Author: Ira B. Zinman
Publisher: World Wisdom Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 528
Book Description
The extent to which Shakespeare derived the inspiration for his plays and Sonnets from the Bible has sparked debate for centuries. Although much research has been done on Shakespeare's plays, a comprehensive analysis of his Sonnets has been absent, until now. This book gives a detailed examination of Shakespeare's Sonnets, identifying their underlying spiritual themes at the religious and scriptural levels of interpretation.
Shakespeare's Sonnets and the Bible
Author: Ira B. Zinman
Publisher: World Wisdom Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 528
Book Description
The extent to which Shakespeare derived the inspiration for his plays and Sonnets from the Bible has sparked debate for centuries. Although much research has been done on Shakespeare's plays, a comprehensive analysis of his Sonnets has been absent, until now. This book gives a detailed examination of Shakespeare's Sonnets, identifying their underlying spiritual themes at the religious and scriptural levels of interpretation.
Publisher: World Wisdom Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 528
Book Description
The extent to which Shakespeare derived the inspiration for his plays and Sonnets from the Bible has sparked debate for centuries. Although much research has been done on Shakespeare's plays, a comprehensive analysis of his Sonnets has been absent, until now. This book gives a detailed examination of Shakespeare's Sonnets, identifying their underlying spiritual themes at the religious and scriptural levels of interpretation.
The Bible in Shakespeare
Author: Hannibal Hamlin
Publisher:
ISBN: 0199677611
Category : Drama
Languages : en
Pages : 397
Book Description
The Bible in Shakespeare is a critical study of the links between the two great pillars of English culture, the Bible and the works of Shakespeare.
Publisher:
ISBN: 0199677611
Category : Drama
Languages : en
Pages : 397
Book Description
The Bible in Shakespeare is a critical study of the links between the two great pillars of English culture, the Bible and the works of Shakespeare.
Holy Shakespeare!
Author: Maisie Sparks
Publisher: FaithWords
ISBN: 1455570419
Category : Religion
Languages : en
Pages : 167
Book Description
101 lines or passages from William Shakespeare's works paired with Scripture passages that appear in the bard's classics. To be published just in time for the Shakespeare 400th celebrations. Shakespeare was heavily influenced by Holy Writ. Bible lines, characters and narratives are "verbal characters" in the his plays, poems and sonnets, sometimes subtly and sometimes blatantly. But they are there, revealing the deep scriptural well that was the culture from which Shakespeare drew and also reminding us of scenes and stories in the Bible. Shakespeare knew the Bible--as did everyone during that time. He used Scripture freely in what he wrote because through such biblical allusions, audiences would immediately grasp his meanings, charaterizations and unfolding situations. His works-meant to be performed-gave Scripture life. The Bible was not mere words in Shakespeare's work, but, like all of Scripture, were used for reproof, instruction, conviction and training. Listening to Shakespeare with an ear that's open to whispers from God's Word can kindle both passion for his great literary works and the Greatest Book of all, Holy Scripture.
Publisher: FaithWords
ISBN: 1455570419
Category : Religion
Languages : en
Pages : 167
Book Description
101 lines or passages from William Shakespeare's works paired with Scripture passages that appear in the bard's classics. To be published just in time for the Shakespeare 400th celebrations. Shakespeare was heavily influenced by Holy Writ. Bible lines, characters and narratives are "verbal characters" in the his plays, poems and sonnets, sometimes subtly and sometimes blatantly. But they are there, revealing the deep scriptural well that was the culture from which Shakespeare drew and also reminding us of scenes and stories in the Bible. Shakespeare knew the Bible--as did everyone during that time. He used Scripture freely in what he wrote because through such biblical allusions, audiences would immediately grasp his meanings, charaterizations and unfolding situations. His works-meant to be performed-gave Scripture life. The Bible was not mere words in Shakespeare's work, but, like all of Scripture, were used for reproof, instruction, conviction and training. Listening to Shakespeare with an ear that's open to whispers from God's Word can kindle both passion for his great literary works and the Greatest Book of all, Holy Scripture.
