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Author: Paris. Archives de la Commission des Monuments Historiques
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 232
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Book Description
Author: Paris. Archives de la Commission des Monuments Historiques
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 232
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Book Description
Author: John Vredenburgh Van Pelt
Publisher: New York : Pencil Points Press Incorporated
ISBN:
Category : Architecture
Languages : en
Pages : 228
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Book Description
Author: Anatole de. Les cathédrales de France Baudot
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 213
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Book Description
Author: Jean Bony
Publisher: Univ of California Press
ISBN: 0520907876
Category : Art
Languages : en
Pages : 672
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Book Description
Gothic architecture is the most visible and striking product of medieval European civilization. Jean Bony, whose reputation as a medievalist is worldwide, presents its development as an adventure of the imagination allied with radical technical advances—the result of a continuining quest for new ways of handling space and light as well as experimenting with the mechanics of stone construction. He shows how the new architecture came unexpectedly to be invented in the Paris region around 1140 and follows its history—in the great cathedrals of northern France and dozens of other key buildings—to the end of the thirteenth century, when profound changes occurred in the whole fabric of medieval civilization. Rich illustrations, including comprehensive maps, enhance the text and themselves constitute an exceptionally valuable documenation. Despite its evident scholarly intention, this book is not meant for specialists alone, but is conceived as a progressive infiltration into the complexities of history at work, revealing its unpredictable vitality to the uninitiated curious mind.
Author:
Publisher:
ISBN:
Category : Architecture, French
Languages : en
Pages :
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Book Description
Author: Richard Moore
Publisher: AuthorHouse
ISBN: 1524644323
Category : Travel
Languages : en
Pages : 284
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Book Description
This substantive yet easy-to-use guide to selected French gothic churches and cathedrals provides profiles of fourteen important religious buildings. They are located in different parts of France, were constructed at different times and in different styles, and include both well-known and less well-known churches and cathedrals. They range from the tiny church of Saint Maclou in Rouenperhaps the best example of flamboyant designto the worlds most visited Gothic cathedral, Notre Dame in Paris. A second section of the book considers what a Gothic cathedral is as well as their medieval setting and the many architectural, artistic, and spiritual elements that comprise a Gothic cathedral. The guide is lavishly illustrated with photos and helpful images to help the readers derive the maximum benefit and pleasure from their Gothic church and cathedral visits.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 700
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Book Description
Author: Detroit Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 86
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Book Description
Author: Augustus Pugin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 212
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Book Description
Author: Milburg Francisco Mansfield
Publisher: Library of Alexandria
ISBN: 1465544364
Category : History
Languages : en
Pages : 208
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Book Description
An attempt to enumerate the architectural monuments of France is not possible without due consideration being given to the topographical divisions of the country, which, so far as the early population and the expression of their arts and customs is concerned, naturally divides itself into two grand divisions of influences, widely dissimilar. Historians, generally, agree that the country which embraces the Frankish influences in the north, as distinct from that where are spoken the romance languages, finds its partition somewhere about a line drawn from the mouth of the Loire to the Swiss lakes. Territorially, this approaches an equal division, with the characteristics of architectural forms well nigh as equally divided. Indeed, Fergusson,who in his general estimates and valuations is seldom at fault, thus divides it:—"on a line which follows the valley of the Loire to a point between Tours and Orleans, then southwesterly to Lyons, and thence along the valley of the Rhône to Geneva." With such a justification, then, it is natural that some arbitrary division should be made in arranging the subject matter of a volume which treats, in part only, of a country or its memorials; even though the influences of one section may not only have lapped over into the other, but, as in certain instances, extended far beyond. As the peoples were divided in speech, so were they in their manner of building, and the most thoroughly consistent and individual types were in the main confined to the environment of their birth. A notable exception is found in Brittany, where is apparent a generous admixture of style which does not occur in the churches of the first rank; referring to the imposing structures of the Isle de France and its immediate vicinity. The "Grand Cathedrals" of this region are, perhaps, most strongly impressed upon the mind of whoever takes something more than a superficial interest in the subject as the type which embodies the loftiest principles of Gothic forms, and, as such, they are perhaps best remembered by that very considerable body of persons known as intelligent observers. The strongest influences at work in the north from the twelfth century onward have been in favour of the Gothic or pointed styles, whilst, in the south, civic and ecclesiastical architecture alike were of a manifest Byzantine or Romanesque tendency. No better illustration of this is possible than to recall the fact that, when the builders of the fifteenth century undertook to complete that astoundingly impressive choir at Beauvais, they sought to rival in size and magnificence its namesake at Rome, which, under the care of the Pontiff himself, was then being projected. Thus it was that this thoroughly Gothic structure of the north was to stand forth as the indicator of local influences, as contrasted with the Italian design and plans of the St. Peter's of the south.
