Author: Jie Li
Publisher: Columbia University Press
ISBN: 0231538170
Category : History
Languages : en
Pages : 281
Book Description
In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories, artifacts, and gossip—Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their recent demolition, they were nestled in Shanghai's labyrinthine alleyways, which housed more than half of the city's population from the Sino-Japanese War to the Cultural Revolution. Through interviews with her own family members as well as their neighbors, classmates, and co-workers, Li weaves a complex social tapestry reflecting the lived experiences of ordinary people struggling to absorb and adapt to major historical change. These voices include workers, intellectuals, Communists, Nationalists, foreigners, compradors, wives, concubines, and children who all fought for a foothold and haven in this city, witnessing spectacles so full of farce and pathos they could only be whispered as secret histories.
Shanghai Homes
Author: Jie Li
Publisher: Columbia University Press
ISBN: 0231538170
Category : History
Languages : en
Pages : 281
Book Description
In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories, artifacts, and gossip—Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their recent demolition, they were nestled in Shanghai's labyrinthine alleyways, which housed more than half of the city's population from the Sino-Japanese War to the Cultural Revolution. Through interviews with her own family members as well as their neighbors, classmates, and co-workers, Li weaves a complex social tapestry reflecting the lived experiences of ordinary people struggling to absorb and adapt to major historical change. These voices include workers, intellectuals, Communists, Nationalists, foreigners, compradors, wives, concubines, and children who all fought for a foothold and haven in this city, witnessing spectacles so full of farce and pathos they could only be whispered as secret histories.
Publisher: Columbia University Press
ISBN: 0231538170
Category : History
Languages : en
Pages : 281
Book Description
In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories, artifacts, and gossip—Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their recent demolition, they were nestled in Shanghai's labyrinthine alleyways, which housed more than half of the city's population from the Sino-Japanese War to the Cultural Revolution. Through interviews with her own family members as well as their neighbors, classmates, and co-workers, Li weaves a complex social tapestry reflecting the lived experiences of ordinary people struggling to absorb and adapt to major historical change. These voices include workers, intellectuals, Communists, Nationalists, foreigners, compradors, wives, concubines, and children who all fought for a foothold and haven in this city, witnessing spectacles so full of farce and pathos they could only be whispered as secret histories.
Life and Death in Shanghai
Author: Nien Cheng
Publisher: Open Road + Grove/Atlantic
ISBN: 0802196152
Category : Biography & Autobiography
Languages : en
Pages : 561
Book Description
The national bestselling memoir of a woman’s resistance and struggles in Communist China—“an absorbing story of resourcefulness and courage” (The New York Times). A NEW YORK TIMES BEST BOOK OF THE YEAR In August 1966, a group of Red Guards ransacked the home of Nien Cheng. Her background made her an obvious target for the fanatics of the Cultural Revolution: educated in London, the widow of an official of Chiang Kai-shek’s regime, and an employee of Shell Oil. When she refused to confess that any of this made her an enemy of the state, she was placed in solitary confinement, where she would remain for more than six years. Life and Death in Shanghai recounts the story of Nien Cheng’s imprisonment—a time of extreme deprivation which she met with heroic resistance—as well as her quest for justice when she was released. It is also the story of a country torn apart by Mao Zedong’s vicious campaign to topple party moderates. An incisive, personal account of a terrifying chapter in twentieth-century history, Life and Death in Shanghai is also an astounding portrait of one woman’s courage.
Publisher: Open Road + Grove/Atlantic
ISBN: 0802196152
Category : Biography & Autobiography
Languages : en
Pages : 561
Book Description
The national bestselling memoir of a woman’s resistance and struggles in Communist China—“an absorbing story of resourcefulness and courage” (The New York Times). A NEW YORK TIMES BEST BOOK OF THE YEAR In August 1966, a group of Red Guards ransacked the home of Nien Cheng. Her background made her an obvious target for the fanatics of the Cultural Revolution: educated in London, the widow of an official of Chiang Kai-shek’s regime, and an employee of Shell Oil. When she refused to confess that any of this made her an enemy of the state, she was placed in solitary confinement, where she would remain for more than six years. Life and Death in Shanghai recounts the story of Nien Cheng’s imprisonment—a time of extreme deprivation which she met with heroic resistance—as well as her quest for justice when she was released. It is also the story of a country torn apart by Mao Zedong’s vicious campaign to topple party moderates. An incisive, personal account of a terrifying chapter in twentieth-century history, Life and Death in Shanghai is also an astounding portrait of one woman’s courage.
Glimpses of China and Chinese Homes
Author: Edward Sylvester Morse
Publisher:
ISBN:
Category : China
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 250
Book Description
Keeping the Nation's House
Author: Helen M. Schneider
Publisher: UBC Press
ISBN: 0774819995
Category : History
Languages : en
Pages : 338
Book Description
The term home economics often conjures images of sterile classrooms where girls learn to cook dinner and swaddle dolls, far removed from the seats of power. Helen Schneider unsettles this assumption by revealing how Chinese women helped to build a nation, one family at a time. From the 1920s to the early 1950s, home economists transformed the most fundamental of political spaces � the home � by teaching women to nurture ideal families and manage projects of social reform. Although their discipline came undone after 1949, it created a legacy of gendered professionalism and reinforced the idea that leaders should shape domestic rituals of the people.
