Author: David Ronald Sauvageau
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 666
Book Description
Shaw, Brecht, and Evolution
Author: David Ronald Sauvageau
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 666
Book Description
Shaw and Other Playwrights
Author: John Anthony Bertolini
Publisher: Penn State Press
ISBN: 9780271009087
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors. The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obituary tribute to Barrie demonstrates Shaw's high regard for his contemporary and near neighbor. There are also essays on how Shaw came increasingly to resemble Strindberg as a dramatist, on the requirements of acting and directing Shaw alongside his contemporaries at the Shaw Festival at Niagara-on-the-Lake, and on Heartbreak House as a complex dialogue with Chekhov, Shakespeare, and Strindberg. John R. Pfeiffer has prepared a special bibliography of sources relating to Shaw and other playwrights in addition to the Continuing Checklist of Shaviana, and Dan H. Laurence has provided Shaw's pronunciation guide for the more troublesome names of his stage characters. There are also reviews of four recent additions to Shavian scholarship. Contributors include John A. Bertolini, Fred D. Crawford, R. F. Dietrich, T. F. Evans, A. M. Gibbs, Leon H. Hugo, Christopher Newton, Sally Peters, John R. Pfeiffer, Evert Sprinchorn, and Stanley Weintraub.
Publisher: Penn State Press
ISBN: 9780271009087
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors. The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obituary tribute to Barrie demonstrates Shaw's high regard for his contemporary and near neighbor. There are also essays on how Shaw came increasingly to resemble Strindberg as a dramatist, on the requirements of acting and directing Shaw alongside his contemporaries at the Shaw Festival at Niagara-on-the-Lake, and on Heartbreak House as a complex dialogue with Chekhov, Shakespeare, and Strindberg. John R. Pfeiffer has prepared a special bibliography of sources relating to Shaw and other playwrights in addition to the Continuing Checklist of Shaviana, and Dan H. Laurence has provided Shaw's pronunciation guide for the more troublesome names of his stage characters. There are also reviews of four recent additions to Shavian scholarship. Contributors include John A. Bertolini, Fred D. Crawford, R. F. Dietrich, T. F. Evans, A. M. Gibbs, Leon H. Hugo, Christopher Newton, Sally Peters, John R. Pfeiffer, Evert Sprinchorn, and Stanley Weintraub.
Theatre and Evolution from Ibsen to Beckett
Author: Kirsten E. Shepherd-Barr
Publisher: Columbia University Press
ISBN: 0231538928
Category : Performing Arts
Languages : en
Pages : 397
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Publisher: Columbia University Press
ISBN: 0231538928
Category : Performing Arts
Languages : en
Pages : 397
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1914
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1914
Book Description
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 608
Book Description
Brecht on Theatre
Author: Bertolt Brecht
Publisher: Macmillan
ISBN: 0809005425
Category : Drama
Languages : en
Pages : 346
Book Description
Essays of Brecht translated and edited to explain his theories and discussion of his dramatic works.
Publisher: Macmillan
ISBN: 0809005425
Category : Drama
Languages : en
Pages : 346
Book Description
Essays of Brecht translated and edited to explain his theories and discussion of his dramatic works.
Essays on Brecht: Theater and Politics
Author: Siegfried Mews
Publisher:
ISBN:
Category : Germanic languages
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Germanic languages
Languages : en
Pages : 264
Book Description
Anglo-Irish Literature
Author: William T. O'Malley
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This bibliography brings together information on over 4,000 dissertations that deal wholly or in part with Irish writers and Anglo-Irish literature. Included are works from more than 350 universities and from 28 different countries, a scope of material that has not been collected in one place before. The dissertation subjects include not only poets, novelists, and dramatists, but also critics, diarists, scholars, historians, and journalists. In all, 193 authors are studied, whose lives cover the years from 1600 to the present. The book, which supersedes all previously published volumes on this subject, lists each entry under the author as subject, rather than under a topical, genre, or subject designation. Because multiple-subject entries are listed under first mentioned author, a complete see-also reference section has been included to direct users to all entries related to each author. The volume also includes a section on general and topical studies, as well as a subject index. This book will be an important reference for courses in English literature, Irish studies, and theater and drama, and an important addition to most university and college libraries.
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This bibliography brings together information on over 4,000 dissertations that deal wholly or in part with Irish writers and Anglo-Irish literature. Included are works from more than 350 universities and from 28 different countries, a scope of material that has not been collected in one place before. The dissertation subjects include not only poets, novelists, and dramatists, but also critics, diarists, scholars, historians, and journalists. In all, 193 authors are studied, whose lives cover the years from 1600 to the present. The book, which supersedes all previously published volumes on this subject, lists each entry under the author as subject, rather than under a topical, genre, or subject designation. Because multiple-subject entries are listed under first mentioned author, a complete see-also reference section has been included to direct users to all entries related to each author. The volume also includes a section on general and topical studies, as well as a subject index. This book will be an important reference for courses in English literature, Irish studies, and theater and drama, and an important addition to most university and college libraries.
Politics and Theatre in Twentieth-Century Europe
Author: M. Morgan
Publisher: Springer
ISBN: 1137370386
Category : Political Science
Languages : en
Pages : 216
Book Description
This book explores the connection between politics and theatre by looking at the works and lives of Shaw, Brecht, Sartre, and Ionesco, providing a cultural history detailing the changing role of political theatre in twentieth-century Europe.
Publisher: Springer
ISBN: 1137370386
Category : Political Science
Languages : en
Pages : 216
Book Description
This book explores the connection between politics and theatre by looking at the works and lives of Shaw, Brecht, Sartre, and Ionesco, providing a cultural history detailing the changing role of political theatre in twentieth-century Europe.
Bernard Shaw’s and Virginia Woolf’s Interior Authors
Author: Lagretta Tallent Lenker
Publisher: Springer Nature
ISBN: 3031496043
Category :
Languages : en
Pages : 258
Book Description
Publisher: Springer Nature
ISBN: 3031496043
Category :
Languages : en
Pages : 258
Book Description