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Author: K. V. Soundara Rajan
Publisher: Abhinav Publications
ISBN: 8170172454
Category : Art
Languages : en
Pages : 162
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Book Description
This Book Is Directed Towards Inquiring Into The Definition Of The Scope Of Secularism In A Holistic Way, In So Far As It Could Apply To Ancient Indian Creative Art, Often Labelled As Religious Art. It Is, However, Seen That This Art Often Shows In Its Composition, Partly Or Wholly, A Deliberate Unrelatedness To Its Immediate Locus, And Conveys The Mind Of The Artist, His Absorption Of The Aesthetic And Literary, Traditional, Mystic And The Rasa-Charged Pulsating Life-Stream Legacy, And Display Of Macro-Cosmic Temper, Supra-Regional Commonality And Norm-Building Penchant, In His Eventual Creations. Religion Can Produce Profound Thought, But Not Art Which, Through The Medium Of Religion, Shows Insight And The Impacts Of Secular Experience. Examining By A Sampling The Entire Range Of Art, Sectorally And Chronologically, To Detect The Secular Manifestations Embedded In The Art Presentations, The Author Finds That There Is An Integrated Secularism In The Art Of India S Past, Invoked By The Artists Who Had Been Groomed In Its Culture And Who Had Developed A Macro-Perception, By The Totality Of The Impacts Of The Dharmasastras, Arthasastras, Kamasastras, And Natyasastras, Along With The Hieratic Works And The Fertility Cults And Mystic Deity-Devotee Links, Analogous To Mundane Romantic Attachment, And The Ancient Artist Who Owned All This As A Private Legacy, Had Evolved His Own Techniques For Formal Creations Of Them In Art. Illustrated With Sixty-Four Plates And Line Drawings, Besides Notes On Plates And Appendices, The Eight Chapters Of The Book Dissect The Processes Behind Art Creations, To Reveal Humanism And Secularism.
Author: K. V. Soundara Rajan
Publisher: Abhinav Publications
ISBN: 8170172454
Category : Art
Languages : en
Pages : 162
Get Book Here
Book Description
This Book Is Directed Towards Inquiring Into The Definition Of The Scope Of Secularism In A Holistic Way, In So Far As It Could Apply To Ancient Indian Creative Art, Often Labelled As Religious Art. It Is, However, Seen That This Art Often Shows In Its Composition, Partly Or Wholly, A Deliberate Unrelatedness To Its Immediate Locus, And Conveys The Mind Of The Artist, His Absorption Of The Aesthetic And Literary, Traditional, Mystic And The Rasa-Charged Pulsating Life-Stream Legacy, And Display Of Macro-Cosmic Temper, Supra-Regional Commonality And Norm-Building Penchant, In His Eventual Creations. Religion Can Produce Profound Thought, But Not Art Which, Through The Medium Of Religion, Shows Insight And The Impacts Of Secular Experience. Examining By A Sampling The Entire Range Of Art, Sectorally And Chronologically, To Detect The Secular Manifestations Embedded In The Art Presentations, The Author Finds That There Is An Integrated Secularism In The Art Of India S Past, Invoked By The Artists Who Had Been Groomed In Its Culture And Who Had Developed A Macro-Perception, By The Totality Of The Impacts Of The Dharmasastras, Arthasastras, Kamasastras, And Natyasastras, Along With The Hieratic Works And The Fertility Cults And Mystic Deity-Devotee Links, Analogous To Mundane Romantic Attachment, And The Ancient Artist Who Owned All This As A Private Legacy, Had Evolved His Own Techniques For Formal Creations Of Them In Art. Illustrated With Sixty-Four Plates And Line Drawings, Besides Notes On Plates And Appendices, The Eight Chapters Of The Book Dissect The Processes Behind Art Creations, To Reveal Humanism And Secularism.
Author: Karin Zitzewitz
Publisher:
ISBN: 9781849042956
Category : Art and society
Languages : en
Pages : 0
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Book Description
Written in the wake of the widely publicised attacks by Hindu nationalist activists on the late M. F. Husain, India's most famous artist and a prominent Muslim, The Art of Secularism addresses the entanglement of visual art with political secularism. The crisis in secularism in India, commonlyassociated with the rise of Hindu nationalism in the 1980s, transformed the meaning of art. It challenged the relation- ships between modernism, national culture, secularism and modernity that had been built since Indias independence in 1947.The Art of Secularism describes how four renowned artists, "M. F. Husain, K. G. Subramanyan, Gulammohammed Sheikh, and Bhupen Khakhar" developed their practice in an era when secular nationalism grappled with the recent re-enchantment of signs. Com- bining close readings of these artists' work withethnography of the art worlds of Mumbai and Vadodara, Karin Zitzewitz describes both the everyday forms of cosmopolitanism in the Indian art world and the increasing vulnerability of art world spaces to cultural regulation. She also presents the shifting conditions of the production and exhibitionof art within the particularly urgent, varied, and sophisticated public debates about secularism in India, in which artists have been increasingly prominent interlocutors.
