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Author: Anthony Fothergill
Publisher: Peter Lang
ISBN: 9783039102716
Category : History
Languages : en
Pages : 280
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Book Description
This is the first book-length account of Joseph Conrad's reception in Germany, a virtually unresearched area of Conrad studies. It demonstrates that Conrad was read and used by his German readers as a cosmopolitan literary and moral voice against the prevailing nationalism of Germany in the 'dark times' of the 1930s and 1940s, when their own voices were being silenced. Challenging the longstanding assumption that Germany remained largely indifferent to his works, this book demonstrates that, particularly after the translation of the complete fiction commencing in the 1920s, Conrad's works achieved near cult status in Germany. On the basis of diaries and letters, contemporary reviews and essays, unpublished archival material as well as novels and films, the author illuminates the range and importance of Conrad's presence as a powerful liberating imagination within twentieth-century German culture. Championed by Thomas Mann, lauded by Hermann Hesse, and decried as 'Conrad the Jew' by the Nazis, Conrad has remained an influential presence in post-war German culture. The study offers a completely fresh perspective on Conrad's works and speaks eloquently for the importance of recognizing the way trans-national literary cultural relations have helped to shape European cultural history.
Author: Jennifer Spitzer
Publisher: Fordham Univ Press
ISBN: 1531502105
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
Secret Sharers traces a genealogy of secret sharing between literary modernism and psychoanalysis, focusing on the productive entanglements and intense competitive rivalries that helped shape Anglo-American modernism as a field. As Jennifer Spitzer reveals, such rivalries played out in explicit criticism, inventive misreadings, and revisions of Freudian forms—from D. H. Lawrence’s re-descriptions of the unconscious to Vladimir Nabokov’s parodies of the psychoanalytic case study. While some modernists engaged directly with Freud and Freudian psychoanalysis with unmistakable rivalry and critique, others wrestled in more complex ways with Freud’s legacy. The key protagonists of this study—D. H. Lawrence, Virginia Woolf, W. H. Auden, and Vladimir Nabokov—are noteworthy for the way they engaged with, popularized, and revised the terms of Freudian psychoanalysis, while also struggling with it as an encroaching discourse. Modernists read psychoanalysis, misread psychoanalysis, and sometimes refused to read it altogether, while expressing anxiety about being read by psychoanalysis—subjecting themselves and their art to psychoanalytic interpretations. As analysts, such as Freud, Ernest Jones, and Alfred Kuttner, turned to literature and art to illustrate psychoanalytic theories, modernists sought to counter such reductive narratives by envisioning competing formulations of the relationship between literature and psychic life. Modernists often expressed ambivalence about the probing, symptomatic style of psychoanalytic interpretation and responded with a re-doubling of arguments for aesthetic autonomy, formal self-consciousness, and amateurism. Secret Sharers reveals how modernists transformed the hermeneutic and diagnostic priorities of psychoanalysis into novel aesthetic strategies and distinctive modes of epistemological and critical engagement. In reassessing the historical and intellectual legacies of modernism, this book suggests that modernist responses to psychoanalytic criticism anticipate more recent critical debates about the value of “symptomatic” reading and the “hermeneutics of suspicion.”
Author: Anthony Fothergill
Publisher: Peter Lang
ISBN: 9783039102716
Category : History
Languages : en
Pages : 280
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Book Description
This is the first book-length account of Joseph Conrad's reception in Germany, a virtually unresearched area of Conrad studies. It demonstrates that Conrad was read and used by his German readers as a cosmopolitan literary and moral voice against the prevailing nationalism of Germany in the 'dark times' of the 1930s and 1940s, when their own voices were being silenced. Challenging the longstanding assumption that Germany remained largely indifferent to his works, this book demonstrates that, particularly after the translation of the complete fiction commencing in the 1920s, Conrad's works achieved near cult status in Germany. On the basis of diaries and letters, contemporary reviews and essays, unpublished archival material as well as novels and films, the author illuminates the range and importance of Conrad's presence as a powerful liberating imagination within twentieth-century German culture. Championed by Thomas Mann, lauded by Hermann Hesse, and decried as 'Conrad the Jew' by the Nazis, Conrad has remained an influential presence in post-war German culture. The study offers a completely fresh perspective on Conrad's works and speaks eloquently for the importance of recognizing the way trans-national literary cultural relations have helped to shape European cultural history.
