Author: Alfred Thomas
Publisher: Springer
ISBN: 3319902180
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
Whereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare’s Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter’s Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare’s contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age.
Shakespeare, Catholicism, and the Middle Ages
Author: Alfred Thomas
Publisher: Springer
ISBN: 3319902180
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
Whereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare’s Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter’s Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare’s contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age.
Publisher: Springer
ISBN: 3319902180
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
Whereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare’s Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter’s Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare’s contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age.
Medieval Shakespeare
Author: Ruth Morse
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
A Will to Believe
Author: David Scott Kastan
Publisher: OUP Oxford
ISBN: 0191004294
Category : Drama
Languages : en
Pages : 168
Book Description
On 19 December 1601, John Croke, then Speaker of the House of Commons, addressed his colleagues: "If a question should be asked, What is the first and chief thing in a Commonwealth to be regarded? I should say, religion. If, What is the second? I should say, religion. If, What the third? I should still say, religion." But if religion was recognized as the "chief thing in a Commonwealth," we have been less certain what it does in Shakespeare's plays. Written and performed in a culture in which religion was indeed inescapable, the plays have usually been seen either as evidence of Shakespeare's own disinterested secularism or, more recently, as coded signposts to his own sectarian commitments. Based upon the inaugural series of the Oxford-Wells Shakespeare Lectures in 2008, A Will to Believe offers a thoughtful, surprising, and often moving consideration of how religion actually functions in them: not as keys to Shakespeare's own faith but as remarkably sensitive registers of the various ways in which religion charged the world in which he lived. The book shows what we know and can't know about Shakespeare's own beliefs, and demonstrates, in a series of wonderfully alert and agile readings, how the often fraught and vertiginous religious environment of Post-Reformation England gets refracted by the lens of Shakespeare's imagination.
Publisher: OUP Oxford
ISBN: 0191004294
Category : Drama
Languages : en
Pages : 168
Book Description
On 19 December 1601, John Croke, then Speaker of the House of Commons, addressed his colleagues: "If a question should be asked, What is the first and chief thing in a Commonwealth to be regarded? I should say, religion. If, What is the second? I should say, religion. If, What the third? I should still say, religion." But if religion was recognized as the "chief thing in a Commonwealth," we have been less certain what it does in Shakespeare's plays. Written and performed in a culture in which religion was indeed inescapable, the plays have usually been seen either as evidence of Shakespeare's own disinterested secularism or, more recently, as coded signposts to his own sectarian commitments. Based upon the inaugural series of the Oxford-Wells Shakespeare Lectures in 2008, A Will to Believe offers a thoughtful, surprising, and often moving consideration of how religion actually functions in them: not as keys to Shakespeare's own faith but as remarkably sensitive registers of the various ways in which religion charged the world in which he lived. The book shows what we know and can't know about Shakespeare's own beliefs, and demonstrates, in a series of wonderfully alert and agile readings, how the often fraught and vertiginous religious environment of Post-Reformation England gets refracted by the lens of Shakespeare's imagination.
Shakespeare, Catholicism, and Romance
Author: Velma Bourgeois Richmond
Publisher: Bloomsbury Publishing
ISBN: 1474247490
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
This book assesses William Shakespeare in the context of political and religious crisis, paying particular attention to his Catholic connections, which have heretofore been underplayed by much Protestant interpretation. Bourgeois Richmond's most important contribution is to study the genre of romance in its guise as a 'cover' for recusant Catholicism, drawing on a long tradition of medieval-religious plays devoted to the propagation of Catholic religious faith.
Publisher: Bloomsbury Publishing
ISBN: 1474247490
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
This book assesses William Shakespeare in the context of political and religious crisis, paying particular attention to his Catholic connections, which have heretofore been underplayed by much Protestant interpretation. Bourgeois Richmond's most important contribution is to study the genre of romance in its guise as a 'cover' for recusant Catholicism, drawing on a long tradition of medieval-religious plays devoted to the propagation of Catholic religious faith.
Shakespeare and the Grace of Words
Author: Valentin Gerlier
Publisher: Routledge
ISBN: 1000582558
Category : Drama
Languages : en
Pages : 230
Book Description
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirmation and articulation of the goodness of Being. Offering a metaphysically astute theology of language grounded in the thought of Renaissance theologian Nicholas of Cusa, as well as readings of Shakespeare that instantiate and complement its approach, this book shows that language in which the divine gift of Being is received, apprehended and expressed, even amidst darkness and despair, is language that can renew our relationship with one another and with the things and beings of the world. Shakespeare and the Grace of Words aims to engage the reader in detailed, performative close readings while exploring the metaphysical and theological contours of Shakespeare’s art—as a venture into a poetic illumination of the deep grammar of the real.
Publisher: Routledge
ISBN: 1000582558
Category : Drama
Languages : en
Pages : 230
Book Description
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirmation and articulation of the goodness of Being. Offering a metaphysically astute theology of language grounded in the thought of Renaissance theologian Nicholas of Cusa, as well as readings of Shakespeare that instantiate and complement its approach, this book shows that language in which the divine gift of Being is received, apprehended and expressed, even amidst darkness and despair, is language that can renew our relationship with one another and with the things and beings of the world. Shakespeare and the Grace of Words aims to engage the reader in detailed, performative close readings while exploring the metaphysical and theological contours of Shakespeare’s art—as a venture into a poetic illumination of the deep grammar of the real.
