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Author: John D. Stevens
Publisher: Columbia University Press
ISBN: 9780231073967
Category : American newspapers
Languages : en
Pages : 244
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Book Description
Author: John D. Stevens
Publisher: Columbia University Press
ISBN: 9780231073967
Category : American newspapers
Languages : en
Pages : 244
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Book Description
Author: David B. Sachsman
Publisher: Routledge
ISBN: 1351491466
Category : Social Science
Languages : en
Pages : 427
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Book Description
David B. Sachsman and David W. Bulla have gathered a colourful collection of essays exploring sensationalism in nineteenth-century newspaper reporting. The contributors analyse the role of sensationalism and tell the story of both the rise of the penny press in the 1830s and the careers of specific editors and reporters dedicated to this particular journalistic style.Divided into four sections, the first, titled "The Many Faces of Sensationalism," provides an eloquent Defense of yellow journalism, analyses the place of sensational pictures, and provides a detailed examination of the changes in reporting over a twenty-year span. The second part, "Mudslinging, Muckraking, Scandals, and Yellow Journalism," focuses on sensationalism and the American presidency as well as why journalistic muckraking came to fruition in the Progressive Era.The third section, "Murder, Mayhem, Stunts, Hoaxes, and Disasters," features a ground-breaking discussion of the place of religion and death in nineteenth-century newspapers. The final section explains the connection between sensationalism and hatred. This is a must-read book for any historian, journalist, or person interested in American culture.
Author: W. Joseph Campbell
Publisher: Taylor & Francis
ISBN: 0415977037
Category : History
Languages : en
Pages : 342
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Book Description
The Year That Defined American Journalism examines the 1897 conflict between the activist "yellow journalism" of William Randolph Hearst and its objective antithesis represented by the New York Times. No other year, arguably, has produced more memorable, singularly important, or defining moments in American journalism. This exceptional year brought the establishment of the White House Press Corps; the introduction of half-tone photographs to newspaper printing; the publication of American journalism's most famous editorial, "Is There A Santa Claus?"; and the inauguration of newspaper history's longest-running comic strip, the "Katzenjammer Kids." Moreover, the outcome of this conflict reshaped the profession and gave American journalism its modern contours. This work enriches not only our understanding of this decisive moment in journalism history, but also our understanding of how to do media history.
Author: Brett Griffin
Publisher: Cavendish Square Publishing, LLC
ISBN: 1502634724
Category : Young Adult Nonfiction
Languages : en
Pages : 114
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Book Description
The waning years of the nineteenth century saw the emergence of a new kind of journalism in the United States, one that not only challenged government and corporate power, but also turned to sordid crimes and scandals for much of its material. Sensational, shocking, and lurid, this new style of reporting came to be known as "yellow journalism." The trend influenced newspapers across the country, and its role in building public support for the Spanish-American War has become the stuff of legend. The supplemental features of this book, including striking photographs, primary sources, and informative sidebars, trace the development of yellow journalism and demonstrate its impact today.
Author: Joseph B. Entin
Publisher: Univ of North Carolina Press
ISBN: 9780807858349
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Sensational Modernism: Experimental Fiction and Photography in Thirties America
Author: Michael Oriard
Publisher: Univ of North Carolina Press
ISBN: 0807866962
Category : Sports & Recreation
Languages : en
Pages : 356
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Book Description
Is football an athletic contest or a social event? Is it a game of skill, a test of manhood, or merely an organized brawl? Michael Oriard, a former professional player, asks these and other intriguing questions in Reading Football, the first contemporary book about football's formative years. American football began in the 1870s as a game to be played, not watched. Within a brief ten years, it had become a great public spectacle with an immense following, a phenomenon caused primarily by the voluminous commentary about the game conducted in popular newspapers and magazines. Oriard shows how this constant narrative in football's early years developed many different stories about what the game meant: football as pastime, as the sport of gentlemen, as a science, as a game of rules and their infringements. He shows how football became a series of cultural stories about power, luck, strategy, and deception. These different interpretations have been magnified by football's current omnipresence on television. According to Oriard, televised football now plays a cultural role of enormous importance for men, yet within the field of cultural studies the influence of football has been ignored until now. From the book: "A receiver sprints down the sideline, fast and graceful, then breaks toward the middle of the field where a safety waits for him. From forty yards upfield the quarterback releases the ball; it spirals in an elegant arc toward the goalposts as the receiver now for the first time looks back to pick up its flight. The pass is a little high; the receiver leaps, stretches, grasps the ball--barely, fingers clutching--at the very moment that the safety drives a helmet into his unprotected ribs. The force of the collision flings the receiver backward, slamming him to the turf. . . . This familiar tableau, this exemplary moment in a football game, epitomizes the appeal of the sport: the dramatic confrontation of artistry with violence, both equally necessary."
