Author: William B. Worthen
Publisher: Cambridge University Press
ISBN: 9780521008006
Category : Drama
Languages : en
Pages : 282

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Book Description
This book analyses how Shakespeare is recreated in historical performance.

Author: William B. Worthen
Publisher:
ISBN: 9780511305597
Category : Film adaptations
Languages : en
Pages : 274

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Book Description
The book includes detailed discussions of recent films and stage productions, and sets Shakespeare performances alongside other works of contemporary drama an theatre."--Jacket.

Author: W. B. Worthen
Publisher: Cambridge University Press
ISBN: 1107055954
Category : Drama
Languages : en
Pages : 265

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Book Description
This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.

Author: Peter Kirwan
Publisher: Bloomsbury Publishing
ISBN: 1350080691
Category : Literary Criticism
Languages : en
Pages : 417

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Book Description
The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.

Author: Michael Bristol
Publisher: Routledge
ISBN: 1134601204
Category : Art
Languages : en
Pages : 217

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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Paul Edward Yachnin
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655855
Category : Literary Criticism
Languages : en
Pages : 232

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Book Description
Using the tools of theatre history in their investigation into the phenomenology of the performance experience, the essays here also consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. The contributors strive to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.

Author: M. Jones
Publisher: Springer
ISBN: 0230597165
Category : Literary Criticism
Languages : en
Pages : 223

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Book Description
Shakespeare's Culture in Modern Performance is an original study at the interface of a historicizing literary criticism and the study of modern performance. In a critical climate that views the cultural object of performance as authentic in itself, is there any point in exploring a script's original history? The writer argues for a dialogic understanding of Shakespeare's plays in performance relative to unresolved issues of modernity, in a study of modern productions on stage and screen.

Author: William B. Worthen
Publisher:
ISBN: 9781108628464
Category : Film adaptations
Languages : en
Pages :

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Book Description
Worthen uses contemporary Shakespeare performance to explore the technicity of theatre: its changing work as an intermedial technology.

Author: Barbara Hodgdon
Publisher: John Wiley & Sons
ISBN: 1405150238
Category : Literary Criticism
Languages : en
Pages : 704

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Book Description
A Companion to Shakespeare and Performance provides astate-of-the-art engagement with the rapidly developing field ofShakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print,in the classroom, in the theatre, in film, on television and video,in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry inShakespeare and performance. Raises questions about the dynamic interplay betweenShakespearean writing and the practices of contemporary performanceand performance studies. Written by an international group of major scholars, teachers,and professional theatre makers.

Author: Ayanna Thompson
Publisher: Cambridge University Press
ISBN: 1108623298
Category : Literary Criticism
Languages : en
Pages : 518

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Book Description
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.