Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Shakespeare in the Eighteenth Century
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Women and Shakespeare in the Eighteenth Century
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 1107046300
Category : Drama
Languages : en
Pages : 267
Book Description
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare's burgeoning reputation in the eighteenth century.
Publisher: Cambridge University Press
ISBN: 1107046300
Category : Drama
Languages : en
Pages : 267
Book Description
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare's burgeoning reputation in the eighteenth century.
Shakespeare and the Book
Author: David Scott Kastan
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
The Re-Imagined Text
Author: Jean I. Marsden
Publisher: University Press of Kentucky
ISBN: 0813185556
Category : Drama
Languages : en
Pages : 283
Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Publisher: University Press of Kentucky
ISBN: 0813185556
Category : Drama
Languages : en
Pages : 283
Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Shakespeare and the Eighteenth-Century Novel
Author: Kate Rumbold
Publisher: Cambridge University Press
ISBN: 1316477894
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.
Publisher: Cambridge University Press
ISBN: 1316477894
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.
Edmond Malone, Shakespearean Scholar
Author: Peter Martin
Publisher: Cambridge University Press
ISBN: 9780521460309
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.
Publisher: Cambridge University Press
ISBN: 9780521460309
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.
Cultural Readings of Restoration and Eighteenth-Century English Theater
Author: Deborah Payne Fisk
Publisher: University of Georgia Press
ISBN: 0820337897
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.
Publisher: University of Georgia Press
ISBN: 0820337897
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.
Rehearsal from Shakespeare to Sheridan
Author: Tiffany Stern
Publisher: Oxford University Press
ISBN: 0198186819
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected thecreation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Publisher: Oxford University Press
ISBN: 0198186819
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected thecreation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Shakespeare and the Rise of the Editor
Author: Sonia Massai
Publisher: Cambridge University Press
ISBN: 0521878055
Category : Drama
Languages : en
Pages : 154
Book Description
A study into the prehistory of editorial tradition, focusing on Shakespeare and his earliest 'editors'.
Publisher: Cambridge University Press
ISBN: 0521878055
Category : Drama
Languages : en
Pages : 154
Book Description
A study into the prehistory of editorial tradition, focusing on Shakespeare and his earliest 'editors'.
Shakespeare in Art
Author: Jane Martineau
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
Book Description
'Shakespeare in Art' looks at the huge variety of painters who made Shakespeare's extremes of passion, his evocations of nature, his spirit world and his eternally familiar characters the subjects of their own work. This book is essential reading for anyone interested in the history of Western culture.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
Book Description
'Shakespeare in Art' looks at the huge variety of painters who made Shakespeare's extremes of passion, his evocations of nature, his spirit world and his eternally familiar characters the subjects of their own work. This book is essential reading for anyone interested in the history of Western culture.