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Author: Philip Edwards
Publisher:
ISBN: 9780416701708
Category :
Languages : en
Pages : 0
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Book Description
Author: Philip Edwards
Publisher:
ISBN: 9780416701708
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Philip W. EDWARDS
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
Author: Bidyut Chakrabarty
Publisher: Psychology Press
ISBN: 9780415352826
Category : Assam (India)
Languages : en
Pages : 192
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Book Description
This book is a balanced account of the complex processes that finally culminated in the fragmentation of South Asia following decolonization.
Author: B. J. Sokol
Publisher: Bloomsbury Publishing
ISBN: 1350021946
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
This study of the many poets, musicians and visual artists portrayed or described in Shakespeare's plays and poems reveals a fascination with art and its makers that continued to influence Shakespeare's work throughout his career. It also uncovers unexpected aspects of an enthusiastic Elizabethan consumption of artworks, an enthusiasm that had significant bearing on the quite new profession that Shakespeare himself followed. A high valuation placed on art and artists, and at the same time certain fears of these and fears for these, made for a very complex reception of the figure of the artist, and Shakespeare's treatments were equal to that complexity.
Author: Imtiaz H. Habib
Publisher: Susquehanna University Press
ISBN: 9780945636373
Category : Drama
Languages : en
Pages : 264
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Book Description
The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.
Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1136556567
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
First published in 1987. This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new combination of essentially similar ingredients, so that, for example, the boy/girl changes in The Merchant of Venice are seen to have a quite different significance from those in As You Like It.
Author: Armelle Sabatier
Publisher: Bloomsbury Publishing
ISBN: 1472568079
Category : Drama
Languages : en
Pages : 313
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Book Description
Statues coming to life and lively portraits ready to breathe in Shakespeare? This new volume re-assesses the key role played by visual culture in his drama and poetry by providing readers with an up-to-date guide to the main publications on the subject as well as offering a synthesis on the main literary and historical sources for inspiration. While scrutinising the complex issue of image on an Elizabethan stage and exploring the codification of colours in Shakespeare's poetry, this dictionary highlights the fierce rivalry between the poet, the dramatist and the visual artist. This volume will be of great interest and value to students of Shakespeare, students of art history or anyone working on the interdisciplinary subject of literature and art.
Author: Una Ellis-Fermor
Publisher: Routledge
ISBN: 1136560483
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
First published in 1980. This collection of essays by the first General Editor of the New Arden Shakespeare brings together the best of Ellis-Fermor's Shespearean criticism, in addition to outstanding essays on Coriolanus and Troilus and Cressida. Collected and edited by Kenneth Muir, the book is prefaced by an appreciation of Ellis-Fermor's work.
Author: Kenneth Muir
Publisher: Routledge
ISBN: 1317833422
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
First published in 1977. This book ascertains what sources Shakespeare used for the plots of his plays and discusses the use he made of them; and secondly illustrates how his general reading is woven into the texture of his work. Few Elizabethan dramatists took such pains as Shakespeare in the collection of source-material. Frequently the sources were apparently incompatible, but Shakespeare's ability to combine a chronicle play, one or two prose chronicles, two poems and a pastoral romance without any sense of incongruity, was masterly. The plays are examined in approximately chronological order and Shakespeare's developing skill becomes evident.
Author: Pauline Kiernan
Publisher: Cambridge University Press
ISBN: 9780521633581
Category : Drama
Languages : en
Pages : 236
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Book Description
Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study, first published in 1996, examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why.
