The Masks of Hamlet

The Masks of Hamlet PDF Author: Marvin Rosenberg
Publisher: University of Delaware Press
ISBN: 9780874134803
Category : Drama
Languages : en
Pages : 1006

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Book Description
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.

The Masks of Hamlet

The Masks of Hamlet PDF Author: Marvin Rosenberg
Publisher: University of Delaware Press
ISBN: 9780874134803
Category : Drama
Languages : en
Pages : 1006

Get Book Here

Book Description
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.

Hamlet and the Vision of Darkness

Hamlet and the Vision of Darkness PDF Author: Rhodri Lewis
Publisher: Princeton University Press
ISBN: 0691204519
Category : Drama
Languages : en
Pages : 390

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Book Description
'Hamlet and the Vision of Darkness' is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a 'Hamlet' unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.

Shakespeare's Sonnets and Poems: A Very Short Introduction

Shakespeare's Sonnets and Poems: A Very Short Introduction PDF Author: Jonathan F. S. Post
Publisher: Oxford University Press
ISBN: 019102709X
Category : Literary Criticism
Languages : en
Pages : 161

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Book Description
Not for nothing is William Shakespeare considered possibly the most famous writer in history; his works have had a lasting effect on culture, vocabularies, and art. His plays contain some of our most well-known lines (how often have you heard the phrase 'To be or not to be'?), yet whilst his poems may often feel less familiar than his plays they have also seeped into our cultural history (who has not heard of ''Shall I compare thee to a summer's day'?). In this Very Short Introduction Jonathan Post introduces all of Shakespeare's poetry: the Sonnets; the two great narrative poems, Venus and Adonis and The Rape of Lucrece; A Lover's Complaint; and The Phoenix and Turtle. Describing Shakespeare's double identity as both poet and playwright, in conjunction with several of his contemporaries, Post evaluates the reciprocal advantages as well as the different strategies and strains that came with writing for the stage and the page. Tackling the debates surrounding the disputed authorship of Shakespeare's poems, he also considers the printing history of Shakespeare's canon, and the genres favoured by the bard. Exploring their reception, both with contemporary audiences and through the ages until today, Post explores the core themes of love and lust, and analyzes how the sonnets compare with other great love poetry of the English Renaissance. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Reading Shakespeare's mind

Reading Shakespeare's mind PDF Author: Steve Sohmer
Publisher: Manchester University Press
ISBN: 1526113295
Category : Literary Criticism
Languages : en
Pages : 178

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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book shows that William Shakespeare was a more personal writer than any of his innumerable commentators have realised. It asserts that numerous characters and events were drawn from the author's life, and puts faces to the names of Jaques, Touchstone, Feste, Jessica, the 'Dark Lady' and others. Steven Sohmer explores aspects of Shakespeare's plays and sonnets that have been hitherto overlooked or misinterpreted in an effort to better understand the man and his work. If you've ever wondered who Pigrogromitus was, or why Jaques spies on Touchstone and Audrey - or what the famous riddle M.O.A.I. stands for - this is the book for you.

Gabriel Harvey's Marginalia

Gabriel Harvey's Marginalia PDF Author: Gabriel Harvey
Publisher:
ISBN:
Category : English literature
Languages : la
Pages : 356

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Book Description


Shakespeare’s Impact on his Contemporaries

Shakespeare’s Impact on his Contemporaries PDF Author: E.A.J. Honigmann
Publisher: Springer
ISBN: 1349047643
Category : Literary Criticism
Languages : en
Pages : 162

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Book Description


Contemporary Evidence of Shakespeare's Identity

Contemporary Evidence of Shakespeare's Identity PDF Author: Richard Lewis Ashhurst
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

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Book Description


Reading Shakespeare’s Poems in Early Modern England

Reading Shakespeare’s Poems in Early Modern England PDF Author: S. Roberts
Publisher: Springer
ISBN: 0230286844
Category : Literary Criticism
Languages : en
Pages : 266

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Book Description
This is the first comprehensive study of early modern texts, readings, and readers of Shakespeare's poems in print and manuscript, Reading Shakespeare's Poems in Early Modern England makes a compelling contribution both to Shakespeare studies and the history of the book. Examining gendered readerships and the use of erotic works, reading practises and manuscript culture, textual forms and transmission, literary taste and the canonisation of Shakespeare, this book argues that historicist criticism can no longer ignore histories of reading.

Shakespeare, the Bible, and the Form of the Book

Shakespeare, the Bible, and the Form of the Book PDF Author: Travis DeCook
Publisher: Routledge
ISBN: 1136662766
Category : Drama
Languages : en
Pages : 216

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Book Description
Why do Shakespeare and the English Bible seem to have an inherent relationship with each other? How have these two monumental traditions in the history of the book functioned as mutually reinforcing sources of cultural authority? How do material books and related reading practices serve as specific sites of intersection between these two textual traditions? This collection makes a significant intervention in our understanding of Shakespeare, the Bible, and the role of textual materiality in the construction of cultural authority. Departing from conventional source study, it questions the often naturalized links between the Shakespearean and biblical corpora, examining instead the historically contingent ways these links have been forged. The volume brings together leading scholars in Shakespeare, book history, and the Bible as literature, whose essays converge on the question of Scripture as source versus Scripture as process—whether that scripture is biblical or Shakespearean—and in turn explore themes such as cultural authority, pedagogy, secularism, textual scholarship, and the materiality of texts. Covering an historical span from Shakespeare’s post-Reformation era to present-day Northern Ireland, the volume uncovers how Shakespeare and the Bible’s intertwined histories illuminate the enduring tensions between materiality and transcendence in the history of the book.

Shakespeare's Stage Traffic

Shakespeare's Stage Traffic PDF Author: Janet Clare
Publisher: Cambridge University Press
ISBN: 1107729564
Category : Literary Criticism
Languages : en
Pages : 318

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Book Description
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception.