Author: Ryan Bishop
Publisher: Edinburgh University Press
ISBN: 1474431437
Category : Art
Languages : en
Pages : 453
Book Description
In literature and the visual arts, zero degree represents a neutral aesthetic situated in response to and outside of the dominant cultural order. Starting from Roland Barthes' 1953 book Writing Degree Zero, this volume examines the historical, theoretical and visual aspects of the term in collaboration with artist and writer Victor Burgin.
Seeing Degree Zero
Author: Ryan Bishop
Publisher: Edinburgh University Press
ISBN: 1474431437
Category : Art
Languages : en
Pages : 453
Book Description
In literature and the visual arts, zero degree represents a neutral aesthetic situated in response to and outside of the dominant cultural order. Starting from Roland Barthes' 1953 book Writing Degree Zero, this volume examines the historical, theoretical and visual aspects of the term in collaboration with artist and writer Victor Burgin.
Publisher: Edinburgh University Press
ISBN: 1474431437
Category : Art
Languages : en
Pages : 453
Book Description
In literature and the visual arts, zero degree represents a neutral aesthetic situated in response to and outside of the dominant cultural order. Starting from Roland Barthes' 1953 book Writing Degree Zero, this volume examines the historical, theoretical and visual aspects of the term in collaboration with artist and writer Victor Burgin.
Seeing Degree Zero
Author: Bishop Ryan Bishop
Publisher: Edinburgh University Press
ISBN: 1474431445
Category : Art
Languages : en
Pages : 576
Book Description
In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin's long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, 'Belledonne' and 'Prairie', which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.
Publisher: Edinburgh University Press
ISBN: 1474431445
Category : Art
Languages : en
Pages : 576
Book Description
In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin's long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, 'Belledonne' and 'Prairie', which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.
Photography Degree Zero
Author: Geoffrey Batchen
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
Book Description
Roland Barthes's 1980 book Camera Lucidais perhaps the most influential book ever published on photography. The terms studiumand punctum,coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero,the first anthology of writings on Camera Lucida,goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero(the title links Barthes's first book, Writing Degree Zero,to his last, Camera Lucida)includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucidaand its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero,and the focus on Camera Lucidain the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work. Contributors: Geoffrey Batchen, Victor Burgin, Eduardo Cadava, Paolo Cortes-Rocca, James Elkins, Michael Fried, Jane Gallop, Gordon Hughes, Margaret Iverson, Rosalind E. Krauss, Carol Mavor, Margaret Olin, Jay Prosser, Shawn Michelle Smith
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
Book Description
Roland Barthes's 1980 book Camera Lucidais perhaps the most influential book ever published on photography. The terms studiumand punctum,coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero,the first anthology of writings on Camera Lucida,goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero(the title links Barthes's first book, Writing Degree Zero,to his last, Camera Lucida)includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucidaand its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero,and the focus on Camera Lucidain the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work. Contributors: Geoffrey Batchen, Victor Burgin, Eduardo Cadava, Paolo Cortes-Rocca, James Elkins, Michael Fried, Jane Gallop, Gordon Hughes, Margaret Iverson, Rosalind E. Krauss, Carol Mavor, Margaret Olin, Jay Prosser, Shawn Michelle Smith
The Seeing Century
Author:
Publisher: BRILL
ISBN: 9004455035
Category : History
Languages : en
Pages : 224
Book Description
The twentieth century, with all its turbulence and change, its conflicts and its discoveries was, perhaps above all, the century of cinema, and The Seeing Century offers an innovative, international, and interdisciplinary exploration of the role cinema plays in contemporary life and culture, and the complex and fascinating relationship between screen images and our changing concepts of personal and national identity. Rejecting the compartmentalisation that has traditionally marked film studies, and confronting an impressively eclectic range of material, fifteen essays by leading academics from around the world cut across ‘divergent’ cultures, languages, and genres: mainstream Hollywood rubs shoulders with low-budget Icelandic or Sicilian cinema, and the popular and the esoteric feature alongside each other. In this way, the reader is offered a stimulating overview which directly addresses the contradictions and ambiguities inherent in the relationship between film and identity, and reveals the vibrancy of contemporary film debate, to which The Seeing Century makes an important and thought-provoking contribution.
