: Widowers' Houses The Philanderer Mrs. Warren's Profession The Man Of Destiny Arms And The Man Candida You Never Can Tell The Devil's Disciple Captain Brassbound's Conversion Caesar And Cleopatra The Gadfly or The Son of the Cardinal The Admirable Bashville Man And Superman John Bull's Other Island How He Lied To Her Husband Major Barbara Passion, Poison, And Petrifaction The Doctor's Dilemma The Interlude At The Playhouse Getting Married The Shewing-Up Of Blanco Posnet Press Cuttings Misalliance The Dark Lady Of The Sonnets Fanny's First Play Androcles And The Lion Overruled Pygmalion Great Catherine The Music Cure O'Flaherty, V. C. Macbeth Skit Glastonbury Skit The Inca Of Perusalem Augustus Does His Bit Skit For The Tiptaft Revue Annajanska, The Bolshevik Empress Heartbreak House Back To Methuselah War Indemnities What do Men of Letters Say? On Socialism The Miraculous Revenge Quintessence Of Ibsenism Basis of Socialism The Transition to Social Democracy The Impossibilities Of Anarchism The Perfect Wagnerite Letter to Beatrice Webb The New Theology Memories of Oscar Wilde The Revolutionist's Handbook And Pocket Companion Maxims For Revolutionists The New Theology How to Write A Popular Play Memories of Oscar Wilde George Bernard Shaw The Quintessence of Shaw Old and New Masters...
Author: George Bernard Shaw
Publisher: e-artnow
ISBN: 8026833902
Category : Fiction
Languages : en
Pages : 4454
Get Book Here
Book Description
This carefully crafted ebook: "The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Letters and Essays" is formatted for your eReader with a functional and detailed table of contents. George Bernard Shaw (1856-1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his own play) Content: Novels: Cashel Byron's Profession An Unsocial Socialist Love Among The Artists The Irrational Knot Plays: Widowers' Houses The Philanderer Mrs. Warren's Profession The Man Of Destiny Arms And The Man Candida You Never Can Tell The Devil's Disciple Captain Brassbound's Conversion Caesar And Cleopatra The Gadfly or The Son of the Cardinal The Admirable Bashville Man And Superman John Bull's Other Island How He Lied To Her Husband Major Barbara Passion, Poison, And Petrifaction The Doctor's Dilemma The Interlude At The Playhouse Getting Married The Shewing-Up Of Blanco Posnet Press Cuttings Misalliance The Dark Lady Of The Sonnets Fanny's First Play Androcles And The Lion Overruled Pygmalion Great Catherine The Music Cure O'Flaherty, V. C. Macbeth Skit Glastonbury Skit The Inca Of Perusalem Augustus Does His Bit Skit For The Tiptaft Revue Annajanska, The Bolshevik Empress Heartbreak House Back To Methuselah War Indemnities What do Men of Letters Say? On Socialism The Miraculous Revenge Quintessence Of Ibsenism Basis of Socialism The Transition to Social Democracy The Impossibilities Of Anarchism The Perfect Wagnerite Letter to Beatrice Webb The New Theology Memories of Oscar Wilde The Revolutionist's Handbook And Pocket Companion Maxims For Revolutionists The New Theology How to Write A Popular Play Memories of Oscar Wilde George Bernard Shaw The Quintessence of Shaw Old and New Masters...