Publisher: UBC Press
ISBN: 0774819995
Category : History
Languages : en
Pages : 338
Book Description
The term home economics often conjures images of sterile classrooms where girls learn to cook dinner and swaddle dolls, far removed from the seats of power. Helen Schneider unsettles this assumption by revealing how Chinese women helped to build a nation, one family at a time. From the 1920s to the early 1950s, home economists transformed the most fundamental of political spaces � the home � by teaching women to nurture ideal families and manage projects of social reform. Although their discipline came undone after 1949, it created a legacy of gendered professionalism and reinforced the idea that leaders should shape domestic rituals of the people.
Nail Houses, Or, The Destruction of Lower Shanghai
Author: Peter Bialobrzeski
Publisher:
ISBN: 9783775738293
Category : Architectural photography
Languages : de
Pages : 0
Book Description
During his travels through China, Peter Bialobrzeski was fascinated by the so-called nail houses. Surrounded by tall, newly constructed buildings, these houses have been earmarked for demolition, but their owners resolutely refuse to vacate. In his thought-provoking series the artist photographs these isolated structures, often in the evening hours, when the brightly lit interiors convey the domestic comfort that these homes provide for their owners, despite all the cracks in the walls. Peter Bialobrzeski (* 1961 in Wolfsburg) uses his camera to offer these renitent structures moral support. Following the publication of Case Study Homes and Informal Arrangements, this striking series completing the Habitat trilogy poses uncomfortable questions to the viewer. It also emphatically underscores the fundamental right of every human being to a home and sense of security.
Publisher:
ISBN: 9783775738293
Category : Architectural photography
Languages : de
Pages : 0
Book Description
During his travels through China, Peter Bialobrzeski was fascinated by the so-called nail houses. Surrounded by tall, newly constructed buildings, these houses have been earmarked for demolition, but their owners resolutely refuse to vacate. In his thought-provoking series the artist photographs these isolated structures, often in the evening hours, when the brightly lit interiors convey the domestic comfort that these homes provide for their owners, despite all the cracks in the walls. Peter Bialobrzeski (* 1961 in Wolfsburg) uses his camera to offer these renitent structures moral support. Following the publication of Case Study Homes and Informal Arrangements, this striking series completing the Habitat trilogy poses uncomfortable questions to the viewer. It also emphatically underscores the fundamental right of every human being to a home and sense of security.
Gated Communities in China
Author: Choon-Piew Pow
Publisher: Routledge
ISBN: 113402097X
Category : Political Science
Languages : en
Pages : 225
Book Description
This book examines the nature and dynamics of gated communities within the specificities of reform Shanghai, a city that arguably has been at the forefront of China’s new urban/consumer revolution.
Publisher: Routledge
ISBN: 113402097X
Category : Political Science
Languages : en
Pages : 225
Book Description
This book examines the nature and dynamics of gated communities within the specificities of reform Shanghai, a city that arguably has been at the forefront of China’s new urban/consumer revolution.
Unhomely Life
Author: Xiaobo Su
Publisher: John Wiley & Sons
ISBN: 1394176295
Category : Science
Languages : en
Pages : 261
Book Description
How do Chinas mobile individuals create a sense of home in a rapidly changing world? Unhomely life, different from houselessness, refers to a fluctuating condition between losing home feelings and the search for home — a prevalent condition in post-Mao China. The faster that Chinese society modernizes, the less individuals feel at home, and the more they yearn for a sense of home. This is the central paradox that Xiaobo Su explores: how mobile individuals—lifestyle migrants and retreat tourists from China's big cities, displaced natives and rural migrants in peripheral China—handle the loss of home and try to experience a homely way of life. In Unhomely Life, Xiaobo Su examines the subjective experiences of mobile individuals to better understand why they experience the loss of home feelings and how they search for home. Integrating extensive empirical data and a robust theoretical framework, the author presents a journey-based critical analysis of “home” under constant making, un-making, and re-making in post-Mao China. Su argues that the making of home is not a solely economic or rational calculation for maximum return, but rather a synthesis of resistance and compromise under the disappointing conditions of modernity. Offering rich insights into the continuity and disruption of China's great transformation, Unhomely Life: Develops an original theory of unhomely life that incorporates contemporary research and traditional Chinese ideas of home Explores the process of homemaking and its implications for understanding the costs of high-speed economic growth in China Analyzes mobile individuals across different genders, ages, ethnicities, social classes, and economic backgrounds to address the balance between meaning and money in everyday life Containing in-depth and sophisticated empirical data collected from 2002 to 2020, Unhomely Life: Modernity, Mobilities, and the Making of Home in China is an invaluable resource for advanced undergraduates, graduate students, lecturers, and academic researchers in cultural studies, migration, tourism, China studies, cultural anthropology, sociology, and social and cultural geography.