Publisher: BRILL
ISBN: 9004455035
Category : History
Languages : en
Pages : 224
Book Description
The twentieth century, with all its turbulence and change, its conflicts and its discoveries was, perhaps above all, the century of cinema, and The Seeing Century offers an innovative, international, and interdisciplinary exploration of the role cinema plays in contemporary life and culture, and the complex and fascinating relationship between screen images and our changing concepts of personal and national identity. Rejecting the compartmentalisation that has traditionally marked film studies, and confronting an impressively eclectic range of material, fifteen essays by leading academics from around the world cut across ‘divergent’ cultures, languages, and genres: mainstream Hollywood rubs shoulders with low-budget Icelandic or Sicilian cinema, and the popular and the esoteric feature alongside each other. In this way, the reader is offered a stimulating overview which directly addresses the contradictions and ambiguities inherent in the relationship between film and identity, and reveals the vibrancy of contemporary film debate, to which The Seeing Century makes an important and thought-provoking contribution.
Contests
Author: Carmen Beviá
Publisher: Cambridge University Press
ISBN: 1009504428
Category : Business & Economics
Languages : en
Pages : 239
Book Description
A new way to understand economic problems that complement the traditional views and expand subjects that social scientists should consider.
Publisher: Cambridge University Press
ISBN: 1009504428
Category : Business & Economics
Languages : en
Pages : 239
Book Description
A new way to understand economic problems that complement the traditional views and expand subjects that social scientists should consider.
A Companion to Contemporary Drawing
Author: Kelly Chorpening
Publisher: John Wiley & Sons
ISBN: 1119194547
Category : Art
Languages : en
Pages : 576
Book Description
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
Publisher: John Wiley & Sons
ISBN: 1119194547
Category : Art
Languages : en
Pages : 576
Book Description
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
Seeing Silence
Author: Mark C. Taylor
Publisher: University of Chicago Press
ISBN: 0226820033
Category : Art
Languages : en
Pages : 318
Book Description
"Finding silence amidst restlessness is what makes creative life possible-and death comprehensible. But how do we find-more importantly, how do we "understand"-silence while immersed in the chattering of the digital age? Have we forgotten how to listen? Are we less prepared than ever for the ultimate silence that awaits us all? Mark C. Taylor's new book is a philosophy of silence for our nervous, buzzing present, a timely work for a world where noise is a means of distraction, domination, and control. Here Taylor asks the reader to pause long enough to hear what is not said, and to attend to what remains unsayable. But in his account, our way to "hearing" silence is to "see" it: Taylor explores variations of silence by considering the work of leading modem and postmodern visual artists, from Barnett Newman and Ad Reinhardt to James Turrell and Anish Kapoor. Drawing also on the insights of philosophers, theologians, writers, and composers, he weaves a rich narrative modeled on the Stations of the Cross. "We come from and return to silence; in between, silence is the gap, hesitation, interval that allows thoughts to form and words to emerge," he writes. His chapter titles suggest our positions toward silence--or rather, our pre-positions: Without. Before. From. Beyond. Against. Within. Around. Between. Toward. With. In. Recasting Hegel's phenomenology of spirit and Kierkegaard's stages on life's way, Taylor translates the traditional "Via Dolorosa" into a Nietzschean "Via Jubilosa" that affirms silence in the midst of noise, light in the midst of darkness"--
Publisher: University of Chicago Press
ISBN: 0226820033
Category : Art
Languages : en
Pages : 318
Book Description
"Finding silence amidst restlessness is what makes creative life possible-and death comprehensible. But how do we find-more importantly, how do we "understand"-silence while immersed in the chattering of the digital age? Have we forgotten how to listen? Are we less prepared than ever for the ultimate silence that awaits us all? Mark C. Taylor's new book is a philosophy of silence for our nervous, buzzing present, a timely work for a world where noise is a means of distraction, domination, and control. Here Taylor asks the reader to pause long enough to hear what is not said, and to attend to what remains unsayable. But in his account, our way to "hearing" silence is to "see" it: Taylor explores variations of silence by considering the work of leading modem and postmodern visual artists, from Barnett Newman and Ad Reinhardt to James Turrell and Anish Kapoor. Drawing also on the insights of philosophers, theologians, writers, and composers, he weaves a rich narrative modeled on the Stations of the Cross. "We come from and return to silence; in between, silence is the gap, hesitation, interval that allows thoughts to form and words to emerge," he writes. His chapter titles suggest our positions toward silence--or rather, our pre-positions: Without. Before. From. Beyond. Against. Within. Around. Between. Toward. With. In. Recasting Hegel's phenomenology of spirit and Kierkegaard's stages on life's way, Taylor translates the traditional "Via Dolorosa" into a Nietzschean "Via Jubilosa" that affirms silence in the midst of noise, light in the midst of darkness"--
