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Author: Sam Hall
Publisher: Routledge
ISBN: 1317223608
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This study contends that folly is of fundamental importance to the implicit philosophical vision of Shakespeare’s drama. The discourse of folly’s wordplay, jubilant ironies, and vertiginous paradoxes furnish Shakespeare with a way of understanding that lays bare the hypocrisies and absurdities of the serious world. Like Erasmus, More, and Montaigne before him, Shakespeare employs folly as a mode of understanding that does not arrogantly insist upon the veracity of its own claims – a fool’s truth, after all, is spoken by a fool. Yet, as this study demonstrates, Shakespearean folly is not the sole preserve of professional jesters and garrulous clowns, for it is also apparent on a thematic, conceptual, and formal level in virtually all of his plays. Examining canonical histories, comedies, and tragedies, this study is the first to either contextualize Shakespearean folly within European humanist thought, or to argue that Shakespeare’s philosophy of folly is part of a subterranean strand of Western philosophy, which itself reflects upon the folly of the wise. This strand runs from the philosopher-fool Socrates through to Montaigne and on to Nietzsche, but finds its most sustained expression in the Critical Theory of the mid to late twentieth-century, when the self-destructive potential latent in rationality became an historical reality. This book makes a substantial contribution to the fields of Shakespeare, Renaissance humanism, Critical Theory, and Literature and Philosophy. It illustrates, moreover, how rediscovering the philosophical potential of folly may enable us to resist the growing dominance of instrumental thought in the cultural sphere.
Author: Sam Hall
Publisher: Routledge
ISBN: 1317223608
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This study contends that folly is of fundamental importance to the implicit philosophical vision of Shakespeare’s drama. The discourse of folly’s wordplay, jubilant ironies, and vertiginous paradoxes furnish Shakespeare with a way of understanding that lays bare the hypocrisies and absurdities of the serious world. Like Erasmus, More, and Montaigne before him, Shakespeare employs folly as a mode of understanding that does not arrogantly insist upon the veracity of its own claims – a fool’s truth, after all, is spoken by a fool. Yet, as this study demonstrates, Shakespearean folly is not the sole preserve of professional jesters and garrulous clowns, for it is also apparent on a thematic, conceptual, and formal level in virtually all of his plays. Examining canonical histories, comedies, and tragedies, this study is the first to either contextualize Shakespearean folly within European humanist thought, or to argue that Shakespeare’s philosophy of folly is part of a subterranean strand of Western philosophy, which itself reflects upon the folly of the wise. This strand runs from the philosopher-fool Socrates through to Montaigne and on to Nietzsche, but finds its most sustained expression in the Critical Theory of the mid to late twentieth-century, when the self-destructive potential latent in rationality became an historical reality. This book makes a substantial contribution to the fields of Shakespeare, Renaissance humanism, Critical Theory, and Literature and Philosophy. It illustrates, moreover, how rediscovering the philosophical potential of folly may enable us to resist the growing dominance of instrumental thought in the cultural sphere.
Author: R. Chris Hassel Jr.
Publisher: Bloomsbury Publishing
ISBN: 1472577299
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
Religious issues and discourse are key to an understanding of Shakespeare's plays and poems. This dictionary discusses over 1000 words and names in Shakespeare's works that have a religious connotation. Its unique word-by-word approach allows equal consideration of the full nuance of each of these words, from 'abbess' to 'zeal'. It also gradually reveals the persistence, the variety, and the sophistication of Shakespeare's religious usage. Frequent attention is given to the prominence of Reformation controversy in these words, and to Shakespeare's often ingenious and playful metaphoric usage of them. Theological commonplaces assume a major place in the dictionary, as do overt references to biblical figures, biblical stories and biblical place-names; biblical allusions; church figures and saints.
Author: Graham Bradshaw
Publisher: Routledge
ISBN: 135196352X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Author: Ivor Morris
Publisher: Psychology Press
ISBN: 9780415353243
Category : Drama
Languages : en
Pages : 504
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Book Description
First published in 1972. Shakespeare's God investigates whether a religious interpretation of Shakespeare's tragedies is possible. The study places Christianity's commentary on the human condition side by side with what tragedy reveals about it. This pattern is identified using the writings of Christian thinkers from Augustine to the present day. The pattern in the chief phenomena of literary tragedy is also traced
Author: R. Bell
Publisher: Springer
ISBN: 0230337724
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
This lively, lucid book undertakes a detailed and provocative study of Shakespeare's fascination with clowns, fools, and fooling. Through close reading of plays over the whole course of Shakespeare's theatrical career, Bell highlights the fun, wit, insights, and mysteries of some of Shakespeare's most vibrant and often vexing figures.
Author: Doug Stewart
Publisher: Da Capo Press
ISBN: 0306819007
Category : History
Languages : en
Pages : 258
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Book Description
In the winter of 1795, a frustrated young writer named William Henry Ireland stood petrified in his father's study as two of England's most esteemed scholars interrogated him about a tattered piece of paper that he claimed to have found in an old trunk. It was a note from William Shakespeare. Or was it? In the months that followed, Ireland produced a torrent of Shakespearean fabrications: letters, poetry, drawings -- even an original full-length play that would be hailed as the Bard's lost masterpiece and staged at the Drury Lane Theatre. The documents were forensically implausible, but the people who inspected them ached to see first hand what had flowed from Shakespeare's quill. And so they did. This dramatic and improbable story of Shakespeare's teenaged double takes us to eighteenth century London and brings us face-to-face with history's most audacious forger.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
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Book Description
Author: Beatrice Righetti
Publisher: Taylor & Francis
ISBN: 1040255027
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
Shakespeare’s Shrews: Italian Traditions of Paradoxes and the Woman’s Debate investigates the echoes of two early modern discourses—paradoxical writing and the woman’s question or querelle des femmes—in the representation of the “Shakespearean shrew” in The Taming of the Shrew, Much Ado About Nothing, and Othello. This comparative cross‐cultural study explores the English reception of these traditions through the circulation, translation, and adaptation of Italian works such as Ludovico Ariosto’s Orlando Furioso, Baldassare Castiglione’s Il libro del cortegiano, and Ercole and Torquato Tasso’s Dell’ammogliarsi. The enticing interplay of these two discourses is further complicated by their presence in the writing of early modern male and female authors. The examination of Shakespeare’s adaptation of these traditions in his “shrew” character highlights two key findings: the thematic fragmentation of the woman’s question and the evolving role of paradoxes, from figures of speech to “figures of thought”, both influenced by the gender of the speaker.
Author: Gordon Williams
Publisher: A&C Black
ISBN: 0826491340
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Focuses on Shakespeare's sexual language, some of which is notoriously difficult to unravel and whose roots go back into earlier literature. This is a comprehensive but concise reference guide to sexual language and imagery in Shakespeare.
Author: Sonya Freeman Loftis
Publisher: Routledge
ISBN: 1351967452
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
"Post-Hamlet: Shakespeare in an Era of Textual Exhaustion" examines how postmodern audiences continue to reengage with Hamlet in spite of our culture’s oversaturation with this most canonical of texts. Combining adaptation theory and performance theory with examinations of avant-garde performances and other unconventional appropriations of Shakespeare’s play, Post-Hamlet examines Shakespeare’s Hamlet as a central symbol of our era’s "textual exhaustion," an era in which the reader/viewer is bombarded by text—printed, digital, and otherwise. The essays in this edited collection, divided into four sections, focus on the radical employment of Hamlet as a cultural artifact that adaptors and readers use to depart from textual "authority" in, for instance, radical English-language performance, international film and stage performance, pop-culture and multi-media appropriation, and pedagogy.