Author: Ross Eaman
Publisher: Rowman & Littlefield
ISBN: 1538125048
Category : Language Arts & Disciplines
Languages : en
Pages : 521
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Book Description
This book covers the history of journalism as an institutionalized form of discourse from the acta diurna in ancient Rome to the news aggregators of the 21st century. It traces how journalism gradually distinguished itself from chronicles, history, and the novel in conjunction with the evolution of news media from news pamphlets, newsletters, and newspapers through radio, film, and television to multimedia digital news platforms like Google News. Historical Dictionary of Journalism, Second Edition covers 46 countries, it contains a chronology, an introduction, an extensive bibliography, the dictionary section has more than 300 cross-referenced entries on a wide array of topics such as African-American journalism, the historiography of the field, the New Journalism, and women in journalism. This book is an excellent resource for students, researchers, and anyone wanting to know more about journalism.
Author: George G. Foster
Publisher: Univ of California Press
ISBN: 9780520909472
Category : History
Languages : en
Pages : 262
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Book Description
First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the scenes of drunkenness and beastly debauch, and all the sad realities that go to make up the lower stratum—the underground story—of life in New York!" The author of this lively and fascinating little book, which both attracted and offended large numbers of readers in Victorian America, was George G. Foster, reporter for Horace Greeley's influential New York Tribune, social commentator, poet, and man about town. Foster drew on his daily and nightly rambles through the city's streets and among the characters of the urban demi-monde to produce a sensationalized but extraordinarily revealing portrait of New York at the moment it was emerging as a major metropolis. Reprinted here with sketches from two of Foster's other books, New York by Gas-Light will be welcomed by students of urban social history, popular culture, literature, and journalism. Editor Stuart M. Blumin has provided a penetrating introductory essay that sets Foster's life and work in the contexts of the growing city, the development of the mass-distribution publishing industry, the evolving literary genre of urban sensationalism, and the wider culture of Victorian America. This is an important reintroduction to a significant but neglected work, a prologue to the urban realism that would flourish later in the fiction of Stephen Crane, the painting of George Bellows, and the journalism of Jacob Riis.
Author: Jeremy Agnew
Publisher: McFarland
ISBN: 1476692319
Category : Language Arts & Disciplines
Languages : en
Pages : 259
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Book Description
Sensationalistic stories have attracted readers for as long as reading has been a popular form of entertainment. Readers have been frightened, revolted, yet fascinated by stories of death, thievery, kidnapping, murder, rape, scandal, love triangles, and colorful miscreants. Starting in the 1830s this morbid interest in lurid stories fueled the unprecedented growth of sensationalist newspapers that titillated and shocked their many readers. This study of sensationalism describes how newspapers added lurid details to their coverage of news events in an effort to attract as many readers as they could. Employing hyperbole and exaggerated details, they meant to grab the attention of the reader and keep him or her reading. For the next hundred years this form of journalism continued, later spilling over into radio and television news. Along the way, the "yellow journalism" wars of the 1880s and 1890s produced bold headlines, eye-catching illustrations, exaggeration of news events, and even false quotes and misleading information. Sensational reporting continued with muckraking reporting in the early 1900s as journalistic crusaders worked to expose municipal corruption, corporate greed, and misconduct in American business.
Author: Rachel O'Neill
Publisher: John Wiley & Sons
ISBN: 1509521593
Category : Social Science
Languages : en
Pages : 232
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Book Description
Within the so-called seduction community, the ability to meet and attract women is understood as a skill which heterosexual men can cultivate through practical training and personal development. Though it has been an object of media speculation – and frequent sensationalism – for over a decade, this cultural formation remains poorly understood. In the first book-length study of the industry, Rachel O’Neill takes us into the world of seduction seminars, training events, instructional guidebooks and video tutorials. Pushing past established understandings of ‘pickup artists’ as pathetic, pathological or perverse, she examines what makes seduction so compelling for those drawn to participate in this sphere. Seduction vividly portrays how the twin rationalities of neoliberalism and postfeminism are reorganising contemporary intimate life, as labour-intensive and profit-orientated modes of sociality consume other forms of being and relating. It is essential reading for students and scholars of gender, sexuality, sociology and cultural studies, as well as anyone who wants to understand the seduction industry’s overarching logics and internal workings.
