British Art in the 20th Century PDF Download
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Author: Dawn Ades
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 474
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Book Description
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Author: Henry Moore Institute
Publisher:
ISBN: 9781900081047
Category : Art
Languages : en
Pages : 418
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Book Description
Author: Henry Moore Institute (Leeds, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Author: Paul Nash
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221888
Category : Artists
Languages : en
Pages : 0
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Book Description
Paul Nash was one of the most important British artists of the 20th century. An official war artist in both the First and the Second World Wars, his paintings include some of the most definitive artistic visions of those conflicts. This volume is being published to coincide with a major Nash retrospective and incorporates an abridged version of the unpublished 'Memoirs of Paul Nash' by his wife Margaret.
Author: Michael Remy
Publisher: Routledge
ISBN: 042962719X
Category : Art
Languages : en
Pages : 475
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Book Description
This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.
Author: Louise Campbell
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223134
Category : Architecture
Languages : en
Pages : 0
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Book Description
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.
Author: Dawn Ades
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 474
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Book Description
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 307
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Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Meirion Harries
Publisher:
ISBN: 9780718123147
Category :
Languages : en
Pages : 0
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Book Description
Author: Dr Catherine Jolivette
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472412761
Category : Art
Languages : en
Pages : 313
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Book Description
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
Author: Laura Gray
Publisher: Taylor & Francis
ISBN: 1351626418
Category : Art
Languages : en
Pages : 147
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Book Description
This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.