Author: Gayatri Sinha
Publisher: Damaris Publishing
ISBN:
Category : Art
Languages : en
Pages : 350
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Book Description
The demand for Modern, Post-Modern and Contemporary Indian art among collectors all over the world has spiralled in the past few years. This book covers major trends in Indian art over the last 150 years, taking in a broad sweep the shift from traditional forms of painting through the mechanical reproduction to 21st century Contemporary art.
Author: Shabnum Tejani
Publisher: Indiana University Press
ISBN: 0253058325
Category : History
Languages : en
Pages : 321
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Book Description
Many of the central issues in modern Indian politics have long been understood in terms of an opposition between ideologies of secularism and communalism. Observers have argued that recent Hindu nationalism is the symptom of a crisis of Indian secularism and have blamed this on a resurgence of religion or communalism. Shabnum Tejani unpacks prevailing assumptions about the meaning of secularism in contemporary politics, focusing on India but with many points of comparison elsewhere in the world. She questions the simple dichotomy between secularism and communalism that has been used in scholarly study and political discourse. Tracing the social, political, and intellectual genealogies of the concepts of secularism and communalism from the late nineteenth century until the ratification of the Indian constitution in 1950, she shows how secularism came to be bound up with ideas about nationalism and national identity.
Author: David T. Buckley
Publisher: Columbia University Press
ISBN: 0231542445
Category : Religion
Languages : en
Pages : 392
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Book Description
Religion and democracy can make tense bedfellows. Secular elites may view religious movements as conflict-prone and incapable of compromise, while religious actors may fear that anticlericalism will drive religion from public life. Yet such tensions are not inevitable: from Asia to Latin America, religious actors coexist with, and even help to preserve, democracy. In Faithful to Secularism, David T. Buckley argues that political institutions that encourage an active role for public religion are a key part in explaining this variation. He develops the concept of "benevolent secularism" to describe institutions that combine a basic division of religion and state with extensive room for participation of religious actors in public life. He traces the impact of benevolent secularism on religious and secular elites, both at critical junctures in state formation and as politics evolves over time. Buckley shows how religious and secular actors build credibility and shared norms over time, and explains how such coalitions can endure challenges from both religious revivals and periods of anticlericalism. Faithful to Secularism tests this institutional theory in Ireland, Senegal, and the Philippines, using a blend of archival, interview, and public opinion data. These case studies illustrate how even countries with an active religious majority can become and remain faithful to secularism.
Author: Kajri Jain
Publisher: Duke University Press
ISBN: 1478012889
Category : Art
Languages : en
Pages : 267
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Book Description
In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”
Author: Arindam Chakrabarti
Publisher: Bloomsbury Publishing
ISBN: 1472524306
Category : Philosophy
Languages : en
Pages : 445
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Book Description
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Author: Tapati Guha-Thakurta
Publisher: Cambridge University Press
ISBN: 1009276751
Category : History
Languages : en
Pages : 446
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Book Description
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
Author: James Elkins
Publisher: Routledge
ISBN: 1135879702
Category : Art
Languages : en
Pages : 154
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Book Description
Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.
Author: Jean L. Cohen
Publisher: Columbia University Press
ISBN: 0231540736
Category : Religion
Languages : en
Pages : 465
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Book Description
Polarization between political religionists and militant secularists on both sides of the Atlantic is on the rise. Critically engaging with traditional secularism and religious accommodationism, this collection introduces a constitutional secularism that robustly meets contemporary challenges. It identifies which connections between religion and the state are compatible with the liberal, republican, and democratic principles of constitutional democracy and assesses the success of their implementation in the birthplace of political secularism: the United States and Western Europe. Approaching this issue from philosophical, legal, historical, political, and sociological perspectives, the contributors wage a thorough defense of their project's theoretical and institutional legitimacy. Their work brings fresh insight to debates over the balance of human rights and religious freedom, the proper definition of a nonestablishment norm, and the relationship between sovereignty and legal pluralism. They discuss the genealogy of and tensions involving international legal rights to religious freedom, religious symbols in public spaces, religious arguments in public debates, the jurisdiction of religious authorities in personal law, and the dilemmas of religious accommodation in national constitutions and public policy when it violates international human rights agreements or liberal-democratic principles. If we profoundly rethink the concepts of religion and secularism, these thinkers argue, a principled adjudication of competing claims becomes possible.
