Author: Danyal Freeman
Publisher: Cambridge Scholars Publishing
ISBN: 1527509869
Category : Reference
Languages : en
Pages : 144
Book Description
This volume teaches academics and graduate students how to write seductive academic prose by learning a literacy rarely taught in academic writing or style handbooks: to use literary devices and figures of speech to meet ideals of stylish communication; and how these ideals and supposed ‘literary’ techniques serve academic readers and writers. Part one explores the persistent problem of the bad academic writing style called ‘academese’ and argues stylish academic writers avoid it by writing with figures of speech. Part two teaches and illustrates figures of speech seductive writers write into academic prose to convey the music and rhythms of good speech, cohesion, coherence and storytelling, and the personality and passions of the author. Part three argues the academy will not heal itself of academese until academic writing pedagogies teach students to care enough for their readers to write with figures of speech that craft seductive academic writing.
Seductive Academic Writing
Author: Danyal Freeman
Publisher: Cambridge Scholars Publishing
ISBN: 1527509869
Category : Reference
Languages : en
Pages : 144
Book Description
This volume teaches academics and graduate students how to write seductive academic prose by learning a literacy rarely taught in academic writing or style handbooks: to use literary devices and figures of speech to meet ideals of stylish communication; and how these ideals and supposed ‘literary’ techniques serve academic readers and writers. Part one explores the persistent problem of the bad academic writing style called ‘academese’ and argues stylish academic writers avoid it by writing with figures of speech. Part two teaches and illustrates figures of speech seductive writers write into academic prose to convey the music and rhythms of good speech, cohesion, coherence and storytelling, and the personality and passions of the author. Part three argues the academy will not heal itself of academese until academic writing pedagogies teach students to care enough for their readers to write with figures of speech that craft seductive academic writing.
Publisher: Cambridge Scholars Publishing
ISBN: 1527509869
Category : Reference
Languages : en
Pages : 144
Book Description
This volume teaches academics and graduate students how to write seductive academic prose by learning a literacy rarely taught in academic writing or style handbooks: to use literary devices and figures of speech to meet ideals of stylish communication; and how these ideals and supposed ‘literary’ techniques serve academic readers and writers. Part one explores the persistent problem of the bad academic writing style called ‘academese’ and argues stylish academic writers avoid it by writing with figures of speech. Part two teaches and illustrates figures of speech seductive writers write into academic prose to convey the music and rhythms of good speech, cohesion, coherence and storytelling, and the personality and passions of the author. Part three argues the academy will not heal itself of academese until academic writing pedagogies teach students to care enough for their readers to write with figures of speech that craft seductive academic writing.
Good Writing is Like Good Sex: Sort of Sexy Thoughts on Writing
Author: C. S. Johnson
Publisher: C. S. Johnson
ISBN: 1948464276
Category : Language Arts & Disciplines
Languages : en
Pages : 132
Book Description
What makes a book sexy? I’m not talking about erotica, per say, but what is the difference between a book you eagerly devour and a book you slum your way through? While there are individual exceptions, the most objective difference between a good story and a downright terrible one is simple—it all comes down to the writing. It’s either good writing, and we can forgive the technical flaws a little more easily, or it’s bad writing, and bad writing is just bad. Good writing is more than just good writing. Good writing is sexy. If you’re a fiction writer looking to improve your writing skills, this is the perfect, provocative read to encourage you to get down to business and write your story. Inside Good Writing is Like Good Sex, you will find: •A titillating perspective on the writing process •The secret to why your story is special, and how you can make it sexier •Tips on romancing your readers •How to write irresistible characters •Basic writing and story concepts with advanced insights … and all in a non-gratuitous fashion with a lot of innuendos. C. S. JOHNSON is the award-winning, genre-hopping author of several novels, including young adult sci-fi and fantasy adventures such as the Starlight Chronicles series, the Once Upon a Princess saga, and the Divine Space Pirates trilogy. She has written articles for The Rebelution, MTL Magazine, Hollywood in Toto, StudioJake, and more. With a gift for sarcasm and an apologetic heart, she currently lives in Atlanta with her family. FROM THE BOOK: “So, what’s so special about your book?” It’s still a terrifying question, but the more you see it, the