The Bard and the Bible
Author: Bob Hostetler
Publisher: Worthy Inspired
ISBN: 1617958425
Category : Religion
Languages : en
Pages : 666
Book Description
365 Devotions pairing Scripture from the King James Bible and lines from Shakespeare's plays and sonnets. Includes little known history, curiosities, and facts about words introduced or used in new ways by Shakespeare.
Publisher: Worthy Inspired
ISBN: 1617958425
Category : Religion
Languages : en
Pages : 666
Book Description
365 Devotions pairing Scripture from the King James Bible and lines from Shakespeare's plays and sonnets. Includes little known history, curiosities, and facts about words introduced or used in new ways by Shakespeare.
Biblical References in Shakespeare's Plays
Author: Naseeb Shaheen
Publisher: University of Delaware Press
ISBN: 9780874136777
Category : Drama
Languages : en
Pages : 896
Book Description
Analyzes the biblical references that Shakespeare makes in his plays, surveying the different English Bibles available to Shakespeare, and pointing out which of these he referred to most often (the King James version only appeared near the end of his career). Also examines biblical references found in literary source material used by Shakespeare to determine whether he used or adapted these or added others from his own memory; and what these allusions would have meant to audiences of the time.--From publisher description.
Publisher: University of Delaware Press
ISBN: 9780874136777
Category : Drama
Languages : en
Pages : 896
Book Description
Analyzes the biblical references that Shakespeare makes in his plays, surveying the different English Bibles available to Shakespeare, and pointing out which of these he referred to most often (the King James version only appeared near the end of his career). Also examines biblical references found in literary source material used by Shakespeare to determine whether he used or adapted these or added others from his own memory; and what these allusions would have meant to audiences of the time.--From publisher description.
Shakespeare's Sonnets and the Bible
Author: Antje Holtmann
Publisher: GRIN Verlag
ISBN: 3656394113
Category : Literary Criticism
Languages : de
Pages : 32
Book Description
Studienarbeit aus dem Jahr 2012 im Fachbereich Anglistik - Literatur, Note: 2,0, Ernst-Moritz-Arndt-Universität Greifswald (Anglistik), Veranstaltung: Shakespeare's Sonnets, Sprache: Deutsch, Abstract: The topic of Shakespeare and Religion is not a new one, but it has “come to the foreground” due to the “recent “turn to religion” in historical and literary scholarship” (Jackson/Marotti 1). Thus, it is has been tried “to make sense of the dramatist’s awareness of, relation to, and use of religious beliefs, religious culture” (Jackson/Marotti 1). In this term paper, I want to focus on biblical references and allusions in the Sonnets. In order to do that, I will at first take a look into the matter of religion in Shakespeare's time. I will also examine his personal religious beliefs. After that, will look into religious allusion in Shakespeare's writing, i.e. firstly his plays and secondly his poetry. As I want to focus on the Sonnets, a closer look will be provided on three selected ones. These analyses will focus on the biblical references and allusions they contain. Therefor, a detailed analysis in terms of literary devices will not be given. Moreover, I will not describe the characteristics of the Sonnet from.
Publisher: GRIN Verlag
ISBN: 3656394113
Category : Literary Criticism
Languages : de
Pages : 32
Book Description
Studienarbeit aus dem Jahr 2012 im Fachbereich Anglistik - Literatur, Note: 2,0, Ernst-Moritz-Arndt-Universität Greifswald (Anglistik), Veranstaltung: Shakespeare's Sonnets, Sprache: Deutsch, Abstract: The topic of Shakespeare and Religion is not a new one, but it has “come to the foreground” due to the “recent “turn to religion” in historical and literary scholarship” (Jackson/Marotti 1). Thus, it is has been tried “to make sense of the dramatist’s awareness of, relation to, and use of religious beliefs, religious culture” (Jackson/Marotti 1). In this term paper, I want to focus on biblical references and allusions in the Sonnets. In order to do that, I will at first take a look into the matter of religion in Shakespeare's time. I will also examine his personal religious beliefs. After that, will look into religious allusion in Shakespeare's writing, i.e. firstly his plays and secondly his poetry. As I want to focus on the Sonnets, a closer look will be provided on three selected ones. These analyses will focus on the biblical references and allusions they contain. Therefor, a detailed analysis in terms of literary devices will not be given. Moreover, I will not describe the characteristics of the Sonnet from.
