Author: Ronald L. Dotterer
Publisher: Susquehanna University Press
ISBN: 9780945636328
Category : Art
Languages : en
Pages : 202
Book Description
Female sexuality as expressed both in the art of women and in images of women in art is the focus of this collection of thirteen essays -- the second in a three-volume series on women, the arts, and society. The idea that art created by a woman has a particular relationship to the female body is explored by most of these essays.
Sexuality, the Female Gaze, and the Arts
Author: Ronald L. Dotterer
Publisher: Susquehanna University Press
ISBN: 9780945636328
Category : Art
Languages : en
Pages : 202
Book Description
Female sexuality as expressed both in the art of women and in images of women in art is the focus of this collection of thirteen essays -- the second in a three-volume series on women, the arts, and society. The idea that art created by a woman has a particular relationship to the female body is explored by most of these essays.
Publisher: Susquehanna University Press
ISBN: 9780945636328
Category : Art
Languages : en
Pages : 202
Book Description
Female sexuality as expressed both in the art of women and in images of women in art is the focus of this collection of thirteen essays -- the second in a three-volume series on women, the arts, and society. The idea that art created by a woman has a particular relationship to the female body is explored by most of these essays.
Girl on Girl
Author: Charlotte Jansen
Publisher: Laurence King Publishing
ISBN: 9781786275554
Category : Art
Languages : en
Pages : 0
Book Description
Girl on Girl looks at how women are using photography, the internet and the female gaze to explore self–image and female identity in contemporary art. A new generation of women is taking the art world – online and offline – by storm. In an image–obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity. "Charlotte Jansen has brought together some of the finest female photographers of our generation" – Refinery29 "A very important book" – Vogue Italia "Young female artists are using photography and social media to explore issues of female identity. This gorgeous book introduces 40 of them, in an investigation of photography and the female gaze."– Eva Wiseman, Observer Magazine Features work by Aneta Bartos Tonje Bøe Birkeland Nakeya Brown Juno Calypso Anja Carr Amanda Charchian Petra Collins Maisie Cousins Nathalie Daoust Shae DeTar Lalla Essaydi Maya Fuhr Yaeli Gabriely Petrina Hicks Ayana V. Jackson Lebohang Kganye Lilia Li–Mi–Yan Pixy Liao Alexandra Marzella Rania Matar Izumi Miyazaki Monika Mogi Zanele Muholi Mihaela Noroc Birthe Piontek Elizabeth Renstrom Marianna Rothen Phebe Schmidt Leah Schrager Molly Soda Johanna Stickland Iiu Susiraja Deanna Templeton Yvonne Todd Mayan Toledano Jaimie Warren Isabelle Wenzel Aviya Wyse Jessica Yatrofsky Pinar Yolaçan
Publisher: Laurence King Publishing
ISBN: 9781786275554
Category : Art
Languages : en
Pages : 0
Book Description
Girl on Girl looks at how women are using photography, the internet and the female gaze to explore self–image and female identity in contemporary art. A new generation of women is taking the art world – online and offline – by storm. In an image–obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity. "Charlotte Jansen has brought together some of the finest female photographers of our generation" – Refinery29 "A very important book" – Vogue Italia "Young female artists are using photography and social media to explore issues of female identity. This gorgeous book introduces 40 of them, in an investigation of photography and the female gaze."– Eva Wiseman, Observer Magazine Features work by Aneta Bartos Tonje Bøe Birkeland Nakeya Brown Juno Calypso Anja Carr Amanda Charchian Petra Collins Maisie Cousins Nathalie Daoust Shae DeTar Lalla Essaydi Maya Fuhr Yaeli Gabriely Petrina Hicks Ayana V. Jackson Lebohang Kganye Lilia Li–Mi–Yan Pixy Liao Alexandra Marzella Rania Matar Izumi Miyazaki Monika Mogi Zanele Muholi Mihaela Noroc Birthe Piontek Elizabeth Renstrom Marianna Rothen Phebe Schmidt Leah Schrager Molly Soda Johanna Stickland Iiu Susiraja Deanna Templeton Yvonne Todd Mayan Toledano Jaimie Warren Isabelle Wenzel Aviya Wyse Jessica Yatrofsky Pinar Yolaçan
The Doll Factory
Author: Elizabeth Macneal
Publisher: Atria/Emily Bestler Books
ISBN: 1982106778
Category : Fiction
Languages : en
Pages : 384
Book Description
The #1 international bestseller and The New York Times Editor’s Choice “As lush as the novels of Kate Morton and Diane Setterfield, as exciting as The Alienist and Iain Pears’ An Instance of the Fingerpost, this exquisite literary thriller will intrigue book clubs and rivet fans of historical fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window “A lush, evocative Gothic.” —The New York Times Book Review “This terrifically exciting novel will jolt, thrill, and bewitch readers.” —Booklist, starred review Obsession is an art. In this “sharp, scary, gorgeously evocative tale of love, art, and obsession” (Paula Hawkins, bestselling author of The Girl on the Train), a beautiful young woman aspires to be an artist, while a man’s dark obsession may destroy her world forever. Obsession is an art. In 1850s London, the Great Exhibition is being erected in Hyde Park and, among the crowd watching the dazzling spectacle, two people meet by happenstance. For Iris, an arrestingly attractive aspiring artist, it is a brief and forgettable moment. But for Silas, a curiosity collector enchanted by all things strange and beautiful, the meeting marks a new beginning. When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly, her world begins to expand beyond her wildest dreams—but she has no idea that evil is waiting in the shadows. Silas has only thought of one thing since that chance meeting, and his obsession is darkening by the day. “A lush, evocative Gothic” (The New York Times Book Review) that is “a perfect blend of froth and substance” (The Washington Post), The Doll Factory will haunt you long after you finish it and is perfect for fans of The Alienist, Drood, and Fingersmith.
