Shakespeare's History of the Life and Death of King John PDF Download
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
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Author: Arthur Frederick Hopkinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 330
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 133
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Author:
Publisher: London : Longman, Green, Longman, Roberts, & Green
ISBN:
Category : Great Britain
Languages : en
Pages : 486
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Author: William J. Rolfe
Publisher: Forgotten Books
ISBN: 9781330069028
Category : Drama
Languages : en
Pages : 194
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Book Description
Excerpt from Shakespeare's History of the Life and Death of King John The text of this edition of King John is based on that of the folio of 1623, collated with the leading modern editions. The chief variœ lectiones are mentioned in the Notes, and the few passages which present special difficulties (like i. I. 139, ii. I. 184, iii. I. 250, v.4. II, etc) are discussed at some length. The expurgation has been limited to the omission of a single line in i. I. A large part of that scene (say from line 49 to the end) may well enough be skipped in reading the play in schools or "Shakespeare clubs," but it is too intimately connected with the plot to be spared from the printed text. The engravings, most of which are from Knight's "Pictorial Sliakspere," are meant to be "illustrations" in the strict sense of the term. The figures of historical characters are from their monumental effigies and other contemporaneous representations. For the cut 011 page III, which will give a general idea of the military and priestly costume of the period, see p. 176, note on Saint Edmundsbury. The "Room of State" on p. 41 is an ideal sketch, but is in keeping with the architecture of John's time. The view of Angiers (p. 51) is from an old print. The book, like its predecessors, is meant to be complete in itself. The references to other volumes of the series are for the most part to longer notes which it did not seem best to reprint, though they may be of interest to the teacher or student who will take the trouble to look them up. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
