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Author: Cristina Istrati
Publisher: Lulu.com
ISBN: 1470901773
Category : Fiction
Languages : en
Pages : 402
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Book Description
When she receives the white rose bouquet from Lucas, Divine Anderson feels like she is bathing in an ocean of happiness. Pleased, she goes to his office in order to go out for having lunch. While waiting for him, what does she see? A portrait? A portrait of Lucas and a woman...His wife? By God, Lucas is married?! And what`s this resemblance between that woman and her?Broken hearted, Divine rushes out the office. When getting there, Lucas notices the portrait`s position changed. Damn it! He forgot about it!She leaves to Alaska, but will this be enough for her to forget the man she loves?And Charlie, Lucas`s best friend, what is his hidden agenda? Why does he want to secretly revenge over Lucas and see him destroyed...?
Author: Cristina Istrati
Publisher: Lulu.com
ISBN: 1470901773
Category : Fiction
Languages : en
Pages : 402
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Book Description
When she receives the white rose bouquet from Lucas, Divine Anderson feels like she is bathing in an ocean of happiness. Pleased, she goes to his office in order to go out for having lunch. While waiting for him, what does she see? A portrait? A portrait of Lucas and a woman...His wife? By God, Lucas is married?! And what`s this resemblance between that woman and her?Broken hearted, Divine rushes out the office. When getting there, Lucas notices the portrait`s position changed. Damn it! He forgot about it!She leaves to Alaska, but will this be enough for her to forget the man she loves?And Charlie, Lucas`s best friend, what is his hidden agenda? Why does he want to secretly revenge over Lucas and see him destroyed...?
Author: Emilyn Claid
Publisher: Routledge
ISBN: 1134195486
Category : Art
Languages : en
Pages : 257
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Book Description
Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Author: Jean-Paul Sartre
Publisher: Verso
ISBN: 9781859842386
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
During the phony war that preceded the invasion of France, between late 1939 and the summer of 1940, the young Jean-Paul Sartre was stationed in his native Alsace as part of a meteorological unit. He used his considerable periods of spare time, between mundane duties like watching weather balloons, to make a series of notes on philosophy, literature, politics, history and autobiography that anticipate the themes of his later masterpieces, and often surpass them in literary verve and directness. These War Diaries form a portrait of Sartre in his most intense and brilliant phase. With them the twentieth century's most remarkable and public philosopher has provided us with a fitting posthumous monument to his honest and creativity.
Author: Vida L. Midgelow
Publisher: Routledge
ISBN: 1135922411
Category : Art
Languages : en
Pages : 238
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Book Description
Reworking the Ballet illuminates the choreographic praxis, the context and the politics of reworkings in the light of counter-canonical discourses as developed within feminism, queer theory and postcolonialism.
Author: Katya Tolstaya
Publisher: BRILL
ISBN: 900424459X
Category : History
Languages : en
Pages : 391
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Book Description
Introducing a new hermeneutics, this book explores the correlation between the personal faith of F.M. Dostoevsky (1821-1881) and the religious quality of his texts. In offering the first comprehensive analysis of his ego documents, it demonstrates how faith has methodologically to be defined by the inaccessibility of the 'living person'. This thesis, which draws on the work of M.M. Bakhtin, is further developed by critically examining the reception of Dostoevsky by the two main representatives of early dialectical theology, Karl Barth and Eduard Thurneysen. In the early 1920s, they claimed Dostoevsky as a chief witness to their radical theology of the fully transcendent God. While previously unpublished archive materials demonstrate the theological problems of their static conceptual interpretation, the 'kaleidoscopic' hermeneutics is founded on the awareness that a text offers only a fixed image, whereas living faith is in permanent motion.
