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Author: Joan Hanson
Publisher:
ISBN: 9781564770189
Category : Crafts & Hobbies
Languages : en
Pages : 64
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Book Description
Learn how to choose a setting that complements your blocks, plan a setting for an odd number of multiple-sized blocks, use a work sheet to figure fabric needs, and more.
Author: Joan Hanson
Publisher:
ISBN: 9781564770189
Category : Crafts & Hobbies
Languages : en
Pages : 64
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Book Description
Learn how to choose a setting that complements your blocks, plan a setting for an odd number of multiple-sized blocks, use a work sheet to figure fabric needs, and more.
Author: Dan Frakes
Publisher: John Wiley & Sons
ISBN: 0782151922
Category : Computers
Languages : en
Pages : 638
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Book Description
Expert Dan Frakes Toiled Endlessly with OS X So You Don't Have To... OS X expert and incurable Mac addict Dan Frakes delved into the deepest, darkest regions of Apple's newest operating system to uncover the best and most efficient ways to get things done. The result of his tireless efforts, Mac OS X Power Tools, takes you step-by-step through insightful and essential tips, shortcuts, and solutions. Filled with choice coverage on installation, the Finder, networking, security, Unix, software, and much more—Mac OS X Power Tools is certain to save you countless hours (and frustration) and turn you in to the OS X expert you've always dreamed of becoming. Coverage includes: Foiling Finder Frustration Setting Up Your Mac Sensationally Mastering Mac OS and Third-Party Software Installations Developing a Dynamic Dock Clobbering Classic Networking and Surfing Superiorly Connecting Conveniently and Running Remotely Fine-Tuning Firewalls and Strengthening System Security Utilizing UNIX See the author's website at www.macosxpowertools.com
Author: Ron Shaw
Publisher: Routledge
ISBN: 1134063318
Category : Education
Languages : en
Pages : 92
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Book Description
How often do you hear your pupils cry 'what can I write about?' 1001 Brilliant Writing Ideas offers teachers endless ideas and inventive suggestions, opening up new opportunities for creative writing lessons. With over 1000 different ‘story-starters’ across a vast range of genres and narrative styles, this versatile book provides food for thought for pupils of a wide range of ages and abilities. This highly practical and richly illustrated photocopiable resource Addresses the ‘blank mind’ dilemma, offering pupils a plethora of story-writing ideas and suggestions Enables teachers to inspire pupils who struggle with creative writing Provides prompts to set ideas into motion, whilst leaving plenty of scope for original and creative thought Challenges pupils, encouraging them to use higher level thinking skills Offers mix and match stimulus pieces which can be used independently or put together to give pupils more or less support as required Any teacher whose inventiveness is flagging, and whose pupils are running out of ideas, will find this an essential classroom resource.
Author: Patrick Brantlinger
Publisher: Indiana University Press
ISBN: 9780253212498
Category : Language Arts & Disciplines
Languages : en
Pages : 270
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Book Description
"[Brantlinger's] writing is admirably lucid, his knowledge impressive and his thesis a welcome reminder of the class bias that so often accompanies denunciations of popular fiction." —Publishers Weekly "Brantlinger is adept at discussing both the fiction itself and the social environment in which that fiction was produced and disseminated. He brings to his study a thorough knowledge of traditional and contemporary scholarship, which results in an important scholarly book on Victorian fiction and its production." —Choice "Timely, scrupulously researched, thoroughly enlightening, and steadily readable. . . . A work of agenda-setting historical scholarship." —Garrett Stewart Fear of mass literacy stalks the pages of Patrick Brantlinger's latest book. Its central plot involves the many ways in which novels and novel reading were viewed—especially by novelists themselves—as both causes and symptoms of rotting minds and moral decay among nineteenth-century readers.
Author: Mason Kamana Allred
Publisher: Taylor & Francis
ISBN: 1351858483
Category : History
Languages : en
Pages : 134
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Book Description
In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.
Author: Raphael Samuel
Publisher: Routledge
ISBN: 1315445948
Category : Drama
Languages : en
Pages : 303
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Book Description
First published in 1985, this book examines how workers theatre movements intended their performances to be activist — perceiving art as a weapon of struggle and enlightenment — and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers’ Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.
