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Author: Noah Greenberg
Publisher: Courier Corporation
ISBN: 9780486413747
Category : Music
Languages : en
Pages : 228
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Book Description
"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
Author: Noah Greenberg
Publisher: Courier Corporation
ISBN: 9780486413747
Category : Music
Languages : en
Pages : 228
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Book Description
"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
Author: William F. Gentrup
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 272
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Book Description
The fourteen essays presented in this volume contribute substantially to the study of the reinvention of the Middle Ages and the Renaissance. They take an historicized approach to constructions of the past, and most address the relatively new field of Medievalism. All of them focus on how and why the present of any period uses the past to promote its own opinions, beliefs, doctrines or views. In particular, the volume demonstrates that reinventions of past eras or figures can be motivated by a nationalistic desire to create cultural 'roots', to discover origins that justify a regime or group's self-identity, to appropriate a cultural icon or neglected author for a particular political agenda, or to reflect on contemporary social issues via a remote time and place. Reworkings or adaptations of earlier culture often tell us more about the age in which they were produced than the one revived or revisited. This volume features five essays that treat medieval subjects; four focus on Tudor and Stuart figures, religion or politics; and five concentrate on nineteenth-century uses of medieval or early modern events, literary conventions, settings and themes.
Author: Glyn Davies
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
This important and beautiful book accompanies the opening of the Victoria and Albert Museum's spectacular new Medieval and Renaissance galleries. Among the textiles, paintings, sculpture, glass, metalwork, prints, manuscripts, furniture, ceramics and jewelry featured here are such renowned treasures as the Devonshire tapestries, the Leonardo Notebooks, Donatellos Ascension relief, the reliquary casket of St. Thomas Becket, and many more astonishing works. Organized thematically, the book explores the social contexts responsible for these captivating objects, both commonplace and precious, recovering the attitudes of makers and owners of the time toward artistic practice. Rather than adopting the traditional sharp distinction between the Medieval and Renaissance, the authors explore aspects of the whole of this long period in European design and manufacture: an approach that emphasizes the continuities and gradual developments that were often as significant as sudden upheaval. A general historical introduction to the social and political background is followed by chapters that explore concepts of art, workshops, and sales, the classical past, ornament, religious art, health and body, and the ways in which objects themselves express the attitudes of their owners.
Author: O. B. Hardison
Publisher:
ISBN: 9780807878668
Category : History
Languages : en
Pages : 0
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Book Description
Medieval and Renaissance Studies, Number 1: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer 1965
Author: Thomas Brady
Publisher: BRILL
ISBN: 9004391657
Category : History
Languages : en
Pages : 735
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Book Description
The Handbook of European History 1400-1600 brings together the best scholarship into an array of topical chapters that present current knowledge and thinking in ways useful to the specialist and accessible to students and to the educated non-specialist. Forty-one leading scholars in this field of history present the state of knowledge about the grand themes, main controversies and fruitful directions for research of European history in this era. Volume 1 (Structures and Assertions) described the people, lands, religions and political structures which define the setting for this historical period. Volume 2 (Visions, Programs, Outcomes) covers the early stages of the process by which newly established confessional structures began to work their way among the populace.
Author: Marlin Detweiler
Publisher: Veritas Press
ISBN: 9781930710177
Category : Social Science
Languages : en
Pages : 382
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Book Description
Author: Robert L. Benson
Publisher: University of Toronto Press
ISBN: 9780802068507
Category : Social Science
Languages : en
Pages : 1434
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Book Description
Twenty-seven authors approach the diverse areas of the cultural, religious, and social life of the twelfth century. These essays form a basic resource for all interested in this pivotal century. A reprint of the first edition first published in 1982.
Author: Brian Cummings
Publisher: Oxford University Press
ISBN: 0191549754
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. The deepest periodic division in English literary history has been between the Medieval and the Early Modern, not least because the cultural investments in maintaining that division are exceptionally powerful. Narratives of national and religious identity and freedom; of individual liberties; of the history of education and scholarship; of reading or the history of the book; of the very possibility of persuasive historical consciousness itself: each of these narratives (and more) is motivated by positing a powerful break around 1500. None of the claims for a profound historical and cultural break at the turn of the fifteenth into the sixteenth centuries is negligible. The very habit of working within those periodic bounds (either Medieval or Early Modern) tends, however, simultaneously to affirm and to ignore the rupture. It affirms the rupture by staying within standard periodic bounds, but it ignores it by never examining the rupture itself. The moment of profound change is either, for medievalists, just over an unexplored horizon; or, for Early Modernists, a zero point behind which more penetrating examination is unnecessary. That situation is now rapidly changing. Scholars are building bridges that link previously insular areas. Both periods are starting to look different in dialogue with each other. The change underway has yet to find collected voices behind it. Cultural Reformations volume aims to provide those voices. It will give focus, authority, and drive to a new area.
Author:
Publisher:
ISBN:
Category : Middle Ages
Languages : en
Pages :
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Author: George Gordon Coulton
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 260
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Book Description
