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Author: Kristina Straub
Publisher: Princeton University Press
ISBN: 0691258899
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
How the suspect sexuality of actors and actresses shaped early modern debates about gender and sexual identity From the Restoration through the eighteenth century, the sexuality of actors and actresses was written about in ways that stirred the public imagination. Actors were frequently suspected of heterosexual promiscuity or labeled effeminate or even as “sodomites,” and actresses were often viewed as prostitutes or sexually ambivalent victims of their profession. Kristina Straub argues that this depiction of players greatly shaped public debates about what made women feminine and men masculine. Considering a wide range of literature by or about players—pamphlets, newspaper reports, theatrical histories, and biographies as well as the public correspondence between Alexander Pope and the famed actor Colley Cibber—she examines the formation of gender roles and sexual identities during a period crucial to modern thinking on these issues. Drawing from feminist-materialist and gay and lesbian theories and historiographies, Sexual Suspects analyzes the complex development of spectacle and spectatorship as gendered concepts. She reveals how national, racial, and class differences contributed to the subjection of players as professional spectacles and how images of race, class, and gender combined to create divisions between “normal” and “deviant” sexuality.
Author: Kristina Straub
Publisher: Princeton University Press
ISBN: 0691258899
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
How the suspect sexuality of actors and actresses shaped early modern debates about gender and sexual identity From the Restoration through the eighteenth century, the sexuality of actors and actresses was written about in ways that stirred the public imagination. Actors were frequently suspected of heterosexual promiscuity or labeled effeminate or even as “sodomites,” and actresses were often viewed as prostitutes or sexually ambivalent victims of their profession. Kristina Straub argues that this depiction of players greatly shaped public debates about what made women feminine and men masculine. Considering a wide range of literature by or about players—pamphlets, newspaper reports, theatrical histories, and biographies as well as the public correspondence between Alexander Pope and the famed actor Colley Cibber—she examines the formation of gender roles and sexual identities during a period crucial to modern thinking on these issues. Drawing from feminist-materialist and gay and lesbian theories and historiographies, Sexual Suspects analyzes the complex development of spectacle and spectatorship as gendered concepts. She reveals how national, racial, and class differences contributed to the subjection of players as professional spectacles and how images of race, class, and gender combined to create divisions between “normal” and “deviant” sexuality.
Author: Daniel Heuermann
Publisher: GRIN Verlag
ISBN: 3638427560
Category : Literary Collections
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2,0, University of Paderborn, course: John Irving - Selected Novels, language: English, abstract: John Irving’s novelThe World According to Garpgives the reader a view on the lives of its characters and, as a part of it, their attitudes towards lust and sexuality. The description of these aspects is very direct and may be offensive for some more conservative persons. Even for persons who tend to be liberal- minded, Irving’s way of writing about sex can be uncommon, although he uses lust and sexuality only to tell the story and not for sensational reasons. It is strange that after forty years of sexual liberation, or the so called ́sexual revolution ́, so little seems to have changed and people still have these kinds of feelings when reading about sex being described so directly. Despite the fact that people expected more from the sexual liberation in the 1960s and 1970s, there was indeed a change in attitude towards certain aspects, such as premarital and extramarital sex. Studies in the United States in the 1970s revealed “a gradual decrease over time in the percentage of respondents who said that premarital sex is always wrong”. Another important change which derived from the liberation movement was the new female sexuality, especially concerning the sexual fulfilment of women before and during marriage. This is also proved by a decreasing support of the `double standard ́, where men are more or less allowed to be sexual active, including premarital and even extramarital sex, but women are not. You also have to consider the women’s movement, when thinking about female sexual liberation. Both, sexual liberation and feminism, somehow worked together hand in hand to achieve improvement for women’s sexuality. In order to understand the gap between the new achievements and the nevertheless still exis ting resentments towards them, you need to know the situation prior to the 1960s, when the above- mentioned `double standard` and abstinence were in the focus of sexuality.
Author: Professor Kristina Straub
Publisher:
ISBN: 9781400818303
Category :
Languages : en
Pages :
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Book Description
Author: Kristina Straub
Publisher:
ISBN: 9780691015156
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
From the Restoration through the eighteenth century, the sexuality of actors and actresses was written about in ways that stirred the public imagination: actors were frequently suspected of heterosexual promiscuity or labeled effeminate or even as "sodomites," and actresses were often viewed as prostitutes or sexually ambivalent victims of their profession. This depiction of players, argues Kristina Straub, greatly shaped public debates over what made women feminine and men masculine. Considering a wide range of literature by or about players--pamphlets, newspaper reports, theatrical histories, biographies, as well as the public correspondence between Alexander Pope and the famous actor Colley Cibber--she examines the formation of gender roles and sexual identities during a period crucial to modern thinking on these issues. Drawing from feminist-materialist and gay and lesbian theories and historiographies, Straub analyzes the complex development of spectacle and spectatorship as gendered concepts. She also reveals how national, racial, and class differences contributed to the subjection of players as professional spectacles and how images of race, class, and gender combined to create divisions between "normal" and "deviant" sexuality.
Author: J. Peakman
Publisher: Springer
ISBN: 0230244688
Category : History
Languages : en
Pages : 306
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Book Description
A fascinating glimpse into the history of sexual perversions and diversions including fetishism, cross-dressing, 'effeminate' men and 'masculinized' women, sodomy, tribadism, masturbation, necrophilia, rape, paedophilia, flagellation, and sado-masochism, asking how these sexual inclinations were viewed at a particular time in history.
Author: Laura J. Rosenthal
Publisher: Cornell University Press
ISBN: 150175159X
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light. Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.
Author: Anne Duncan
Publisher: Cambridge University Press
ISBN: 1107320852
Category : History
Languages : en
Pages : 432
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Book Description
Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.
Author: Brett D. Wilson
Publisher: Lexington Books
ISBN: 1611483646
Category : Drama
Languages : en
Pages : 311
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Book Description
A Race of Female Patriots is a study of tragic drama after the Glorious Revolution of 1688 that yields new insight into women's involvement in the public sphere and the political and aesthetic significance of feeling.
Author: L. Engel
Publisher: Springer
ISBN: 1137427949
Category : Performing Arts
Languages : en
Pages : 143
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Book Description
This interdisciplinary project draws on a wealth of sources (visual, material, literary and theatrical) to examine Austen's depiction of female performance, display and desire through her deployment of a culturally and symbolically charged accessory: the muff.
Author: Sarah Burdett
Publisher: Springer Nature
ISBN: 3031154746
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