better you can prepare to answer it. It might be hard for you to realize that your book is special at all, especially if you are a new writer, or you’re one of those people who struggle with self-confidence (I can assure you from personal experience you are in good company). I know exactly how that feels. But your book will be special, because it’s yours. It is your words written down on paper, your story written for the world to see, and the book you were born to write. It’s yours. This is something that people tend to say about kids, and I like using this analogy here because kids can be the result of good sex, just as my “book babies” are the result of my writing. No one will love my real children the way I do. My kids are unlike everyone else’s children because they are mine. And no one will ever love my husband the way I do, because he is the one I chose and the one who chose me back. Your own love story will be special because it’s yours. Your book will be special too. But, let’s face it, “special” has its limits, especially when it comes to the competitive writing market. Your unique outlook should be what tips the balance in your favor, and you do yourself a lot of favors if your tipping point doesn’t have a lot of unattractive baggage dragging it down. This means you need to take care to make your book be its best. WHAT READERS ARE SAYING: "An absolutely brilliant, cheeky, and fun guide to writing better. Great for anyone tired of bland writing guides." ~ Liliyana, Book Review "Chock-full of useful writing advice, written by a woman who clearly knows what she’s talking about." ~ Jessica, Author and Book Reviewer
Publisher: C. S. Johnson
ISBN: 1948464276
Category : Language Arts & Disciplines
Languages : en
Pages : 132
Book Description
What makes a book sexy? I’m not talking about erotica, per say, but what is the difference between a book you eagerly devour and a book you slum your way through? While there are individual exceptions, the most objective difference between a good story and a downright terrible one is simple—it all comes down to the writing. It’s either good writing, and we can forgive the technical flaws a little more easily, or it’s bad writing, and bad writing is just bad. Good writing is more than just good writing. Good writing is sexy. If you’re a fiction writer looking to improve your writing skills, this is the perfect, provocative read to encourage you to get down to business and write your story. Inside Good Writing is Like Good Sex, you will find: •A titillating perspective on the writing process •The secret to why your story is special, and how you can make it sexier •Tips on romancing your readers •How to write irresistible characters •Basic writing and story concepts with advanced insights … and all in a non-gratuitous fashion with a lot of innuendos. C. S. JOHNSON is the award-winning, genre-hopping author of several novels, including young adult sci-fi and fantasy adventures such as the Starlight Chronicles series, the Once Upon a Princess saga, and the Divine Space Pirates trilogy. She has written articles for The Rebelution, MTL Magazine, Hollywood in Toto, StudioJake, and more. With a gift for sarcasm and an apologetic heart, she currently lives in Atlanta with her family. FROM THE BOOK: “So, what’s so special about your book?” It’s still a terrifying question, but the more you see it, the better you can prepare to answer it. It might be hard for you to realize that your book is special at all, especially if you are a new writer, or you’re one of those people who struggle with self-confidence (I can assure you from personal experience you are in good company). I know exactly how that feels. But your book will be special, because it’s yours. It is your words written down on paper, your story written for the world to see, and the book you were born to write. It’s yours. This is something that people tend to say about kids, and I like using this analogy here because kids can be the result of good sex, just as my “book babies” are the result of my writing. No one will love my real children the way I do. My kids are unlike everyone else’s children because they are mine. And no one will ever love my husband the way I do, because he is the one I chose and the one who chose me back. Your own love story will be special because it’s yours. Your book will be special too. But, let’s face it, “special” has its limits, especially when it comes to the competitive writing market. Your unique outlook should be what tips the balance in your favor, and you do yourself a lot of favors if your tipping point doesn’t have a lot of unattractive baggage dragging it down. This means you need to take care to make your book be its best. WHAT READERS ARE SAYING: "An absolutely brilliant, cheeky, and fun guide to writing better. Great for anyone tired of bland writing guides." ~ Liliyana, Book Review "Chock-full of useful writing advice, written by a woman who clearly knows what she’s talking about." ~ Jessica, Author and Book Reviewer
Seducing a Woman with Words
Author: Lucas Lautier
Publisher:
ISBN: 9781983043451
Category : Self-Help
Languages : en
