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Author: Katharine M. Wilson
Publisher: Routledge
ISBN: 1000350398
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
In the course of some research into the musical element in English poetry, Dr Wilson read the work of the Elizabethan sonneteers chronologically and was struck by a suspicion that Shakespeare’s sonnets were parodies. Later she carried out a more thorough investigation, and this book, originally published in 1974, is the product: her early impressions had been justified beyond all expectation. Her investigation involved examining the background of each of Shakespeare’s sonnets, and this in itself is a contribution to scholarship. A surprising number of them are shown to be direct parodies of particular sonnets; all of them guy the sonnet convention, and the more difficult ones are easily explained by this hypothesis. Fresh correspondences between Shakespeare and his predecessors have come to light and his relationship with them is seen to be mocking. This is demonstrated in his borrowings from Ovid also, while the opening seventeen sonnets gain point as parody of Erasmus on marriage. The book opens with a short note on the origin of the sonnet in song, chivalric love and Plato. The sonnet theme in Shakespeare’s early comedies is treated freshly and the author throws light on the plays from a new angle. In the final chapter, among other themes, the implication of dating is considered, and here too some new material is discussed. However, Dr Wilson is aiming at a wider readership than that of scholars alone. She has a view of Shakespeare as a young man catering for "young-man laughter", as she puts it, and she never loses sight of this aspect in her study. Although the academic basis is there, the presentation is not academic. Her aim is clearly to share the joke with her readers.
Author: Katharine M. Wilson
Publisher: Routledge
ISBN: 1000350398
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
In the course of some research into the musical element in English poetry, Dr Wilson read the work of the Elizabethan sonneteers chronologically and was struck by a suspicion that Shakespeare’s sonnets were parodies. Later she carried out a more thorough investigation, and this book, originally published in 1974, is the product: her early impressions had been justified beyond all expectation. Her investigation involved examining the background of each of Shakespeare’s sonnets, and this in itself is a contribution to scholarship. A surprising number of them are shown to be direct parodies of particular sonnets; all of them guy the sonnet convention, and the more difficult ones are easily explained by this hypothesis. Fresh correspondences between Shakespeare and his predecessors have come to light and his relationship with them is seen to be mocking. This is demonstrated in his borrowings from Ovid also, while the opening seventeen sonnets gain point as parody of Erasmus on marriage. The book opens with a short note on the origin of the sonnet in song, chivalric love and Plato. The sonnet theme in Shakespeare’s early comedies is treated freshly and the author throws light on the plays from a new angle. In the final chapter, among other themes, the implication of dating is considered, and here too some new material is discussed. However, Dr Wilson is aiming at a wider readership than that of scholars alone. She has a view of Shakespeare as a young man catering for "young-man laughter", as she puts it, and she never loses sight of this aspect in her study. Although the academic basis is there, the presentation is not academic. Her aim is clearly to share the joke with her readers.
Author: KATHARINE M. WILSON
Publisher: Routledge
ISBN: 9780367685096
Category :
Languages : en
Pages : 0
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Book Description
During research into the musical element in English poetry, Dr Wilson read the work of the Elizabethan sonneteers chronologically and had a suspicion that Shakespeare's sonnets were parodies. Later after more thorough investigation, first published in 1974, this is the result: her early impressions were justified beyond all expectation.