Author: Jackson I. Cope
Publisher: Duke University Press
ISBN: 9780822317609
Category : Drama
Languages : en
Pages : 240
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Book Description
Modern vernacular comedy took shape in early sixteenth-century Italy with the many plays adapted from and modeled on Plautine New Comedy. As Jackson I. Cope demonstrates in this study, some Italian dramatists reacted to the widespread success of this genre with a counterparadigm, a comedy that exploits secrecy as form. In both historically and critically engaging fashion, Cope identifies and examines this major development in Italian theater. Though outwardly similar to New Comedy with its characteristically harmonious closure, this essentially anti-Plautine form employs a secret--known by the audience but unequally shared among the players--to introduce a radical discrepancy between simultaneous stories unfolding in a single action doubly understood. The result is a plot that is misleading at the surface, contingent and unfinished at its end. The audience, in a position of enforced collusion with regard to the secret, becomes a formal ingredient in the production. The play, more cynical than carnivalesque, opens onto vistas of disruption and deception rather than closing on a note of renewed social harmony. Cope's close and original readings of both classic and lesser-known plays by Machiavelli, Ruzante, Cecchi, Grazzini, Fagiuoli, Maggi, and others follow this peculiarly Italian, anti-Plautine paradigm through variations across three centuries to its masterful and complex culmination in Carlo Goldoni's villeggiatura trilogy. Establishing a new comedic canon that demands a revision of Italian dramatic history and the history of European dramatic theory, Secret Sharers in Italian Comedy makes an important contribution to Italian studies and will also attract readers among theater scholars in English, comparative literature, and drama.
Author: Paweł Jędrzejko
Publisher: M-Studio
ISBN: 8362023562
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
The present book explores a variety of fundamental questions that all of us secretly share. Its twenty-one chapters, written by some of the world’s leading Melville and Conrad scholars, indicate possible directions of comparativist insight into the continuity and transformations of western existentialist thought between the 19th and 20th centuries. The existential philosophy of participation—so mistrustful of analytical categories—is epitomized by the lives and oeuvres of Melville and Conrad. Born in the immediacy of experience, this philosophy finds its expression in uncertain tropes and faith-based actions; rather than muffle the horror vacui with words, it plunges head first into liminality, where logos dissolves into a “positive nothing.” Unlike analytical philosophers, both Melville and Conrad refrain from talking about reality: they expose those who would listen to a first-hand experience of participation in an interpretive act. Employing literary tropes to denude the essence of the human condition, they allow their readers to transgress the limitations of language. Mistrustful of language, they accept the necessity of discourse which, to make sense, must be actively reshaped, endlessly questioned, and constantly revised. And if uncertainty is the only certainty available to us, our lowly human condition also necessitates compassion: an existential cure against the liquid, capricious reality we are afforded.
Author: Joseph Conrad
Publisher: Modernista
ISBN: 9181080913
Category :
Languages : en
Pages : 51
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Book Description
»The Secret Sharer« is a short story by Joseph Conrad, originally published in 1910. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.
Author: Bruce Bassoff
Publisher: A M S Publications
ISBN:
Category : Literary Collections
Languages : en
Pages : 208
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Book Description
Author: Robert Silverberg
Publisher:
ISBN:
Category : Science fiction, American
Languages : en
Pages : 572
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Book Description
Author: Esther Rashkin
Publisher: Princeton University Press
ISBN: 1400863031
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: International Conference on Electronic C
Publisher: Springer Science & Business Media
ISBN: 3540229175
Category : Business & Economics
Languages : en
Pages : 380
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Book Description
This book constitutes the refereed proceedings of the 5th International Conference on Electronic Commerce and Web Technologies, EC-Web 2004, held in Zaragossa, Spain in August/September 2004. The 36 revised full papers presented were carefully reviewed and selected from 103 submissions. The papers are organized in topical sections on recommender systems, databases and EC applications, service-oriented e-commerce applications, electronic negotiation systems, security and trust in e-commerce techniques for b2b e-commerce, negotiation strategies and protocols, modeling of e-commerce applications, e-commerce intelligence, e-retailing and Website design, and digital rights management and EC strategies.
Author: Theodore Billy
Publisher: Texas Tech University Press
ISBN: 9780896723894
Category : Language Arts & Disciplines
Languages : en
Pages : 310
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Book Description
Beginning with a detailed discussion of Conrad's ambivalence toward the function of language and the meaning of fiction, Ted Billy explores the problematical sense of an ending in Conrad's tales and novellas. Billy demonstrates that Conrad's endings, instead of reinforcing the meaning of the narrative or lending finality, actually provide a contrasting perspective that clashes with the narrative's general drift.