Author: Soren Kierkegaard
Publisher: Delphi Classics
ISBN: 1801701490
Category : Philosophy
Languages : en
Pages : 4435
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Book Description
A nineteenth century Danish philosopher and theologian, Søren Kierkegaard was a major influence on the development of existentialism and Protestant theology. He attacked the literary, philosophical and ecclesiastical establishments of his day for misrepresenting the highest task of human existence—becoming oneself in an ethical and religious sense. His critical works on organised religion, Christianity, morality, ethics and psychology reveal a fondness for metaphor, irony and parables. Many of his philosophical essays deal with how one lives as a “single individual”, giving priority to concrete human reality over abstract thinking, while highlighting the importance of personal choice. This eBook presents Kierkegaard’s collected works, with numerous illustrations, rare translations, concise introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Kierkegaard’s life and works * Concise introductions to the treatises * All the major essays, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare translations by David F. Swenson, Lillian Marvin Swenson and Walter Lowrie, digitised here for the first time * Includes the seminal autobiography– available in no other collection * Features a bonus biography – discover Kierkegaard’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Books Either/Or (1843) Fear and Trembling (1843) Repetition (1843) Upbuilding Discourses (1844) Philosophical Fragments (1844) The Concept of Dread (1844) Three Discourses on Imagined Occasions (1845) Stages on Life’s Way (1845) Works of Love (1847) Christian Discourses (1848) The Lilies of the Field and the Birds of the Air (1849) Three Discourses at the Communion on Fridays (1849) The Sickness unto Death (1849) Selections from the Writings of Kierkegaard (1923) The Autobiography The Point of View for my Work as an Author (1851) The Biography Introduction to Kierkegaard (1923) by Lee M. Hollander
Author: Doran George
Publisher: Oxford University Press
ISBN: 0197538762
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
From its beginnings as an alternative and dissident form of dance training in the 1960s, Somatics emerged at the end of the twentieth century as one of the most popular and widespread regimens used to educate dancers. It is now found in dance curricula worldwide, helping to shape the look and sensibilities of both dancers and choreographers and thereby influencing much of the dance we see onstage worldwide. One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements. The book traces the history of Somatics, and it also details how Somatics developed in different locales, engaging with local politics and dance histories so as to develop a distinctive pedagogy that nonetheless shared fundamental concepts with other national and regional contexts. In so doing it shows how dance training can inculcate an embodied politics by guiding and shaping the experience of bodily sensation, constructing forms of reflexive evaluation of bodily action, and summoning bodies into relationship with one another. Throughout, the author focuses on the concept of the natural body and the importance of a natural way of moving as central to the claims that Somatics makes concerning its efficacy and legitimacy.
Author: Søren Kierkegaard
Publisher: Penguin UK
ISBN: 0141915757
Category : Philosophy
Languages : en
Pages : 895
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Book Description
In Either/Or, using the voices of two characters - the aesthetic young man of part one, called simply 'A', and the ethical Judge Vilhelm of the second section - Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.
Author: William Logan
Publisher: Columbia University Press
ISBN: 0231509928
Category : Literary Criticism
Languages : en
Pages : 531
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Book Description
William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold. The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more. Praise for Logan's previous works: Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."—Adam Kirsch, Oxford American Reputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. A poet-critic engages closely with his masters, with his peers, with those whom he regards as falling short. This collection is an adventure of sensibility."—George Steiner "William Logan's critical bedevilments-as well as his celebrations-are indispensable."—Bill Marx, Boston Globe All the Rage (1998)"William Logan's reviews are malpractice suits."—Dennis O'Driscoll, Verse "William Logan is the best practical critic around."—Christian Wiman, Poetry
Author: Clare Croft
Publisher: Oxford University Press
ISBN: 0190646772
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
If we imagine multiple ways of being together, how might that shift choreographic practices and help us imagine ways groups assemble in more varied ways than just pairing another man with another woman? How might dancing queerly ask us to imagine futures through something other than heterosexuality and reproduction? How does challenging gender binaries always mean thinking about race, thinking about the postcolonial, about ableism? What are the arbitrary rules structuring dance in all its arenas, whether concert and social or commercial and competition, and how do we see those invisible structures and work to disrupt them? Queer Dance brings together artists and scholars in a multi-platformed project-book, accompanying website, and live performance series to ask, "How does dancing queerly progressively challenge us?" The artists and scholars whose writing appears in the book and whose performances and filmed interviews appear online stage a range of genders and sexualities that challenge and destabilize social norms. Engaging with dance making, dance scholarship, queer studies, and other fields, Queer Dance asks how identities, communities, and artmaking and scholarly practices might consider what queer work the body does and can do. There is great power in claiming queerness in the press of bodies touching or in the exceeding of the body best measured in sweat and exhaustion. How does queerness exist in the realm of affect and touch, and what then might we explore about queerness through these pleasurable and complex bodily ways of knowing?