Pages : 154
Book Description
"Hi, how are you?" Do you count on seducing a girl with this kind of line? Really? May he who has never ended up in the friendzone cast the first stone at me. We've all already found ourselves in this uncomfortable situation: the one where we try to go further with a friend before being gently rejected. And yet, by applying some powerful advice that would have allowed you to position yourself otherwise in the nascent relationship, you would surely be in a relationship with this woman at this time. The secrets I am about to pass on to you have made me the man I am today: a true and complete man who is aware of the hidden power of words. The seduction techniques that you will soon learn have allowed me to sleep with more than forty women at only 22 years old. Passionate about human psychology (and female beauty), I looked into the subject very early to reach my goals. I ended up mastering the tricks of the trade to a point where everything became too easy... Seducing a woman by SMS, approaching on Facebook or flirting on Tinder is child's play for me. This is what you're going to learn in this book: - How to never again end up in the Friendzone by learning the difference between a classic conversation and flirting (many people confuse the two). We don't talk to a friend in the same way that we would talk to a potential future girlfriend. - How to effectively start a conversation with a woman on a dating site or Facebook and make her want to get to know you, by differentiating yourself from other men. - How to never run out of subjects to talk about, by using the storytelling technique. - How to position yourself in the emerging relationship to be and continue to be the alpha-male and to control the upcoming sequence of events. - How to make a girl want you without seeming like a pervert. To handle the art of sexualisation like a God. - How to appear mysterious and make her crazy for you in a short amount of time. - How to be light-hearted, funny and endearing by using humour. The examples will be as real as can be and modelled on real conversations. All of the extracts from discussions which will be presented to you are not made up but rewritten versions of, or strongly inspired by, my past conversations: everything is authentic (except the names used for obvious confidentiality reasons). Ready to be part of the elite? The group of 5% of men who seduce Facebook, Tinder, Happn, Bumble, Match.com, OkCupid, Instagram and many others. And who sleep with all the women of their dreams.
Publisher:
ISBN: 9781983043451
Category : Self-Help
Languages : en
Pages : 154
Book Description
"Hi, how are you?" Do you count on seducing a girl with this kind of line? Really? May he who has never ended up in the friendzone cast the first stone at me. We've all already found ourselves in this uncomfortable situation: the one where we try to go further with a friend before being gently rejected. And yet, by applying some powerful advice that would have allowed you to position yourself otherwise in the nascent relationship, you would surely be in a relationship with this woman at this time. The secrets I am about to pass on to you have made me the man I am today: a true and complete man who is aware of the hidden power of words. The seduction techniques that you will soon learn have allowed me to sleep with more than forty women at only 22 years old. Passionate about human psychology (and female beauty), I looked into the subject very early to reach my goals. I ended up mastering the tricks of the trade to a point where everything became too easy... Seducing a woman by SMS, approaching on Facebook or flirting on Tinder is child's play for me. This is what you're going to learn in this book: - How to never again end up in the Friendzone by learning the difference between a classic conversation and flirting (many people confuse the two). We don't talk to a friend in the same way that we would talk to a potential future girlfriend. - How to effectively start a conversation with a woman on a dating site or Facebook and make her want to get to know you, by differentiating yourself from other men. - How to never run out of subjects to talk about, by using the storytelling technique. - How to position yourself in the emerging relationship to be and continue to be the alpha-male and to control the upcoming sequence of events. - How to make a girl want you without seeming like a pervert. To handle the art of sexualisation like a God. - How to appear mysterious and make her crazy for you in a short amount of time. - How to be light-hearted, funny and endearing by using humour. The examples will be as real as can be and modelled on real conversations. All of the extracts from discussions which will be presented to you are not made up but rewritten versions of, or strongly inspired by, my past conversations: everything is authentic (except the names used for obvious confidentiality reasons). Ready to be part of the elite? The group of 5% of men who seduce Facebook, Tinder, Happn, Bumble, Match.com, OkCupid, Instagram and many others. And who sleep with all the women of their dreams.
