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Author: James C. Bulman
Publisher: Associated University Presse
ISBN: 9780838641149
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
Author: James C. Bulman
Publisher: Associated University Presse
ISBN: 9780838641149
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
Author: Rachel Firth
Publisher: Usborne Publishing Limited
ISBN: 9781409564270
Category :
Languages : en
Pages : 0
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Book Description
A brilliant introduction to the most famous characters from Shakespeare's plays and a must-have for all Sticker Dressing/Sticker Dolly Dressing fans With Sticker Dressing: Shakespeare, dress the actors with the 200+ stickers included to get them ready for their stage appearances in Shakespeare's greatest plays! A fun and accessible way to learn about the Bard. Guaranteed to spark further interest in Shakespeare's plays. Not suitable for children under 36 months because of small parts.
Author: Yu Jin Ko
Publisher: Springer Nature
ISBN: 3031655109
Category :
Languages : en
Pages : 273
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Book Description
Author: Dwight Eddins
Publisher: University of Alabama Press
ISBN: 0817357947
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
The essays in this volume represent a collective questioning of the poststructuralist ascendancy, and of the assumptions involved therein, by a group of prominent scholars and critics: M. H. Abrams, Nina Baym, Frederick Crews, Ihab Hassan, David Lehman, Richard Levin, Paisley Livingston, Saul Morson, and John Searle. Assembled at The University of Alabama for the 1992 symposium from which this book takes its title, these scholars were charged with the task of examining the truth-value, methodology, practice, and humanistic status of poststructuralist theories and with speculating on what their conclusions portend for the future of theory. Some of the deficiencies "uncovered" in the emperor's apparel include the failure of poststructuralist theory to answer to the complexities of literary experience, its tendency to be self-ratifying, its betrayal of the feminist achievement, its conflation of style and logic, its attempt to impose apocalyptic finalities on history's open-endedness, and its ignorance of much in current language philosophy. The writings of Jacques Derrida, in particular, come in for skeptical scrutiny by Abrams, Livingston, and Searle. The book concludes with a lively panel discussion in which the audience joins the fray.
Author: J. Hart
Publisher: Springer
ISBN: 0230118143
Category : Literary Criticism
Languages : en
Pages : 525
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Book Description
This book is concerned with language, genre, drama, and literary and historical narrative and examines the comedy of Shakespeare in the context of comedies from Italy, Spain, and France in the sixteenth and seventeenth centuries.
Author: Sarah HATCHUEL
Publisher: Presses universitaires de Rouen et du Havre
ISBN:
Category : Art
Languages : en
Pages : 1084
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Book Description
This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé.
Author: Sophie Duncan
Publisher: Oxford University Press
ISBN: 0192508210
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siècle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siècle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siècle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siècle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.
Author: Pamela Allen Brown
Publisher: Oxford University Press
ISBN: 0192638084
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
The Diva's Gift traces the far-reaching impact of the first female stars on the playwrights and players of the all-male stage. When Shakespeare entered the scene, women had been acting in Italian troupes for two decades, traveling in Italy and beyond and performing in all genres, including tragedy. The ambitious actress reinvented the innamorata, making her more charismatic and autonomous, thrilling audiences with her skills. Despite fervent attacks, some actresses became the first international stars, winning royal and noble patrons and literary admirers in France and Spain. After Elizabeth and her court caught wind of their success in Paris, Italian troupes with actresses crossed the Channel to perform. The Italians' repeat visits and growing fame posed a radical challenge to English professionals just as they were building their first paying theaters. Some writers treated the actress as a whorish threat to their stage, which had long minimized female roles. Others saw a vital new model full of promise. Lyly, Marlowe, and Kyd endowed innamorata parts with hot-blooded, racialized passions, but made them self-aware agents, not counters traded between men. Shakespeare, Jonson, Webster and others followed, ringing changes on the new type in comedy, tragedy, and romance. Like the comici they recycled actress-linked theatergrams and star scenes, such as cross-dressing, the mad scene, and the sung lament. In this way, the diva's prodigious virtuosity and stardom altered the horizons of playmaking even on the womanless stage. Capitalizing on the talents of boy players, the best playwrights created bold new roles endowed with her alien glamour, such as Lyly's Sapho and Pandora, Marlowe's Dido, Kyd's Bel-Imperia, Webster's Vittoria, and Shakespeare's Beatrice, Viola, Portia, Juliet, and Ophelia. Cleopatra is not alone in her superb theatricality and dazzling strangeness. As this book demonstrates, the diva's gifts mark them all.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Category : Literary and political reviews
Languages : en
Pages : 560
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