Publisher: Atria/Emily Bestler Books
ISBN: 1982106778
Category : Fiction
Languages : en
Pages : 384
Book Description
The #1 international bestseller and The New York Times Editor’s Choice “As lush as the novels of Kate Morton and Diane Setterfield, as exciting as The Alienist and Iain Pears’ An Instance of the Fingerpost, this exquisite literary thriller will intrigue book clubs and rivet fans of historical fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window “A lush, evocative Gothic.” —The New York Times Book Review “This terrifically exciting novel will jolt, thrill, and bewitch readers.” —Booklist, starred review Obsession is an art. In this “sharp, scary, gorgeously evocative tale of love, art, and obsession” (Paula Hawkins, bestselling author of The Girl on the Train), a beautiful young woman aspires to be an artist, while a man’s dark obsession may destroy her world forever. Obsession is an art. In 1850s London, the Great Exhibition is being erected in Hyde Park and, among the crowd watching the dazzling spectacle, two people meet by happenstance. For Iris, an arrestingly attractive aspiring artist, it is a brief and forgettable moment. But for Silas, a curiosity collector enchanted by all things strange and beautiful, the meeting marks a new beginning. When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly, her world begins to expand beyond her wildest dreams—but she has no idea that evil is waiting in the shadows. Silas has only thought of one thing since that chance meeting, and his obsession is darkening by the day. “A lush, evocative Gothic” (The New York Times Book Review) that is “a perfect blend of froth and substance” (The Washington Post), The Doll Factory will haunt you long after you finish it and is perfect for fans of The Alienist, Drood, and Fingersmith.
Killer Tapes and Shattered Screens
Author: Caetlin Anne Benson-Allott
Publisher: Univ of California Press
ISBN: 0520275128
Category : Art
Languages : en
Pages : 312
Book Description
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
Publisher: Univ of California Press
ISBN: 0520275128
Category : Art
Languages : en
Pages : 312
Book Description
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
The Stuff of Spectatorship
Author: Caetlin Benson-Allott
Publisher: Univ of California Press
ISBN: 0520971825
Category : Social Science
Languages : en
Pages : 353
Book Description
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
Publisher: Univ of California Press
ISBN: 0520971825
Category : Social Science
Languages : en
Pages : 353
Book Description
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
New Waves
Author: Marta Gnyp
Publisher: Skira
ISBN: 9788857241197
Category :
Languages : en
Pages : 344
Book Description
Leading trailblazers in contemporary art reflect on the transformations in ideology and practice that shape today's art market In New Waves, Dutch art historian Marta Gnyp interviews a number of artists and curators about contemporary art's shifting landscape. Her inquest is divided into five chapters that each address a subject of major change in recent years. "Rewriting the Canon" details the rediscovery and revaluation of several postwar artists including painters Joan Semmel, Stanley Whitney and Claudette Johnson. In "Extending New Media," artists Cory Arcangel and Alex da Corte discuss the creative possibilities posed by new technology. "New Approaches to Truth and Morality" sees installation artist Jordon Wolfson and photographer Mohamed Bourouissa reflect on the ethics of art making. "New Classic Art" examines the practices of four artists--Claire Tabouret, Adriana Varejão, Daniel Richter and Jenny Saville--whose work provides a contemporary spin on the classical art tradition. Finally, Gnyp speaks to several curators, collectors and museum directors to discuss the evolving art market in the 21st century.
