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Author: Rosalie Littell Colie
Publisher: Princeton University Press
ISBN: 1400867878
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Rosalie Littell Colie
Publisher: Princeton University Press
ISBN: 1400867878
Category : Literary Criticism
Languages : en
Pages : 382
Get Book
Book Description
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Henry Norman Hudson
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 488
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Book Description
Author: Jane Martineau
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
'Shakespeare in Art' looks at the huge variety of painters who made Shakespeare's extremes of passion, his evocations of nature, his spirit world and his eternally familiar characters the subjects of their own work. This book is essential reading for anyone interested in the history of Western culture.
Author: Henry Norman Hudson
Publisher:
ISBN:
Category :
Languages : en
Pages : 548
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Book Description
Author: Russell Fraser
Publisher: Routledge
ISBN: 1351491040
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like the yolk and white of one shell. What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the largest and most comprehensive soul. John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant.
Author: Hazelton Spencer
Publisher:
ISBN:
Category :
Languages : en
Pages : 495
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Book Description
Author: Josie Billington
Publisher: A&C Black
ISBN: 0826495982
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
An examination of the work of Elizabeth Barrett Browning that connects her creative disposition, mind and mode to Shakespeare.
Author: Barry Edelstein
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Author: George T. Wright
Publisher: Univ of California Press
ISBN: 0520076427
Category : Poetry
Languages : en
Pages : 367
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Book Description
This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language.
Author: Martin Lings
Publisher: Inner Traditions
ISBN: 9780892817177
Category : Body, Mind & Spirit
Languages : en
Pages : 224
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Book Description
Revised and Expanded Edition of The Secret of Shakespeare Reveals the full scope of Shakespeare's plays as sacred visionary dramas, illuminating the bard's greatest works and the man behind them • Reveals how, through the use of esoteric symbol and form, Shakespeare's plays mirror the inner drama of the journey of all souls • Conveys a heightened understanding of the plays through examining the theatrical rendering of their texts Through his study of such plays as Hamlet, Othello, MacBeth, and King Lear, Lings supplies expert and inspiring guidance to the beautifully wrought words and worlds of William Shakespeare. Lings's particular genius lies in his ability to convey, as perhaps no one else has ever done, the theatrical renderings of these texts, leaving readers with deep and lasting impressions not only of these masterpieces of dramatic artistry, but of the extraordinary man behind them as well.
