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Author: Lori Merish
Publisher: Duke University Press
ISBN: 9780822325161
Category : Business & Economics
Languages : en
Pages : 410
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Book Description
Examines the constructions of feminine consumption in the nineteenth century in relation to capitalism and domesticity.
Author: Lori Merish
Publisher: Duke University Press
ISBN: 9780822325161
Category : Business & Economics
Languages : en
Pages : 410
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Book Description
Examines the constructions of feminine consumption in the nineteenth century in relation to capitalism and domesticity.
Author: Jennifer A. Williamson
Publisher: McFarland
ISBN: 078647341X
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This collection of new essay examines how authors of the 20th and 21st centuries continue the use of sentimental forms and tropes of 19th century literature. Current literary and cultural critical consensus seems to maintain that Americans engaged in a turn-of-the-century refutation of the sentimental mode; an analysis of 20th and 21st century narratives, however, reveals an ongoing use of sentimental expression that draws upon its ability to instruct and influence readers through their emotions. While these later narratives employ aspects of the sentimental mode, many of them also engage in a critique of the failures of the sentimental, deconstructing 19th century perspectives on race, class and gender and the ways they are promoted by sentimental ideals.
Author: Leonard Cassuto
Publisher: Columbia University Press
ISBN: 0231126905
Category : Education
Languages : en
Pages : 341
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Book Description
Leonard Cassuto's cultural history of the hard-boiled crime genre recovers the fascinating link between tough guys and sensitive women
Author: Faye Halpern
Publisher: University of Iowa Press
ISBN: 1609381866
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
How could novels like Uncle Tom’s Cabin change the hearts and minds of thousands of mid-nineteenth-century readers, yet make so many modern readers cringe at their over-the-top, tear-filled scenes? Sentimental Readers explains why sentimental rhetoric was so compelling to readers of that earlier era, why its popularity waned in the latter part of the nineteenth century, and why today it is generally characterized as overly emotional and artificial. But author Faye Halpern also does more: she demonstrates that this now despised rhetoric remains relevant to contemporary writing teachers and literary scholars. Halpern examines these novels with a fresh eye by positioning sentimentality as a rhetorical strategy on the part of these novels’ (mostly) female authors, who used it to answer a question that plagued the male-dominated world of nineteenth-century American rhetoric and oratory: how could listeners be sure an eloquent speaker wasn’t unscrupulously persuading them of an untruth? The authors of sentimental novels managed to solve this problem even as the professional male rhetoricians and orators could not, because sentimental rhetoric, filled with tears and other physical cues of earnestness, ensured that an audience could trust the heroes and heroines of these novels. However, as a wider range of authors began wielding sentimental rhetoric later in the nineteenth century, readers found themselves less and less convinced by this strategy. In her final discussion, Halpern steps beyond a purely historical analysis to interrogate contemporary rhetoric and reading practices among literature professors and their students, particularly first-year students new to the “close reading” method advocated and taught in most college English classrooms. Doing so allows her to investigate how sentimental novels are understood today by both groups and how these contemporary reading strategies compare to those of Americans more than a century ago. Clearly, sentimental novels still have something to teach us about how and why we read.
Author: Lisa Mendelman
Publisher: Oxford University Press
ISBN: 0192589717
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.
Author: Kevin Pelletier
Publisher: University of Georgia Press
ISBN: 0820339482
Category : History
Languages : en
Pages : 271
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Book Description
Focusing on a range of important antislavery figures, including David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse worked to redefine violence and vengeance as the ultimate expression (rather than denial) of love and sympathy.
Author: Kenneth Dauber
Publisher: Bloomsbury Publishing USA
ISBN: 1501357387
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
The Logic of Sentiment is a study of sentimentality, a literary mode that aims to answer the question, "What hold us together?" Against the grain of cultural studies, which understands sentimentality as consolidating communities on the basis of material or historical foundations, Kenneth Dauber takes a philosophical approach. He argues that sentimentality is love conceptualized in denial of a skepticism--understood as the problem of people's otherness to each other--that material associations cannot dispel. Through close readings in the style of "ordinary language" criticism, Dauber analyzes mid-19th-century American novels, where sentimentality achieved its most complete articulation, with a focus on three novels published nearly simultaneously–Uncle Tom's Cabin, The House of the Seven Gables, and Pierre. Referencing a wide range of philosophical and literary texts, Dauber examines the response of sentimental writers to their growing awareness of love's lack of foundation, the waywardness with which individuals dispose themselves as they succeed and fail in achieving a viable "we." The Logic of Sentiment traces the movement from sentimentality to realism, the relation between epistemology and ethics, and the kind of investments that writers attempt to solicit from their readers.
Author: Margaret Cohen
Publisher: Princeton University Press
ISBN: 0691188246
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential novelistic forms ever invented. Margaret Cohen, however, challenges the traditional account of the genesis of realism by returning Balzac and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist codes emerged in a "hostile take-over" of a prestigious contemporary sentimental practice of the novel, which was almost completely dominated by women writers. Cohen draws on impressive archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers. Attention to these gendered struggles over genre explains why women were not pioneers of realism in France during the nineteenth century, a situation that contrasts with England, where women writers played a formative role in inventing the modern realist novel. Cohen argues that to understand how literary codes respond to material factors, it is imperative to see how such factors take shape within the literary field as well as within society as a whole. The book also proposes that attention to literature as a social institution will help critics resolve the current, vital question of how to practice literary history in the wake of poststructuralism.
Author: Ellen Elliott
Publisher: Harvest House Publishers
ISBN: 0736976353
Category : Religion
Languages : en
Pages : 223
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Book Description
Go Forth and Geek Out! Nerd. Geek. Dungeon Master. These used to be derisive labels. But now, geek is the new chic. Humorist, cartoonist, and geek culture enthusiast Ellen Elliott invites you to embrace your inner Spock and boldly go where no devotional has gone before—on a righteous, pop culture-filled quest for truth, meaning, and authenticity. From Lost to Back to the Future to Minecraft, and worlds beyond, join Ellen as she searches for spiritual Easter eggs hidden all over the geek multiverse. Get a Kung Fu grip on what God's Prime Directive says on topics such as hardship, fear, courage, and more. And now, true believer, you know what this book is all about. And as you also know, knowing is half the battle.
Author: Thomas Koenigs
Publisher: Princeton University Press
ISBN: 0691235201
Category : History
Languages : en
Pages : 336
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Book Description
"This monograph presents a new history of early American literature that traces the diverse forms of fiction circulating in the early United States (1789-1861) and how they shaped the way Americans thought and argued about political and cultural issues of their age"--