Publisher: Skira
ISBN: 9788857241197
Category :
Languages : en
Pages : 344
Book Description
Leading trailblazers in contemporary art reflect on the transformations in ideology and practice that shape today's art market In New Waves, Dutch art historian Marta Gnyp interviews a number of artists and curators about contemporary art's shifting landscape. Her inquest is divided into five chapters that each address a subject of major change in recent years. "Rewriting the Canon" details the rediscovery and revaluation of several postwar artists including painters Joan Semmel, Stanley Whitney and Claudette Johnson. In "Extending New Media," artists Cory Arcangel and Alex da Corte discuss the creative possibilities posed by new technology. "New Approaches to Truth and Morality" sees installation artist Jordon Wolfson and photographer Mohamed Bourouissa reflect on the ethics of art making. "New Classic Art" examines the practices of four artists--Claire Tabouret, Adriana Varejão, Daniel Richter and Jenny Saville--whose work provides a contemporary spin on the classical art tradition. Finally, Gnyp speaks to several curators, collectors and museum directors to discuss the evolving art market in the 21st century.
Women in the Picture: What Culture Does with Female Bodies
Author: Catherine McCormack
Publisher: W. W. Norton & Company
ISBN: 0393542092
Category : Art
Languages : en
Pages : 160
Book Description
Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.
Publisher: W. W. Norton & Company
ISBN: 0393542092
Category : Art
Languages : en
Pages : 160
Book Description
Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.
Vision and Difference
Author: Griselda Pollock
Publisher: Routledge
ISBN: 1136743898
Category : Art
Languages : en
Pages : 358
Book Description
Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but als
Publisher: Routledge
ISBN: 1136743898
Category : Art
Languages : en
Pages : 358
Book Description
Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but als
Women, Art, and Society
Author: Whitney Chadwick
Publisher:
ISBN: 9780500203545
Category : Art
Languages : en
Pages : 496
Book Description
"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.
Publisher:
ISBN: 9780500203545
Category : Art
Languages : en
Pages : 496
Book Description
"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.
Gendered Bodies
Author: Shuqin Cui
Publisher: University of Hawaii Press
ISBN: 0824857429
Category : Art
Languages : en
Pages : 341
Book Description
Gendered Bodies introduces readers to women's visual art in contemporary China by examining how the visual process of gendering reshapes understandings of historiography, sexuality, pain, and space. When artists take the body as the subject of female experience and the medium of aesthetic experiment, they reveal a wealth of noncanonical approaches to art. The insertion of women's narratives into Chinese art history rewrites a historiography that has denied legitimacy to the woman artist. The gendering of sexuality reveals that the female body incites pleasure in women themselves, reversing the dynamic from woman as desired object to woman as desiring subject. The gendering of pain demonstrates that for those haunted by the sociopolitical past, the body can articulate traumatic memories and psychological torment. The gendering of space transforms the female body into an emblem of landscape devastation, remaps ruin aesthetics, and extends the politics of gender identity into cyberspace and virtual reality. The work presents a critical review of women's art in contemporary China in relation to art traditions, classical and contemporary. Inscribing the female body into art generates not only visual experimentation, but also interaction between local art/cultural production and global perception. While artists may seek inspiration and exhibition space abroad, they often reject the (Western) label "feminist artist." An extensive analysis of artworks and artists—both well- and little-known—provides readers with discursively persuasive and visually provocative evidence. Gendered Bodies follows an interdisciplinary approach that general readers as well as scholars will find inspired and inspiring.
Publisher: University of Hawaii Press
ISBN: 0824857429
Category : Art
Languages : en
Pages : 341
Book Description
Gendered Bodies introduces readers to women's visual art in contemporary China by examining how the visual process of gendering reshapes understandings of historiography, sexuality, pain, and space. When artists take the body as the subject of female experience and the medium of aesthetic experiment, they reveal a wealth of noncanonical approaches to art. The insertion of women's narratives into Chinese art history rewrites a historiography that has denied legitimacy to the woman artist. The gendering of sexuality reveals that the female body incites pleasure in women themselves, reversing the dynamic from woman as desired object to woman as desiring subject. The gendering of pain demonstrates that for those haunted by the sociopolitical past, the body can articulate traumatic memories and psychological torment. The gendering of space transforms the female body into an emblem of landscape devastation, remaps ruin aesthetics, and extends the politics of gender identity into cyberspace and virtual reality. The work presents a critical review of women's art in contemporary China in relation to art traditions, classical and contemporary. Inscribing the female body into art generates not only visual experimentation, but also interaction between local art/cultural production and global perception. While artists may seek inspiration and exhibition space abroad, they often reject the (Western) label "feminist artist." An extensive analysis of artworks and artists—both well- and little-known—provides readers with discursively persuasive and visually provocative evidence. Gendered Bodies follows an interdisciplinary approach that general readers as well as scholars will find inspired and inspiring.