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Author: Islam Issa
Publisher: Spotlight on Shakespeare
ISBN: 9780367334826
Category : Terrorism
Languages : en
Pages : 210
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Book Description
Shakespeare and Terrorism delves into how extremists have responded to Shakespeare and investigates what his works can tell us about the nature, psychology, and consequences of terror. This book will enlighten those interested in Shakespeare, social sciences, history, and the complex relationships between life and art.
Author: Islam Issa
Publisher: Spotlight on Shakespeare
ISBN: 9780367334826
Category : Terrorism
Languages : en
Pages : 210
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Book Description
Shakespeare and Terrorism delves into how extremists have responded to Shakespeare and investigates what his works can tell us about the nature, psychology, and consequences of terror. This book will enlighten those interested in Shakespeare, social sciences, history, and the complex relationships between life and art.
Author: Douglas A. Brooks
Publisher:
ISBN: 9780773437302
Category : September 11 Terrorist Attacks, 2001
Languages : en
Pages : 0
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Book Description
Assembles a composite picture of Shakespeare's afterlives in media and cultural imagination. This title provides fresh insight about how our understanding of Shakespeare has changed after the terrorist attacks of September 11, 2001. It investigates the impact of 9/11 on our understanding of specific Shakespeare plays.
Author: Sulayman Al Bassam
Publisher: A&C Black
ISBN: 1472533321
Category : Drama
Languages : en
Pages : 221
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Book Description
Sulayman Al Bassam is one of the world's leading contemporary dramatists. His adaptations of Shakespeare, performed around the world, have won many awards and met with widespread acclaim on four continents. This volume brings together for the first time three of Al Bassam's adaptations of Shakespearean plays - including versions of Hamlet, Richard III and Twelfth Night - collectively known as The Arab Shakespeare Trilogy. The Al-Hamlet Summit sees the familiar characters of Hamlet reborn as delegates placed in a conference room in an unnamed modern Arab state on the brink of war; Richard III: an Arab Tragedy is a contemporary adaptation of Shakespeare's classic, reworked and transplanted into the scorching oil-rich Islamic world of the Gulf; while The Speaker's Progress is a forensic reconstruction of Twelfth Night which transforms into an unequivocal act of defiance towards the state, forming a dark satire on the decades of hopelessness and political inertia that fed twenty-first-century revolts across the Arab region. The Arab Shakespeare Trilogy features an editorial introduction by Graham Holderness, positioning the plays within the contexts of both modern Shakespearean drama and Arab culture as well as an author's preface by Sulayman Al Bassam, detailing the plays' history of theatrical reception and outlining his philosophy of Shakespeare adaptation.
Author: Robert Sawyer
Publisher: Springer
ISBN: 1349952273
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene’s comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare’s ghostwriter accelerates due to a climate of conspiracy, including “belief echoes,” which presently permeate our cultural and critical discourse.
Author: Wilson Richard Wilson
Publisher: Edinburgh University Press
ISBN: 1474411339
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
In Worldly Shakespeare Richard Wilson proposes that the universalism proclaimed in the name of Shakespeare's playhouse was tempered by his own worldliness, the performative idea that runs through his plays, that if 'All the world's a stage', then 'all the men and women in it' are 'merely players'. Situating this playacting in the context of current concerns about the difference between globalization and mondialisation, the book considers how this drama offers itself as a model for a planet governed not according to universal toleration, but the right to offend: 'But with good will'. For when he asks us to think we 'have but slumbered' throughout his offensive plays, Wilson suggests, Shakespeare is presenting a drama without catharsis, which anticipates post-structuralist thinkers like Jacques Rancire and Slavoj A iA ek, who insist the essence of democracy is dissent, and 'the presence of two worlds in one'.Living out his scenario of the guest who destroys the host, by welcoming the religious terrorist, paranoid queen, veiled woman, papist diehard, or puritan fundamentalist into his play-world, Worldly Shakespeare concludes, the dramatist instead provides a pretext for our globalized communities in a time of Facebook and fatwa, as we also come to depend on the right to offend 'with our good will'.
Author: William McKenzie
Publisher: Edinburgh University Press
ISBN: 1474413528
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book is a 'one-stop-shop' for the busy undergraduate studying Shakespeare. Offering detailed guidance to the plays most often taught on undergraduate courses, the volume targets the topics tutors choose for essay questions and is organised to help students find the information they need quickly. Each text discussion contains sections on sources, characters, performance, themes, language, and critical history, helping students identify the different ways of approaching a text. The book's unique play-based structure and character-centre approach allows students to easily navigate the material. The flexibility of the design allows students to either read cover-to-cover, target a specific play, or explore elements of a narrative unit such as imagery or characterisation. The reader will gain quickly a full grasp of the kind of dramatist William Shakespeare was - and is.
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 1108278787
Category : Literary Criticism
Languages : en
Pages : 1177
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Book Description
The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Creating Shakespeare'.
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 9780521850742
Category : Drama
Languages : en
Pages : 396
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Book Description
Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of the play 'Macbeth'.
Author: Paul Franssen
Publisher: Berghahn Books
ISBN: 1789206898
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
New Shakespeare biographies are published every year, though very little new documentary evidence has come to light. Inevitably speculative, these biographies straddle the line between fact and fiction. Shakespeare and His Biographical Afterlives explores the relationship between fiction and non-fiction within Shakespeare’s biography, across a range of subjects including feminism, class politics, wartime propaganda, children’s fiction, and religion, expanding beyond the Anglophone world to include countries such as Germany and Spain, from the seventeenth century to present day.
Author: Geoffrey Way
Publisher: Edinburgh University Press
ISBN: 1399524933
Category :
Languages : en
Pages : 225
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Book Description
Bringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare. The essays in this book, written by established and emerging scholars in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies and fan studies, demonstrate how remaking the plays across time, cultures or media changes the nature both of what Shakespeare promises and the expectations of those promised Shakespeare. Using examples such as rap music, popular television, theatre history and twentieth-century poetry, this collection argues that understanding Shakespeare at different intersections between performance and appropriation requires continuously negotiating what is signified through Shakespeare to the communities that use and consume him.
