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Author: Mary McAvoy
Publisher: University of Iowa Press
ISBN: 1609386418
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
Choice Outstanding Academic Title, 2019 George Freedley Memorial Award Finalist, 2020 Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America. Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.
Author: Mary McAvoy
Publisher: University of Iowa Press
ISBN: 1609386418
Category : Performing Arts
Languages : en
Pages : 277
Get Book Here
Book Description
Choice Outstanding Academic Title, 2019 George Freedley Memorial Award Finalist, 2020 Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America. Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.
Author: Leilah Danielson
Publisher: University of Pennsylvania Press
ISBN: 0812291778
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
When Abraham Johannes Muste died in 1967, newspapers throughout the world referred to him as the "American Gandhi." Best known for his role in the labor movement of the 1930s and his leadership of the peace movement in the postwar era, Muste was one of the most charismatic figures of the American left in his time. Had he written the story of his life, it would also have been the story of social and political struggles in the United States during the twentieth century. In American Gandhi, Leilah Danielson establishes Muste's distinctive activism as the work of a prophet and a pragmatist. Muste warned that the revolutionary dogmatism of the Communist Party would prove a dead end, understood the moral significance of racial equality, argued early in the Cold War that American pacifists should not pick a side, and presaged the spiritual alienation of the New Left from the liberal establishment. At the same time, Muste was committed to grounding theory in practice and the individual in community. His open, pragmatic approach fostered some of the most creative and remarkable innovations in progressive thought and practice in the twentieth century, including the adaptation of Gandhian nonviolence for American concerns and conditions. A biography of Muste's evolving political and religious views, American Gandhi also charts the rise and fall of American progressivism over the course of the twentieth century and offers the possibility of its renewal in the twenty-first.
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Category : Industries
Languages : en
Pages : 932
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Category : Textile fabrics
Languages : en
Pages : 848
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Category : Dyes and dyeing
Languages : en
Pages : 390
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Category : Silk industry
Languages : en
Pages : 628
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Languages : en
Pages : 1128
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Category : Clerks
Languages : en
Pages : 1028
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Category : Trademarks
Languages : en
Pages : 204
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Author: J. Woodrow McCree
Publisher: Rowman & Littlefield
ISBN: 179361962X
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Washington Irving’s Critique of American Culture: Sketching a Vision of World Citizenship challenges long-standing views of Washington Irving. He has been portrayed as writing in the 18th century style of Addison and Goldsmith, without having much substance of his own. Irving has also been accused of being insufficiently American and adrift in an identity crisis. The author argues that Irving addressed the American cultural context very extensively—he was a writer of substance who articulated an ethic of world citizenship that was found in the philosophy of ancient Greek cynics and stoics. This ethic was united with a love of picturesque travel, which emphasized variety and texture in experience, resulting in an extraordinary affirmation of the value of cultural diversity in the new Republic. Irving was, in fact, a liminal figure straddling Romantic and neoclassical modes of writing and acting. The author draws attention to Irving’s success as a writer in the pictorial mode. Irving also expressed a critique of cultural loss and environmental destruction like that articulated by the artist Thomas Cole. The work embraces an interdisciplinary approach, where insights from philosophy, religion, art history, and social history shed light on an underestimated writer.