Writing at the End of the World
Author: Richard E. Miller
Publisher: University of Pittsburgh Pre
ISBN: 0822972840
Category : Education
Languages : en
Pages : 250
Book Description
What do the humanities have to offer in the twenty-first century? Are there compelling reasons to go on teaching the literate arts when the schools themselves have become battlefields? Does it make sense to go on writing when the world itself is overrun with books that no one reads? In these simultaneously personal and erudite reflections on the future of higher education, Richard E. Miller moves from the headlines to the classroom, focusing in on how teachers and students alike confront the existential challenge of making life meaningful. In meditating on the violent events that now dominate our daily lives—school shootings, suicide bombings, terrorist attacks, contemporary warfare—Miller prompts a reconsideration of the role that institutions of higher education play in shaping our daily experiences, and asks us to reimagine the humanities as centrally important to the maintenance of a compassionate, secular society. By concentrating on those moments when individuals and institutions meet and violence results, Writing at the End of the World provides the framework that students and teachers require to engage in the work of building a better future.
Publisher: University of Pittsburgh Pre
ISBN: 0822972840
Category : Education
Languages : en
Pages : 250
Book Description
What do the humanities have to offer in the twenty-first century? Are there compelling reasons to go on teaching the literate arts when the schools themselves have become battlefields? Does it make sense to go on writing when the world itself is overrun with books that no one reads? In these simultaneously personal and erudite reflections on the future of higher education, Richard E. Miller moves from the headlines to the classroom, focusing in on how teachers and students alike confront the existential challenge of making life meaningful. In meditating on the violent events that now dominate our daily lives—school shootings, suicide bombings, terrorist attacks, contemporary warfare—Miller prompts a reconsideration of the role that institutions of higher education play in shaping our daily experiences, and asks us to reimagine the humanities as centrally important to the maintenance of a compassionate, secular society. By concentrating on those moments when individuals and institutions meet and violence results, Writing at the End of the World provides the framework that students and teachers require to engage in the work of building a better future.
Three Seductive Ideas
Author: Jerome Kagan
Publisher: Harvard University Press
ISBN: 0674001974
Category : Psychology
Languages : en
Pages : 228
Book Description
Do the first two years of life really determine a childÕs future development? Are human beings, like other primates, only motivated by pleasure? And do people actually have stable traits, like intelligence, fear, anxiety, and temperament? This book, the product of a lifetime of research by one of the founders of developmental psychology, takes on the powerful assumptions behind these questionsÑand proves them mistaken. Ranging with impressive ease from cultural history to philosophy to psychological research literature, Jerome Kagan weaves an argument that will rock the social sciences and the foundations of public policy. Scientists, as well as lay people, tend to think of abstract processesÑlike intelligence or fearÑas measurable entities, of which someone might have more or less. This approach, in KaganÕs analysis, shows a blindness to the power of context and to the great variability within any individual subject to different emotions and circumstances. ÒInfant determinismÓ is another widespread and dearly held conviction that Kagan contests. This theoryÑwith its claim that early relationships determine lifelong patternsÑunderestimates human resiliency and adaptiveness, both emotional and cognitive (and, of course, fails to account for the happy products of miserable childhoods and vice versa). The last of KaganÕs targets is the vastly overrated pleasure principle, which, he argues, can hardly make sense of unselfish behavior impelled by the desire for virtue and self-respectÑthe wish to do the right thing. Written in a lively style that uses fables and fairy tales, history and science to make philosophical points, this book challenges some of our most cherished notions about human nature.