Publisher: John Wiley & Sons
ISBN: 1394176295
Category : Science
Languages : en
Pages : 261
Book Description
How do Chinas mobile individuals create a sense of home in a rapidly changing world? Unhomely life, different from houselessness, refers to a fluctuating condition between losing home feelings and the search for home — a prevalent condition in post-Mao China. The faster that Chinese society modernizes, the less individuals feel at home, and the more they yearn for a sense of home. This is the central paradox that Xiaobo Su explores: how mobile individuals—lifestyle migrants and retreat tourists from China's big cities, displaced natives and rural migrants in peripheral China—handle the loss of home and try to experience a homely way of life. In Unhomely Life, Xiaobo Su examines the subjective experiences of mobile individuals to better understand why they experience the loss of home feelings and how they search for home. Integrating extensive empirical data and a robust theoretical framework, the author presents a journey-based critical analysis of “home” under constant making, un-making, and re-making in post-Mao China. Su argues that the making of home is not a solely economic or rational calculation for maximum return, but rather a synthesis of resistance and compromise under the disappointing conditions of modernity. Offering rich insights into the continuity and disruption of China's great transformation, Unhomely Life: Develops an original theory of unhomely life that incorporates contemporary research and traditional Chinese ideas of home Explores the process of homemaking and its implications for understanding the costs of high-speed economic growth in China Analyzes mobile individuals across different genders, ages, ethnicities, social classes, and economic backgrounds to address the balance between meaning and money in everyday life Containing in-depth and sophisticated empirical data collected from 2002 to 2020, Unhomely Life: Modernity, Mobilities, and the Making of Home in China is an invaluable resource for advanced undergraduates, graduate students, lecturers, and academic researchers in cultural studies, migration, tourism, China studies, cultural anthropology, sociology, and social and cultural geography.
Millard's Review of the Far East
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 408
Book Description
Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.
Publisher:
ISBN:
Category : China
Languages : en
Pages : 408
Book Description
Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.
Revolutionary Stagecraft
Author: Tarryn Li-Min Chun
Publisher: University of Michigan Press
ISBN: 0472903969
Category : Performing Arts
Languages : en
Pages : 339
Book Description
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over “how to” make theater amid the political upheavals of China’s 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus.
Publisher: University of Michigan Press
ISBN: 0472903969
Category : Performing Arts
Languages : en
Pages : 339
Book Description
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over “how to” make theater amid the political upheavals of China’s 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus.
Once Upon a China
Author: CJ Lim
Publisher: Routledge
ISBN: 1315402521
Category : Architecture
Languages : en
Pages : 329
Book Description
Once Upon a China is an unconventional architectural story of great beauty, empathy, honour and sadness. The chapters are ingenious reimaginations of ‘Dream of the Red Mansion’, ‘Journey to the West ’, ‘The Water Margin’, and ‘Romance of the Three Kingdoms’, and are conceived as specific themes of Chinese identity: domesticity, consumerism, democracy and adaptability. These four seminal pre-modern fictions contain diverse voices and philosophical perspectives on history as well as satires that have defined past developments of Chinese societies, politics and the built environment. Comics is an unorthodox but extraordinary medium for architectural speculations. The eccentric characteristics of comic-inspired drawings in this book enrich the processes of conception and conceptualisation of design – their fragmented yet sequential nature proves versatile in the imagination of spatial experiences, enabling the complex stories of place, brief and building to materialise. At the same time, the politicisation of architecture through comics engenders a sense of optimism to reappraise Chinese design futures and critical thinking beyond the exuberance of non-contextual Western capitalist models.
Publisher: Routledge
ISBN: 1315402521
Category : Architecture
Languages : en
Pages : 329
Book Description
Once Upon a China is an unconventional architectural story of great beauty, empathy, honour and sadness. The chapters are ingenious reimaginations of ‘Dream of the Red Mansion’, ‘Journey to the West ’, ‘The Water Margin’, and ‘Romance of the Three Kingdoms’, and are conceived as specific themes of Chinese identity: domesticity, consumerism, democracy and adaptability. These four seminal pre-modern fictions contain diverse voices and philosophical perspectives on history as well as satires that have defined past developments of Chinese societies, politics and the built environment. Comics is an unorthodox but extraordinary medium for architectural speculations. The eccentric characteristics of comic-inspired drawings in this book enrich the processes of conception and conceptualisation of design – their fragmented yet sequential nature proves versatile in the imagination of spatial experiences, enabling the complex stories of place, brief and building to materialise. At the same time, the politicisation of architecture through comics engenders a sense of optimism to reappraise Chinese design futures and critical thinking beyond the exuberance of non-contextual Western capitalist models.