Shakespeare's Sonnets
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
Book Description
Why Lyrics Last
Author: Brian Boyd
Publisher: Harvard University Press
ISBN: 0674069196
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
In Why Lyrics Last, the internationally acclaimed critic Brian Boyd turns an evolutionary lens on the subject of lyric verse. He finds that lyric making, though it presents no advantages for the species in terms of survival and reproduction, is “universal across cultures because it fits constraints of the human mind.” An evolutionary perspective— especially when coupled with insights from aesthetics and literary history—has much to tell us about both verse and the lyrical impulse. Boyd places the writing of lyrical verse within the human disposition “to play with pattern,” and in an extended example he uncovers the many patterns to be found within Shakespeare’s Sonnets. Shakespeare’s bid for readership is unlike that of any sonneteer before him: he deliberately avoids all narrative, choosing to maximize the openness of the lyric and demonstrating the power that verse can have when liberated of story. In eschewing narrative, Shakespeare plays freely with patterns of other kinds: words, images, sounds, structures; emotions and moods; argument and analogy; and natural rhythms, in daily, seasonal, and life cycles. In the originality of his stratagems, and in their sheer number and variety, both within and between sonnets, Shakespeare outdoes all competitors. A reading of the Sonnets informed by evolution is primed to attend to these complexities and better able to appreciate Shakespeare’s remarkable gambit for immortal fame.
Publisher: Harvard University Press
ISBN: 0674069196
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
In Why Lyrics Last, the internationally acclaimed critic Brian Boyd turns an evolutionary lens on the subject of lyric verse. He finds that lyric making, though it presents no advantages for the species in terms of survival and reproduction, is “universal across cultures because it fits constraints of the human mind.” An evolutionary perspective— especially when coupled with insights from aesthetics and literary history—has much to tell us about both verse and the lyrical impulse. Boyd places the writing of lyrical verse within the human disposition “to play with pattern,” and in an extended example he uncovers the many patterns to be found within Shakespeare’s Sonnets. Shakespeare’s bid for readership is unlike that of any sonneteer before him: he deliberately avoids all narrative, choosing to maximize the openness of the lyric and demonstrating the power that verse can have when liberated of story. In eschewing narrative, Shakespeare plays freely with patterns of other kinds: words, images, sounds, structures; emotions and moods; argument and analogy; and natural rhythms, in daily, seasonal, and life cycles. In the originality of his stratagems, and in their sheer number and variety, both within and between sonnets, Shakespeare outdoes all competitors. A reading of the Sonnets informed by evolution is primed to attend to these complexities and better able to appreciate Shakespeare’s remarkable gambit for immortal fame.
Thinking Shakespeare (Revised Edition)
Author: Barry Edelstein
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Shakespeare's Christianity
Author: E. Beatrice Batson
Publisher: Baylor University Press
ISBN: 1932792368
Category : Drama
Languages : en
Pages : 198
Book Description
This volume explores the influences of Catholicism and Protestantism in a trio of Shakespeare's tragedies: Julius Caesar, Macbeth, and Hamlet. Bypassing the discussion of Shakespeare's personal religious beliefs, Batson instead focuses on distinct footprints left by Catholic and Protestant traditions that underlie and inform Shakespeare's artistic genius.
Publisher: Baylor University Press
ISBN: 1932792368
Category : Drama
Languages : en
Pages : 198
Book Description
This volume explores the influences of Catholicism and Protestantism in a trio of Shakespeare's tragedies: Julius Caesar, Macbeth, and Hamlet. Bypassing the discussion of Shakespeare's personal religious beliefs, Batson instead focuses on distinct footprints left by Catholic and Protestant traditions that underlie and inform Shakespeare's artistic genius.