Author: Rex Brandt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Brandt takes you back to nature and the joyous process of discovery by demonstrating that the world is composed of relationships, rather than things. He explores the ways medium and technique influence seeing and composing. The interactions of line, value, color and texture, and composition are discussed in detail. Diagrams and examples clarify each concept. Areas of discussion include: composition, simultaneity, chiaroscuro. contrast, size and proportion, style, dyanmics of space, perspective, color perception, and modes of pictorial organization--Jacket.
Author: Michael Marmor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
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Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Author: MAURICE GROSSER
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
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Book Description
Author: Arthur Stern
Publisher: Churchill & Dunn, Limited
ISBN: 9781626540637
Category : Art
Languages : en
Pages : 146
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Book Description
The purpose of this book is to train (or retrain) you to paint what your eye actually sees -- sometimes the hardest of all jobs.
Author: Alfred Chadbourn
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 152
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Book Description
Includes techniques for painting nature, beach scenes, cityscapes, and fishing villages.
Author: Mary G. Morton
Publisher: University of Chicago Press
ISBN: 9780226263557
Category : Art
Languages : en
Pages : 0
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Book Description
"More than fifty of Gustave Caillebotte's (1848-1894) strongest paintings illustrate the fertile period from 1875 to 1885 when he was most closely allied with the impressionists. Accompanying the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, this volume explores the inquisitive, experimental, almost fearless vision that inspired his masterworks"--
Author: Outlet
Publisher:
ISBN: 9780517627112
Category :
Languages : en
Pages :
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Book Description
Author: Betty Edwards
Publisher: Souvenir Press
ISBN: 1782838481
Category : Self-Help
Languages : en
Pages :
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Book Description
THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent
Author: Ted Seth Jacobs
Publisher: Courier Corporation
ISBN: 0486491064
Category : Art
Languages : en
Pages : 139
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Book Description
" Heralded as a revolutionary right-brain approach to figure drawing, this guide focuses on mentality rather than technique. The author presents personal reflections and advice on drawing what the eye sees instead of what the mind dictates. More than 180black-and-white drawings and eight pages of color illustrations reinforce such concepts as light, balance, and symmetry"--
Author: David Summers
Publisher: UNC Press Books
ISBN: 1469626047
Category : Art
Languages : en
Pages : 224
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Book Description
Spanning more than 2,500 years in the history of art, Vision, Reflection, and Desire in Western Painting demonstrates how the rise and diffusion of the science of optics in ancient Greece and the Mediterranean world correlated to pictorial illusion in the development of Western painting from Hellenistic Greece to the present. Using examples from the late Middle Ages and the Renaissance, David Summers argues that scene-painting (architectural backdrops) and shadow-painting (in which forms are modeled or shown as if in relation to a source of light) not only evolved in close association with geometric optics toward the end of the fifth century B.C.E., but also contributed substantially to the foundations of the new science. The spread of understanding of how light is transmitted, reflected, and refracted is evident in the works of artists such as Brunelleschi, van Eyck, Alberti, and Leonardo. The interplay between optics and painting that influenced the course of Western art, Summers says, persisted as a framework for the realism of Caravaggio, Rembrandt, and Goya and continues today in modern photography and film.