Publisher: Harvard University Press
ISBN: 0674001974
Category : Psychology
Languages : en
Pages : 228
Book Description
Do the first two years of life really determine a childÕs future development? Are human beings, like other primates, only motivated by pleasure? And do people actually have stable traits, like intelligence, fear, anxiety, and temperament? This book, the product of a lifetime of research by one of the founders of developmental psychology, takes on the powerful assumptions behind these questionsÑand proves them mistaken. Ranging with impressive ease from cultural history to philosophy to psychological research literature, Jerome Kagan weaves an argument that will rock the social sciences and the foundations of public policy. Scientists, as well as lay people, tend to think of abstract processesÑlike intelligence or fearÑas measurable entities, of which someone might have more or less. This approach, in KaganÕs analysis, shows a blindness to the power of context and to the great variability within any individual subject to different emotions and circumstances. ÒInfant determinismÓ is another widespread and dearly held conviction that Kagan contests. This theoryÑwith its claim that early relationships determine lifelong patternsÑunderestimates human resiliency and adaptiveness, both emotional and cognitive (and, of course, fails to account for the happy products of miserable childhoods and vice versa). The last of KaganÕs targets is the vastly overrated pleasure principle, which, he argues, can hardly make sense of unselfish behavior impelled by the desire for virtue and self-respectÑthe wish to do the right thing. Written in a lively style that uses fables and fairy tales, history and science to make philosophical points, this book challenges some of our most cherished notions about human nature.
MFA vs NYC
Author: Chad Harbach
Publisher: Macmillan + ORM
ISBN: 0374712271
Category : Literary Collections
Languages : en
Pages : 311
Book Description
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
Publisher: Macmillan + ORM
ISBN: 0374712271
Category : Literary Collections
Languages : en
Pages : 311
Book Description
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
The Elements of Academic Style
Author: Eric Hayot
Publisher: Columbia University Press
ISBN: 0231537417
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Eric Hayot teaches graduate students and faculty in literary and cultural studies how to think and write like a professional scholar. From granular concerns, such as sentence structure and grammar, to big-picture issues, such as adhering to genre patterns for successful research and publishing and developing productive and rewarding writing habits, Hayot helps ambitious students, newly minted Ph.D.'s, and established professors shape their work and develop their voices. Hayot does more than explain the techniques of academic writing. He aims to adjust the writer's perspective, encouraging scholars to think of themselves as makers and doers of important work. Scholarly writing can be frustrating and exhausting, yet also satisfying and crucial, and Hayot weaves these experiences, including his own trials and tribulations, into an ethos for scholars to draw on as they write. Combining psychological support with practical suggestions for composing introductions and conclusions, developing a schedule for writing, using notes and citations, and structuring paragraphs and essays, this guide to the elements of academic style does its part to rejuvenate scholarship and writing in the humanities.
Publisher: Columbia University Press
ISBN: 0231537417
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Eric Hayot teaches graduate students and faculty in literary and cultural studies how to think and write like a professional scholar. From granular concerns, such as sentence structure and grammar, to big-picture issues, such as adhering to genre patterns for successful research and publishing and developing productive and rewarding writing habits, Hayot helps ambitious students, newly minted Ph.D.'s, and established professors shape their work and develop their voices. Hayot does more than explain the techniques of academic writing. He aims to adjust the writer's perspective, encouraging scholars to think of themselves as makers and doers of important work. Scholarly writing can be frustrating and exhausting, yet also satisfying and crucial, and Hayot weaves these experiences, including his own trials and tribulations, into an ethos for scholars to draw on as they write. Combining psychological support with practical suggestions for composing introductions and conclusions, developing a schedule for writing, using notes and citations, and structuring paragraphs and essays, this guide to the elements of academic style does its part to rejuvenate scholarship and writing in the humanities.
Meander, Spiral, Explode
Author: Jane Alison
Publisher: Catapult
ISBN: 1948226138
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.
Publisher: Catapult
ISBN: 1948226138
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.