Author: Robert H. Scott
Publisher: State University of New York Press
ISBN: 143849243X
Category : Philosophy
Languages : en
Pages : 293
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Book Description
This anthology provides an accessible introduction to East Asian Buddhism, focusing specifically on China, Korea, and Japan. It begins with a detailed historical introduction that includes an overview of the development of the various schools of Buddhism in East Asia and traces the transmission of Buddhism from Northwest India to China in the first century CE, and then to Korea and Japan in the fourth and sixth centuries CE. The first part of the book contains five chapters that offer creative pedagogies that can help college professors infuse East Asian Buddhism into their courses. The second part includes six interdisciplinary chapters that explore thematic links between East Asian Buddhism and religious studies, philosophy, film studies, literature, and environmental studies.
Author: Joseph Pearce
Publisher: Ignatius Press
ISBN: 1681493764
Category : Fiction
Languages : en
Pages : 313
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Book Description
Edited by Joseph Pearce Contributors to this volume: Richard Harp Dominic Manganiello Joseph Pearce Brian Vickers In true Faustian tradition The Picture of Dorian Gray tells the tale of a young man who sells his soul to the devil in return for youthful immortality, only to discover that the ""devil's bargain"" is no bargain at all. ""What does it profit a man if he gain the whole world and lose his own soul?"" When Dorian Gray is asked this question he knows the answer. He has learned his lesson the hard way and has destroyed the lives of others into the bargain. The moral is inescapable, making The Picture of Dorian Gray more than merely a classic of Victorian literature. It is a classic of Christian literature also. This edition of Wilde's novel is edited by Joseph Pearce, author of The Unmasking of Oscar Wilde, and contains critical essays that look at the work from a tradition-oriented perspective. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.
Author: David Punter
Publisher: Edinburgh University Press
ISBN: 1474432379
Category : Art, Gothic
Languages : en
Pages : 520
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Book Description
The Gothic is a contested and complicated phenomenon, extending over many centuries and across all the arts. In The Edinburgh Companion to the Gothic and the Arts, the range of essays run from medieval architecture and design to contemporary gaming and internet fiction; from classical painting to the modern novel; from ballet and dance to contemporary Goth music. The contributors include many of the best-known critics of the Gothic (e.g., Hogle, Punter, Spooner, Bruhm) as well as newer names such as Kirk and Round. The editor has put all these contributors in touch with each other in the preparation of their essays in order to ensure the maximum benefit to the reader by producing a well-integrated book which will prove much more than a collection of disparate essays, but rather a distinctive contribution to a field.
Author: Leonardo Benevolo
Publisher: MIT Press
ISBN: 9780262520454
Category : Architecture
Languages : en
Pages : 508
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Book Description
A serious and original study of the beginnings and development of modernism in which the pictorial aspects are designed to aid in the communication of the author's closely reasoned formulations. Let it be said at once that the format of this work is richly handsome: it is a two-volume boxed set comprising 844 pages and well over 1,000 high-quality illustrations, and it reflects throughout its publisher's conviction that good design is an essential, not superficial, part of bookmaking. Beyond that, it should be emphasized that this work is not another facile cultural tour of modern architecture. It is a serious and original study of the beginnings and development of modernism in which the pictorial aspects are designed to aid in the communication of the author's closely reasoned formulations, rather than to gloss over a lack of substantive content. The book is a translation of the third Italian edition, published in 1966. Benevolo, who is on the faculty of architecture in Venice, has earned an international reputation as a historian of architecture and town planning, and his publications embrace the span of time from the Renaissance to the foreseeable future. One such publication, The Origins of Modern Town Planning (The MIT Press, 1967), may be read as a prelude to the present work as well as an independent contribution. Perhaps more than any other architectural historian in our time, Benevolo has made a determined effort to place developments in design and planning in their proper social and political settings. Indeed, the author argues that the development of the modern movement in architecture was determined, not by aesthetic formalisms, but largely by the social changes that have occurred since about 1760: "After the middle of the eighteenth century, without the continuity of formal activity being in any way broken, indeed while architectural language seems to be acquiring a particular coherence, the relations between architect and society began to change radically.... New material and spiritual needs, new ideas and modes of procedure arise both within and beyond the traditional limits, and finally they run together to form a new architectural synthesis that is completely different from the old one. In this way it is possible to explain the birth of modern architecture, which otherwise would seem completely incomprehensible...." This second volume is concerned with the modern movement proper, from 1914 to 1966. The author emphasizes the unity of the movement, rejecting the usual treatment that allots to the individual architects separate and unconnected biographical accounts.Benevolo remarks at one point, "When one talks about modern architecture one must bear in mind the fact that it implies not only a new range of forms, but also a new way of thinking, whose consequences have not yet all been calculated." His main concern is to provide a more exact calculation of those consequences.
