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Author: Martin Wiggins
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711605
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
'Extremely informative... There are some nice touches here, and Wiggins is good on the effects of the cultural shifts that he describes, making telling comparisons such as: 'To the Elizabethans, Marlowe's plays must have had all the aural impact of a symphony orchestra taking over from a barrel-organ'.' -Modern Language Review'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary Supplement'Provides a superb, concise, and approachable overview of Shakespeare's contextual place among the plays and playwrights of early modern London.' -Sixteenth Century JournalOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. This book examines the plays of Shakespeare in their context as part of English Renaissance drama as a whole. Separate chapters deal with the origins of that drama; tragedy; comedy; the artistic conventions of play-writing in the period; and tragicomedy. Throughout, Shakespeare's plays are shown to be intimately associated with those of his contemporaries, notably Christopher Marlowe, Thomas Kyd, George Chapman, Ben Jonson, John Marston, and John Fletcher.
Author: Martin Wiggins
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711605
Category : Literary Criticism
Languages : en
Pages : 166
Get Book Here
Book Description
'Extremely informative... There are some nice touches here, and Wiggins is good on the effects of the cultural shifts that he describes, making telling comparisons such as: 'To the Elizabethans, Marlowe's plays must have had all the aural impact of a symphony orchestra taking over from a barrel-organ'.' -Modern Language Review'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary Supplement'Provides a superb, concise, and approachable overview of Shakespeare's contextual place among the plays and playwrights of early modern London.' -Sixteenth Century JournalOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. This book examines the plays of Shakespeare in their context as part of English Renaissance drama as a whole. Separate chapters deal with the origins of that drama; tragedy; comedy; the artistic conventions of play-writing in the period; and tragicomedy. Throughout, Shakespeare's plays are shown to be intimately associated with those of his contemporaries, notably Christopher Marlowe, Thomas Kyd, George Chapman, Ben Jonson, John Marston, and John Fletcher.
Author: Matthew Wagner
Publisher: Routledge
ISBN: 1136661638
Category : Performing Arts
Languages : en
Pages : 181
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Book Description
That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth Night), or, perhaps most famously, simply ‘out of joint’ (Hamlet). Yet most critical commentary on time and Shakespeare tends to incorporate little focus on time as an essential - if elusive - element of stage praxis. This book aims to fill that gap; Wagner's focus is specifically performative, asking after time as a stage phenomenon rather than a literary theme or poetic metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical, historiographical, dramaturgical, and performative perspectives, Wagner examines the ways in which theatrical activity generates a manifest presence of time, and he demonstrates Shakespeare’s acute awareness and manipulation of this phenomenon. Underpinning these investigations is the argument that theatrical time, and especially Shakespearean time, is rooted in temporal conflict and ‘thickness’ (the heightened sense of the present moment bearing the weight of both the past and the future). Throughout the book, Wagner traces the ways in which time transcends thematic and metaphorical functions, and forms an essential part of Shakespearean stage praxis.
Author: BRADD. SHORE
Publisher: Routledge
ISBN: 9781032017174
Category :
Languages : en
Pages : 296
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Book Description
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Author: Peter Happe
Publisher: Routledge
ISBN: 131787112X
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Author: Ari Berk
Publisher: Candlewick Press
ISBN: 0763647942
Category : Juvenile Fiction
Languages : en
Pages : 17
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Book Description
Describes Shakespeare's experiences in London and his retirement to the country in a fictional account that includes excerpts from his works.
Author: Jean-Pierre Maquerlot
Publisher: Cambridge University Press
ISBN: 9780521475006
Category : Drama
Languages : en
Pages : 292
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Book Description
Interconnections between voyage narratives and travel plays in Shakespeare's era.
Author: David McInnis
Publisher: Cambridge University Press
ISBN: 1108843263
Category : Drama
Languages : en
Pages : 239
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Book Description
Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.
Author: Elise Broach
Publisher: Macmillan
ISBN: 9780312371326
Category : Juvenile Fiction
Languages : en
Pages : 276
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Book Description
A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: David Scott Kastan
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
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Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