New Developments in Quantum Field Theory
Author: Poul Henrik Damgaard
Publisher: Springer Science & Business Media
ISBN: 0306470756
Category : Science
Languages : en
Pages : 360
Book Description
Quantum field theory is one of most central constructions in 20th century th- retical physics, and it continues to develop rapidly in many different directions. The aim of the workshop “New Developments in Quantum Field Theory”, which was held in Zakopane, Poland, June 14-20, 1997, was to capture a broad selection of the most recent advances in this field. The conference was sponsored by the Scientific and - vironmental Affairs Division of NATO, as part of the Advanced Research Workshop series. This book contains the proceedings of that meeting. Major topics covered at the workshop include quantized theories of gravity, string theory, conformal field theory, cosmology, field theory approaches to critical phenomena and the renormalization group, matrix models, and field theory techniques applied to the theory of turbulence. One common theme at the conference was the use of large-Nmatrix models to obtain exact results in a variety of different disciplines. For example, it has been known for several years that by taking a suitable double-scaling limit, certain string theories (or two-dimensional quantum gravity coupled to matter) can be re-obtained from the large-Nexpansion of matrix models. There continues to be a large activity in this area of research, which was well reflected by talks given at our workshop. Remarkably, large- Nmatrix models have very recently – just a few months before our meeting – been shown to have yet another deep relation to string theory.
Publisher: Springer Science & Business Media
ISBN: 0306470756
Category : Science
Languages : en
Pages : 360
Book Description
Quantum field theory is one of most central constructions in 20th century th- retical physics, and it continues to develop rapidly in many different directions. The aim of the workshop “New Developments in Quantum Field Theory”, which was held in Zakopane, Poland, June 14-20, 1997, was to capture a broad selection of the most recent advances in this field. The conference was sponsored by the Scientific and - vironmental Affairs Division of NATO, as part of the Advanced Research Workshop series. This book contains the proceedings of that meeting. Major topics covered at the workshop include quantized theories of gravity, string theory, conformal field theory, cosmology, field theory approaches to critical phenomena and the renormalization group, matrix models, and field theory techniques applied to the theory of turbulence. One common theme at the conference was the use of large-Nmatrix models to obtain exact results in a variety of different disciplines. For example, it has been known for several years that by taking a suitable double-scaling limit, certain string theories (or two-dimensional quantum gravity coupled to matter) can be re-obtained from the large-Nexpansion of matrix models. There continues to be a large activity in this area of research, which was well reflected by talks given at our workshop. Remarkably, large- Nmatrix models have very recently – just a few months before our meeting – been shown to have yet another deep relation to string theory.
Discrete Choice Theory of Product Differentiation
Author: Simon P. Anderson
Publisher: MIT Press
ISBN: 9780262011280
Category : Business & Economics
Languages : en
Pages : 454
Book Description
"The discrete choice approach provides an ideal framework for describing the demands for differentiated products and can be used for studying most product differentiation models in the literature. By introducing extra dimensions of product heterogeneity, the framework also provides richer models of firm location and product selection."--BOOK JACKET.
Publisher: MIT Press
ISBN: 9780262011280
Category : Business & Economics
Languages : en
Pages : 454
Book Description
"The discrete choice approach provides an ideal framework for describing the demands for differentiated products and can be used for studying most product differentiation models in the literature. By introducing extra dimensions of product heterogeneity, the framework also provides richer models of firm location and product selection."--BOOK JACKET.
The Quarterly Journal of Pure and Applied Mathematics
Author: James Joseph Sylvester
Publisher:
ISBN:
Category : Mathematics
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Mathematics
Languages : en
Pages : 402
Book Description