Author: Katharine Margaret Wilson
Publisher: London : Allen & Unwin
ISBN:
Category : Sonnets anglais - Histoire et critique
Languages : en
Pages : 382
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Book Description
Author: William Shakespeare
Publisher:
ISBN: 9780578918334
Category :
Languages : en
Pages :
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Book Description
Intended for all readers, an exciting, innovative approach to Shakespeare's Sonnets."His sugared Sonnets among his private friends." That's how Shakespeare's Sonnets were described in the only contemporary reference to them. This brings up the image of a talented, young poet-with a penchant for irreverent fun-getting together with friends to read his new sonnet cycle. Numerous sonnet cycles were published that typically told the story of thwarted love. The same topics are repeated: a chaste and beautiful lady, a love-sick poet dreaming only of his beloved, sunk into despair by her cruelty (cruel only because she decides to remain chaste). Shakespeare's Sonnets are like this, but with a twist-adding a love triangle that turning convention upside down. Working out all the possibilities of this intriguing story as the sonnets progress is all part of the fun.Atkins invites you to imagine that you are among the friends our poet has allowed to see his new sonnets. You'll read the poems and the discussion of each one, trying to figure out the story. See what it might have been like to read Shakespeare's Sonnets "among his private friends."This book, complete with glosses of difficult words and phrases and a thorough explanation of each poem, is as carefully edited as the acclaimed variorum edition published by Atkins in 2007, Shakespeare's Sonnets: With Three Hundred Years of Commentary. It has the same sensitive readings of verse that made his variorum edition unique. (For those particularly interested in Shakespeare's use of meter, Atkins has made a complete metrical analysis of all 154 poems, which serves as an excellent companion to Shakespeare's Sonnets Among His Private Friends. It is available free at amonghisprivatefriends.com.) Also unique to this edition is a look at how the last 28 sonnets about a "dark lady" may have been influenced by Christopher Marlowe's English translation of Ovid's erotic poems, Amores (Book 1 of which is included in an appendix).294 pages including appendix, bibliography and index
Author: Francis Meres
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: William Shakespeare
Publisher: RP Minis
ISBN: 076245458X
Category : Literary Collections
Languages : en
Pages : 178
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Book Description
William Shakespeare pays tribute to our most beautiful emotion in this timeless collection. In addition to his plays Shakespeare was also well-known for love poetry, “his sugared sonnets among his private friends.” This faux leather bound mini includes introduction, biography, and Shakespeare’s best-known sonnets to read and share with the one you love.
Author: Jane Kingsley-Smith
Publisher: Cambridge University Press
ISBN: 1107170656
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.
Author: William Shakespeare
Publisher: Associated University Presse
ISBN: 9780838641637
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
"This book is intended for all readers interested in The Sonnets, and will appeal to all those who desire nothing more than to enjoy Shakespeare's greatest poetry."--BOOK JACKET.
Author: Anna Beer
Publisher: John Wiley & Sons
ISBN: 111960527X
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Discover an invigorating new perspective on the life and work of William Shakespeare The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering readers a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family, and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself. The book is written using scholarly citations and references, but with an approachable style suitable for readers with little or no background knowledge of Shakespeare or the era in which he lived. The Life of the Author: William Shakespeare asks provocative questions about the playwright-poet’s preoccupation with gender roles and sexuality, and explores why it is so challenging to ascertain his political and religious allegiances. Conservative or radical? Misogynist or proto-feminist? A lover of men or women or both? Patriot or xenophobe? This introduction to Shakespeare’s life and works offers no simple answers, but recognizes a man intensely responsive to the world around him, a playwright willing and able to collaborate with others and able to collaborate with others, and, of course, his exceptional, perhaps unique, contribution to literature in English. The book covers the entirety of William Shakespeare’s life (1564-1616), taking him from his childhood in Stratford-upon-Avon to his success in the theatre world of London and then back to his home town and comfortable retirement. The Life of the Author: William Shakespeare sets his achievement as a writer within the dangerous, vibrant cultural world that was Elizabethan and Jacobean England, revealing a writer’s life of frequent collaboration, occasional crisis, but always of profound creativity. Perfect for undergraduate students in Literature, Drama, Theatre Studies, History, and Cultural Studies courses, The Life of the Author: William Shakespeare will also earn a place in the libraries of students interested in Gender Studies and Creative Writing.
Author: Catherine Belsey
Publisher: Edinburgh University Press
ISBN: 0748632158
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
In these essays, collected here for the first time, renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction, together with his moment in history. Teasing out the meanings of the narrative poems, as well as some of the more familiar plays, she demonstrates the possibilities of an attention to textuality that also draws on the archive. A reading of the Sonnets, written specially for this book, analyses their intricate and ambivalent inscription of desire. Between them, these essays trace the progress of theory in the course of three decades, while a new introduction offers a narrative and analytical overview, from a participant's perspective, of some of its key implications. Written with verve and conviction, this book shows how texts can offer access to the dissonances of the past when theory finds an outcome in practice.
