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Author: Laurie E. Maguire
Publisher: Cambridge University Press
ISBN: 0521473640
Category : Drama
Languages : en
Pages : 447
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Book Description
An examination of forty-one Shakespearean play texts, the 'bad quartos' or 'memorial reconstructions'.
Author: Laurie E. Maguire
Publisher: Cambridge University Press
ISBN: 0521473640
Category : Drama
Languages : en
Pages : 447
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Book Description
An examination of forty-one Shakespearean play texts, the 'bad quartos' or 'memorial reconstructions'.
Author: Lene B. Petersen
Publisher: Cambridge University Press
ISBN: 0521765226
Category : Drama
Languages : en
Pages : 331
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Book Description
Using case studies of Hamlet, Romeo and Juliet and Titus Andronicus, this book examines what constitutes a 'Shakespearean text'.
Author: Gabriel Egan
Publisher: Cambridge University Press
ISBN: 1139493612
Category : Literary Criticism
Languages : en
Pages :
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Book Description
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
Author: William Shakespeare
Publisher: OUP Oxford
ISBN: 0191608394
Category : Drama
Languages : en
Pages : 1423
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Book Description
The second Oxford edition of Shakespeare's Complete Works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. Included here for the first time is the play The Reign of King Edward the Third as well as the full text of Sir Thomas More. This new edition also features an essay on Shakespeare's language by David Crystal, and a bibliography of foundational works.
Author: Arthur F. Kinney
Publisher: Oxford University Press
ISBN: 0199566100
Category : Drama
Languages : en
Pages : 846
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Book Description
Contains forty original essays.
Author: Lukas Erne
Publisher: Cambridge University Press
ISBN: 9780521822558
Category : Drama
Languages : en
Pages : 312
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Book Description
Table of contents
Author: Adele Davidson
Publisher: Associated University Presse
ISBN: 9780874130478
Category : Drama
Languages : en
Pages : 332
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Book Description
The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.
Author: Janet Clare
Publisher: Cambridge University Press
ISBN: 1107040035
Category : Drama
Languages : en
Pages : 318
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Book Description
Contesting the notion of Shakespeare as originator, Clare demonstrates how Shakespeare adapted, imitated and borrowed from the work of others.
Author: MacDonald Pairman Jackson
Publisher: Oxford University Press, USA
ISBN: 9780199260508
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
'That very great play, Pericles', as T. S. Eliot called it, poses formidable problems of text and authorship. The first of the Late Romances, it was ascribed to Shakespeare when printed in a quarto of 1609, but was not included in the First Folio (1623) collection of his plays. This bookexamines rival theories about the quarto's origins and offers compelling evidence that Pericles is the product of collaboration between Shakespeare and the minor dramatist George Wilkins, who was responsible for the first two acts and for portions of the 'brothel scenes' in Act 4. Pericles serves asa test case for methodologies that seek to define the limits of the Shakespeare canon and to rdentify co-authors. A wide range of metrical, lexical, and other data is analysed. Computerized 'stylometric' texts are explained and their findings assessed. A concluding chapter introduces a new techniquethat has the potential to answer many of the remaining questions of attribution associated with Shakespeare and his contemporaries.
Author: John. M Mucciolo
Publisher: Routledge
ISBN: 1351742965
Category : Social Science
Languages : en
Pages : 392
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Book Description
This title was first published in 2002. This second volume of The Shakespearean International Yearbook continues the work of assessing the present state of Shakespeare studies in the new millennium. Comprising 20 essays by distinguished scholars from North America, the UK and Australia, it is divided into sections on criticism and theory; text, textuality and technology; Renaissance ideas and conventions; and Shakespeare and the city. The essays address issues that are fundamental to our interpretive encounter with Shakespeare, including those of gender and sexuality, the staging of plays, and historical research on matters such as the monarchy, language, religion, and the law.