Shakespeare's Hybrid Faith
Author: J. Mayer
Publisher: Springer
ISBN: 0230595898
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
This book throws new light on the issue of the dramatist's religious orientation by dismissing sectarian and one-sided theories, tackling the problem from the angle of the variegated Elizabethan context recently uncovered by modern historians and theatre scholars. It is argued that faith was a quest rather than a quiet certainty for the playwright.
Publisher: Springer
ISBN: 0230595898
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
This book throws new light on the issue of the dramatist's religious orientation by dismissing sectarian and one-sided theories, tackling the problem from the angle of the variegated Elizabethan context recently uncovered by modern historians and theatre scholars. It is argued that faith was a quest rather than a quiet certainty for the playwright.
Shakespeare and His Biographical Afterlives
Author: Paul Franssen
Publisher: Berghahn Books
ISBN: 1789206898
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
New Shakespeare biographies are published every year, though very little new documentary evidence has come to light. Inevitably speculative, these biographies straddle the line between fact and fiction. Shakespeare and His Biographical Afterlives explores the relationship between fiction and non-fiction within Shakespeare’s biography, across a range of subjects including feminism, class politics, wartime propaganda, children’s fiction, and religion, expanding beyond the Anglophone world to include countries such as Germany and Spain, from the seventeenth century to present day.
Publisher: Berghahn Books
ISBN: 1789206898
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
New Shakespeare biographies are published every year, though very little new documentary evidence has come to light. Inevitably speculative, these biographies straddle the line between fact and fiction. Shakespeare and His Biographical Afterlives explores the relationship between fiction and non-fiction within Shakespeare’s biography, across a range of subjects including feminism, class politics, wartime propaganda, children’s fiction, and religion, expanding beyond the Anglophone world to include countries such as Germany and Spain, from the seventeenth century to present day.
The Catholic Shakespeare?
Author: The Portsmouth Institute
Publisher: Sheed & Ward
ISBN: 1580512763
Category : Religion
Languages : en
Pages : 175
Book Description
Was Shakespeare Catholic? By observing Shakespeare’s history and his plays evidence suggests that he was sympathetic to the Catholics’ plight. He had personal connections to people who were persecuted for their faith and throughout his plays there is evidence of a Catholic worldview. The Catholic Shakespeare? gives an inside look at the 2011 Portsmouth Institute conference, offering different takes from speakers to Shakespearean plays. Each speaker offers compelling evidence and some suggestions about the basis and meaning behind his plays as they relate to a Catholic view. Dr. Gerard Kilroy, University College, London, assembles linguistic and thematic cues to suggest Romeo and Juliet as an allegory for believers and the Catholic Church. Dennis Taylor, Boston College, takes a more historical approach in his review of Shakespeare's play The Tempest, tracing Catholic links to early efforts to explore the Americas. And, finally, Fr. David Beauregard, St. Clement seminary, takes a religious and philosophical look at relationships, charity, and the development of virtue in The Tempest. The Catholic Shakespeare is a must-read for anyone interested in the mystery behind Shakespeare’s religion.
Publisher: Sheed & Ward
ISBN: 1580512763
Category : Religion
Languages : en
Pages : 175
Book Description
Was Shakespeare Catholic? By observing Shakespeare’s history and his plays evidence suggests that he was sympathetic to the Catholics’ plight. He had personal connections to people who were persecuted for their faith and throughout his plays there is evidence of a Catholic worldview. The Catholic Shakespeare? gives an inside look at the 2011 Portsmouth Institute conference, offering different takes from speakers to Shakespearean plays. Each speaker offers compelling evidence and some suggestions about the basis and meaning behind his plays as they relate to a Catholic view. Dr. Gerard Kilroy, University College, London, assembles linguistic and thematic cues to suggest Romeo and Juliet as an allegory for believers and the Catholic Church. Dennis Taylor, Boston College, takes a more historical approach in his review of Shakespeare's play The Tempest, tracing Catholic links to early efforts to explore the Americas. And, finally, Fr. David Beauregard, St. Clement seminary, takes a religious and philosophical look at relationships, charity, and the development of virtue in The Tempest. The Catholic Shakespeare is a must-read for anyone interested in the mystery behind Shakespeare’s religion.
Shakespeare's Catholicism
Author: Sister Maura
Publisher: Cambridge, Mass. : Riverside Press
ISBN:
Category : Catholics
Languages : en
Pages : 206
Book Description
Publisher: Cambridge, Mass. : Riverside Press
ISBN:
Category : Catholics
Languages : en
Pages : 206
Book Description
Walsingham in Literature and Culture from the Middle Ages to Modernity
Author: Dominic Janes
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754669241
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Though well known as a shrine to the Virgin Mary and as a popular pilgrimage site, Walsingham has only recently received serious scholarly attention. This volume represents the first collection of multi-disciplinary essays on Walsingham's broader significance. Contributors focus on the hitherto neglected issue of Walsingham's cultural impact: the literary, historical, art historical and sociological significance that Walsingham has had since the later Middle Ages.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754669241
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Though well known as a shrine to the Virgin Mary and as a popular pilgrimage site, Walsingham has only recently received serious scholarly attention. This volume represents the first collection of multi-disciplinary essays on Walsingham's broader significance. Contributors focus on the hitherto neglected issue of Walsingham's cultural impact: the literary, historical, art historical and sociological significance that Walsingham has had since the later Middle Ages.