Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Shakespeare in the Eighteenth Century
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Women and Shakespeare in the Eighteenth Century
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 1107046300
Category : Drama
Languages : en
Pages : 267
Book Description
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare's burgeoning reputation in the eighteenth century.
Publisher: Cambridge University Press
ISBN: 1107046300
Category : Drama
Languages : en
Pages : 267
Book Description
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare's burgeoning reputation in the eighteenth century.
The Re-Imagined Text
Author: Jean I. Marsden
Publisher: University Press of Kentucky
ISBN: 0813161436
Category : Drama
Languages : en
Pages : 205
Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Publisher: University Press of Kentucky
ISBN: 0813161436
Category : Drama
Languages : en
Pages : 205
Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Shakespeare and the Book
Author: David Scott Kastan
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
Shakespeare and the Eighteenth-Century Novel
Author: Kate Rumbold
Publisher: Cambridge University Press
ISBN: 1316477894
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.
Publisher: Cambridge University Press
ISBN: 1316477894
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.
Shakespeare and the Legacy of Loss
Author: Emily Hodgson Anderson
Publisher: University of Michigan Press
ISBN: 0472902369
Category : Performing Arts
Languages : en
Pages : 262
Book Description
How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.
Publisher: University of Michigan Press
ISBN: 0472902369
Category : Performing Arts
Languages : en
Pages : 262
Book Description
How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.
Edmond Malone, Shakespearean Scholar
Author: Peter Martin
Publisher: Cambridge University Press
ISBN: 9780521460309
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.
Publisher: Cambridge University Press
ISBN: 9780521460309
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.
Shakespeare and Politics
Author: Bruce E. Altschuler
Publisher: Routledge
ISBN: 1317252187
Category : Education
Languages : en
Pages : 213
Book Description
William Shakespeare, more than any other author, was able to capture the essence of human nature in all its manifestations. His political plays offer enduring insights into our humanity, our vanity, our noble and baser drives, what makes us great, and what makes us loathsome. He tells us about ourselves and about our world. This volume gleans valuable lessons from the writings of William Shakespeare and applies them to contemporary politics. Original chapters covering over a dozen different plays take up perennial political themes including power and leadership, corruption and virtue, war and peace, evil and liberty, persuasion and polarization, and empire and global overreach.Features of the text:
Publisher: Routledge
ISBN: 1317252187
Category : Education
Languages : en
Pages : 213
Book Description
William Shakespeare, more than any other author, was able to capture the essence of human nature in all its manifestations. His political plays offer enduring insights into our humanity, our vanity, our noble and baser drives, what makes us great, and what makes us loathsome. He tells us about ourselves and about our world. This volume gleans valuable lessons from the writings of William Shakespeare and applies them to contemporary politics. Original chapters covering over a dozen different plays take up perennial political themes including power and leadership, corruption and virtue, war and peace, evil and liberty, persuasion and polarization, and empire and global overreach.Features of the text:
Criticism, Performance and the Passions in the Eighteenth Century
Author: James Harriman-Smith
Publisher: Cambridge University Press
ISBN: 110883549X
Category : Drama
Languages : en
Pages : 249
Book Description
Recovers eighteenth-century appreciation of transition as a critical tool for analysing the expression and reception of emotion in theatre.
Publisher: Cambridge University Press
ISBN: 110883549X
Category : Drama
Languages : en
Pages : 249
Book Description
Recovers eighteenth-century appreciation of transition as a critical tool for analysing the expression and reception of emotion in theatre.
Rehearsal from Shakespeare to Sheridan
Author: Tiffany Stern
Publisher: Oxford University Press
ISBN: 0198186819
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected thecreation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Publisher: Oxford University Press
ISBN: 0198186819
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected thecreation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.