Stylish Academic Writing
Author: Helen Sword
Publisher: Harvard University Press
ISBN: 0674069137
Category : Language Arts & Disciplines
Languages : en
Pages : 160
Book Description
Elegant data and ideas deserve elegant expression, argues Helen Sword in this lively guide to academic writing. For scholars frustrated with disciplinary conventions, and for specialists who want to write for a larger audience but are unsure where to begin, here are imaginative, practical, witty pointers that show how to make articles and books a pleasure to read—and to write. Dispelling the myth that you cannot get published without writing wordy, impersonal prose, Sword shows how much journal editors and readers welcome work that avoids excessive jargon and abstraction. Sword’s analysis of more than a thousand peer-reviewed articles across a wide range of fields documents a startling gap between how academics typically describe good writing and the turgid prose they regularly produce. Stylish Academic Writing showcases a range of scholars from the sciences, humanities, and social sciences who write with vividness and panache. Individual chapters take up specific elements of style, such as titles and headings, chapter openings, and structure, and close with examples of transferable techniques that any writer can master.
Publisher: Harvard University Press
ISBN: 0674069137
Category : Language Arts & Disciplines
Languages : en
Pages : 160
Book Description
Elegant data and ideas deserve elegant expression, argues Helen Sword in this lively guide to academic writing. For scholars frustrated with disciplinary conventions, and for specialists who want to write for a larger audience but are unsure where to begin, here are imaginative, practical, witty pointers that show how to make articles and books a pleasure to read—and to write. Dispelling the myth that you cannot get published without writing wordy, impersonal prose, Sword shows how much journal editors and readers welcome work that avoids excessive jargon and abstraction. Sword’s analysis of more than a thousand peer-reviewed articles across a wide range of fields documents a startling gap between how academics typically describe good writing and the turgid prose they regularly produce. Stylish Academic Writing showcases a range of scholars from the sciences, humanities, and social sciences who write with vividness and panache. Individual chapters take up specific elements of style, such as titles and headings, chapter openings, and structure, and close with examples of transferable techniques that any writer can master.
Academic Writing and Grammar for Students
Author: Alex Osmond
Publisher: SAGE
ISBN: 1473947189
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Book Description
Grappling with grammar? Struggling with punctuation? Whether you′re writing an essay or assignment, report or dissertation, this useful guide shows you how to improve the quality of your work at university – fast – by identifying and using the correct use of English grammar and punctuation in your academic writing. Using tried and tested advice from student workshops, Alex Osmond shares practical examples that illustrate common mistakes, and shows you how to avoid them. You’ll also discover guidance on: Writing structure – the what and how of crafting sentences and paragraphs Conciseness – how to express your point succinctly and clearly, showing you understand the topic Effective proofreading – the importance of the final ‘tidy up’, so your work is ready to hand in Referencing – common systems, and how to reference consistently (and avoid plagiarism). This new edition also includes separate chapters on critical thinking and referencing, exploring each topic in more detail, and learning outcomes in every chapter, so you can identify what new skills you’ll take away. The Student Success series are essential guides for students of all levels. From how to think critically and write great essays to planning your dream career, the Student Success series helps you study smarter and get the best from your time at university. Visit the SAGE Study Skills hub for tips and resources for study success!
Publisher: SAGE
ISBN: 1473947189
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Book Description
Grappling with grammar? Struggling with punctuation? Whether you′re writing an essay or assignment, report or dissertation, this useful guide shows you how to improve the quality of your work at university – fast – by identifying and using the correct use of English grammar and punctuation in your academic writing. Using tried and tested advice from student workshops, Alex Osmond shares practical examples that illustrate common mistakes, and shows you how to avoid them. You’ll also discover guidance on: Writing structure – the what and how of crafting sentences and paragraphs Conciseness – how to express your point succinctly and clearly, showing you understand the topic Effective proofreading – the importance of the final ‘tidy up’, so your work is ready to hand in Referencing – common systems, and how to reference consistently (and avoid plagiarism). This new edition also includes separate chapters on critical thinking and referencing, exploring each topic in more detail, and learning outcomes in every chapter, so you can identify what new skills you’ll take away. The Student Success series are essential guides for students of all levels. From how to think critically and write great essays to planning your dream career, the Student Success series helps you study smarter and get the best from your time at university. Visit the SAGE Study Skills hub for tips and resources for study success!